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Ode to a Nightingale summary:
speaker is experiencing a sadness, translated into a drowsy numbness
he becomes deeply aware of the happiness of the nightingale he hears singing
resulting pleasure is so intense it becomes painful
he longs for an intoxicant, letting him achieve union with the nightingale → take him out of the world
he wants to escape the worries + concerns of life, forget human suffering and despair and the transience of all experience
hemlock:
poisonous plant
Lethe:
a river that runs through Hades → if consumed, drinkers forget everything
hypnogagia
a kind of weary ‘inner-voice’ that comes out → Ode to a Nightingale
Dryad:
Dryads live a long time, not subject to time
“deep-delved Earth” is a…
Homeric epithet!
“Provencal song”:
song from Provence, a region of the South of France. The phrase suggests both grape harvests + the songs of medieval minstrels
Hippocrene:
The Hippocrene spring (see the etymology) was sacred to the Muses, and its waters were said to imbue the drinker with poetic inspiration.
Summary of stanzas 4,5, and 6 - Ode to a Nightingale:
Wine is rejected in favour of the poetic imagination
enters a twilight region of the mind
he can see nothing, the senses feed his imagination
uses poetry to join the nightingale’s world of moon + stars
Keats can’t see the flowers in poems, but he can smell them
contemplates leaving the world altogether
Bacchus painting:
Painting of Ariadne + Bacchus by Titian in the National Gallery:
“not charioted by Bacchus”
Keats rejects wine in favour of the intoxication of poetry
“Queen-Moon”
Selene, the goddess of the Moon
myth of Bacchus and Ariadne:
Bacchus gives Ariadne a crown of seven stars, which becomes the constellation Corona Borealis - a literal elevation to the heavens. Ariadne is rescued by Bacchus’s divine gift - something that Keats rejects.
“winding mossy ways” of the intangible forest in Ode to a Nightingale:
labyrinthine
Theseus must escape the Labyrinth after slaying the Minotaur. He follows a thread given by Ariadne, guiding him out of the winding and confusing passages.
Keats’s forest labyrinth is a liminal space between mortality and immortal song
vision in Ode to a Nightingale:
“I cannot see” → this transient experience is all in the imagination
Stanza 5 of Ode to a Nightingale makes references to…
Oberon’s speech in Act II Scene I → A Midsummer Night’s Dream
toying with the temporary and escapist wonder of fiction
“violet, musk-rose, eglantine” taken directly from Oberon
fusion of senses in a dreamlike atmosphere - nature as an otherworldly threshold
what is a violet a symbol of (stanza v, Ode to a Nightingale)
innocence, but they are fast-fading → youth and imagination fades
“the murmurous haunts of lies on summer eyes”
gaudy + macabre undercuts the mood
“Darkling”
shift in mood towards death
what does Keats realise in the final stanza of Ode to a Nightingale?
that the nightingale will keep singing, even if Keats does not
“ease” is use 2x in Ode to a Nightingale → first to describe the nightingale’s song, and then to describe what?
death
Shakespeare Sonnet 73:
nature is cyclical → human life is not!
ekphrasis:
poetry about poetry
Philomel + the nightingale:
Ovid’s Metamorphoses:
Philomel is raped by her sister’s husband, Tereus. Tereus cuts off her tongue, so that she cannot speak. Philomel embroiders a tapestry to tell her sister, Procne, about it.
Nightingale’s song → interpreted as a lament for death
Keats wants to find the same kind of escape that the nightingale finds
only in death is Philomel able to use her voice
images of death in Ode to a Nightingale:
hemlock
Lethe
embalmed
darkness
requiem
tolling bell
how long did it take Keats to write Ode to a Nightingale?
2-3 hours
Ode to a Nightingale:
Poetry as an alternative to intoxication
morality v immortality
desire for oblivion
nightingale as muse / poetic inspiration
ambiguity of the vision
what is Oberon doing in his speech?
ordering Robin Goodfellow to “streak [Helena’s] eyes” with a magical flower
what kind of rhyme scheme to Ode to a Nightingale have?
a Keatsian ABABCDECDE rhyme scheme - rhyme scheme never goes unbroken.
final 2 lines serve as an allusion to…
Hamlet (1599) - “to be or not to be, that is the question. Whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune”
reference to “Ruth” in stanza VII
Moabite women who remains loyal to her Israelite mother-in-law Naomi, after the death of her husband.
Embodies faithfulness and devotion
“was it a vision or a waking dream?”
escapism and sadness go hand in hand