Islamic Art

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Last updated 1:41 AM on 3/5/25
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26 Terms

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Kaa’ba, Mecca

Is a holy sight in Islamic culture, it is the first place god touched. Destination of the pilgrimage.

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Qur’an Folio, Hejurz Script

Kufic script, ink and gold on vellum

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Folio from The Blue Qur’an, late 9th- early 10 century, Tunisia, North Africa, Gold and sliver on indigo dyed parchment.

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The great Mosque of Damascus, Syria C.E 643, Umayyad Capital,

Was Formerly the Basilica of John the Baptist but was converted into a mosques, but the Byzantine decoration was kept

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Kairouan, Tunisia Great Mosques

This Mosques is a Hypostatic style, was famous for its library.

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Dome of the Rock

This central plan structure, is a very important Islamic sight, having connection to many Islamic religious figures particularly the story of Muhammad’s night journey.

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Great Mosque, Cordova, Spain, 784-786,

This Hypostyle Mosque, made from a Visigoth church, stands as symbol of political power. The new Caliph at the time added to the his own decorative Maqsura.

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Madinat Al-Zahra, Cordova, Spain 936 C.E

This Structure is known for its grand entrance hall and throne room.

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Pyxis Of Al Mughra, Al Andalusia, Madinat al Zahra, AH 357/968 CE, Craved ivory with jade

This decorative cosmetic container was given to Mughra youngest son. It had lots of Political Iconography, centered around what it means to be a caliph.

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Great Mosque Minaret, Malwiya Tower Abbasid Period, 848-51 C.E

This structure was designed after a ziggurat, it acted as a strong symbol for the Islamic faith since the minaret was to call people to prayer.

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Basra Blue and White wares, 9th century Earthware, tin glazed cobalt

These Earthware bowl show the influence that Islamic had from their trading with china.

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Tomb of the Samanids, Bukhara, Uzbekistan c. 920’s

This central plan tomb was made to be a show that they were in charge. Even though the Quran speaks against decorative tombs, but they the powers of the Islamic world made tomb to highlight and show there power.

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Bowl with black and red Inscriptions( saying from Hadith), Khorasan province, Iran, 9th-10th c, Samanid Dynasty

Pattern Earthenware with Kufic inscriptions

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Great Mosques Masjjide Jomeh Isfahan

This most is a masterpieces of brick architecture, with its decorative deign and craving, also its layout in the city.

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Freer Beaker Iran Seljuk Dynasty 12 century underglaze and overglaze enamel painting

This beaker tells the story of Bizhan and Manizha

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Bowl with scene of Courtier and Attendants Iran late 12th- early 13 century, min’al ware

This bowl during its restoration many elements were repainted and fix.

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Plate with figures December 1210, stone paste painted over with glaze luster Kushan, Iran

This plate has a lengthy inscriptions praising the receiver.

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Bobrinsky Bucket, Greater Iran, multiple artist 1163 C.E Selijuk period, Hermitage

This bucket is an early example of zoomorphic calligraphy.

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Baptistery de Saint Louis, Egypt or Syria, circa 1320-1340, hammerer brass, gold and sliver, inlay

This interact piece has no calligraphy instead the whole piece is made up of intertwined iconography .

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Frits are Mihrab tiles Iran Kashan, II Khalid Dynasty late 13 century

Luster glass with painted in blue turquoise over opaque white glass

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The Great Illkhanid Shanhnama, Court of Abu Sa id (1316-1315) 9 century ruler of the Illkhanid dynasty

Illustration of a great epic poem, front the book of kings one of the most influential works on Persian culture, and art.

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Guru Amir complex, gur emir mausoleum madras a and khanqah 1403-1404 tomb of Timur

It is the tomb of a whole line of rulers

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Laila and Majnun at School: Page from the Khamsa of Nizami 835 /1431–32 a.d. Artist: possibly Mir Khalil; calligrapher: Ja'far Herat,

The Timurid prince commissioned this piece for his manuscripts, it from a famous poem by Nizami

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Tahmina enters Rustam’s Chamber Shahnama Iran, Timurid Dynasty c. 1410

Was commission but the Timurid courts illustrating the story o Tahmina and Rustam

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Humay and Humayun in a Garden, Herat, c. 1430