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Paleolithic Art
Artistic expressions produced during the Paleolithic period
Petroglyphs and Pictographs, Mobiliary Art, Parietal Art, Relief Sculpture, Pottery/ Ceramic Art
Paleolithic Art in chronological order
Petroglyphs
images made by chipping away on the surface of the rock or cave face, likely with the use of a stone tool such as a chisel.
Pictographs
images made by the application of natural pigments extracted from the soil or ground-up stone
Petroglyphs and Pictographs
Most historians believe that this medium was a precursor to the development of writing.
Mobiliary Art
small-scale objects that are transportable
portable art
"mobiliary art," is also called ____________
Venus figures
mobiliary art are often in the form of carved figurines, such as the _____________.
Venus Figures
general term used to describe statuettes of women found to belong to the Upper Paleolithic
lozenge; belly
Venus figures are Typically________-shaped, with a wide fat ____ tapering to the head and legs.
arms; feet; facial detail
Venus figures Usually bears no ____ or ____ or any _________
Reproductive parts
In venus figures, ______________ are deliberately exaggerated.
fertility; religious worship
Venus figures were most likely used as _____ symbols or icons for _____________.
Lion Man of the Hohlenstein Stadel
mobiliary sculpture found in a cave in southern Germany.
made from Mammoth Tusk
carved around 40,000 years ago, making it the
oldest representation of a non-physical being
Lion Man
The ___________ was the oldest ivory sculpture
Lion Man
The __________ was the oldest representation of a non-physical being
Venus of Berekhat Ram
mobiliary sculpture found in the Golan Heights between Israel and Syria
Venus of Tan-Tan
mobiliary sculpture discovered in Morocco
Venus of Berekhat Ram; Venus of Tan-Tan
These two mobiliary sculptures pre-date the other figurines by thousands of years, dating back to the Lower Paleolithic, making them the oldest figurines ever to be discovered.
Venus of Hohle Fels
made from Mammoth bone
oldest of all the Venus figures and the earliest undisputed example of figurative art known to archeology.
Venus of Willendorf
remains to be one of the most famous and compelling Paleolithic sculptures due to its graphic depiction of obesity.
Venus of Brassempouy
mobiliary sculpture most likely part of a larger statue but was broken, and the other parts were lost.
oldest known portrait of the human face
Parietal Art
denotes all art found within the interior environs of caves.
Relief Sculpture
works that project from but which still belong to the wall or other types of background surface on which it is carved.
Venus of Laussel
[relief sculpture] As an example of Venus figure art, the image is considered to be a fertility symbol,
as evidenced by its engorged breast and swollen belly.
The inclusion of a horn with its 13 notches may refer to the 13 days of the waxing moon or the 13 months of the lunar year and may thus be associated with either menstruation and fertility or other ritualistic lunar issues.
Salmon of Abri du Poisson
[relief sculpture] only known prehistoric sculpture of a fish.
Pottery/Ceramic Art
creation of objects, mainly cooking or storage vessels, made out of clay and then hardened by heat.
Venus of Dolni Vêstonice
world’s oldest known ceramic artifact, made of terracotta.
Totemism, Shamanism
2 Theories on the Functions of Paleolithic Art
Totemism
magico-religious system characteristic of hunter-gatherer tribal society
a system that provides a group with its identity that depends upon a certain intimate and exclusive relationship towards a particular animal or plant.
Shamanism
religious practice where there is communication with good and evil spirits through a professional class of priest-seers
Fertility, Propitiation, Death
Types of Magic in Paleolithic Culture
Fertility Magic
thought to assist the procreation of useful species by depicting pregnant females
Propitiation Magic
used to pacify the dead
sympathetic magic
based on the belief that there is a relationship between resembling objects.
Death Magic
type of sympathetic magic wherein weapons painted on animals were used as talismans to guide the hunters’ aim.