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ambiguity -
A vagueness of meaning; a conscious lack of clarity meant to evoke multiple meanings or interpretations.
anaphora -
The repetition of a word or words at the beginning of two or more successive verses, clauses, or sentences.
antecedent -
A word to which a pronoun refers.
antithesis -
A rhetorical opposition or contrast of ideas by means of a grammatical arrangement of words, clauses, or sentences.
Example: “They promised us freedom but provided slavery.”
apostrophe -
An address or invocation to something inanimate or absent.
Example: “Oh, you cruel streets of Manhattan, how I abhor you!”
conceit -
A witty or ingenious thought; a diverting or highly fanciful idea, often stated in figurative language.
connotation -
The suggested or implied meaning of a word or phrase.
deductive reasoning -
A method of reasoning by which specific definitions, conclusions, and theorems are drawn from general principles. Its opposite is inductive reasoning.
diction -
The choice of words in oral and written discourse.
euphemism -
A mild or less negative usage for a harsh or blunt term.
exposition -
The background and events that lead to the presentation of the main idea or purpose of an essay or other work; setting forth the meaning or purpose of a piece of writing or discourse.
explication -
The interpretation or analysis of a text.
fallacious reasoning -
An incorrect belief or supposition based on faulty data, defective evidence.
inductive reasoning -
A method of reasoning in which a number of specific facts or examples are used to make a generalization.
metonymy -
A figure of speech that uses the name of one thing to represent something else with which it is associated.
Example: “The White House declares…”
oxymoron -
A term consisting of contradictory elements juxtaposed to create a paradoxical effect.
Example: loud silence, jumbo shrimp
paradox -
A statement that seems self-contradictory but is nevertheless true.
parallel structure -
The structure required for expressing two or more grammatical elements of equal rank: coordinate ideas, compared and contrasted ideas, and correlative construction.
Example: “Colleges favor applicants with strong academics, varied interests, and high standardized test scores.”
parody -
An imitation of a work meant to ridicule its style and subject.
persona -
The role or façade that a character assumes or depicts to a reader.
refutation -
The part of discourse wherein opposing arguments are anticipated and refuted.
rhetoric -
The language of a work and its style; words, often highly emotional, used to convince or sway an audience.
rhetorical mode -
General term that identifies discourse according to its chief purpose. Modes include exposition (to explain, analyze, or discuss an idea), argumentation (to prove a point or persuade), description (to recreate or present with details), and narration (to relate by way of anecdote or story).
syllogism -
A form of deductive reasoning in which given certain ideas or facts, other ideas or facts must follow.
Example: “All men are mortal. Mike is a man; therefore Mike is mortal.”
synecdoche -
Figure of speech in which a part signifies the whole (fifty masts instead of fifty ships) or the whole signifies the part (days for life as in “He had lived his days under the African sun”): when the name of a material stands for the thing itself, as in pigskin for football.
syntax -
The arrangement or organization of language into meaningful structure; every sentence has a particular syntax, or pattern of words.
tone -
The author’s attitude toward the subject being written about. The tone is the characteristic emotion that pervades a work or part of a work- the spirit or quality that is the work’s emotional essence.
verisimilitude -
Similar to the truth; the quality of realism that persuades readers that they are getting a vision of life as it is.
The real or assumed personality used by a writer or speaker. In grammar, active voice and passive voice refer to the use of verbs. A verb is in the active voice when it expresses action performed by its subject. A verb is in the passive voice when it expresses an action performed upon its subject or when the subject is the result of the action.
ACTIVE: The crew raked the leaves. PASSIVE: The leaves were raked by the crew.
Stylistically, the active voice leads to more economical and vigorous writing.