Identifications

Bust of Charles IV from the Triforium of saint Vitus’s Cathedral, Prague, Czech Republic, 1375-78

Christine Reading in her Study, in an edition of Le Livre de la
Cité des dames. 15th c. Bibliothèque de Genève,
Switzerland. Ms. Fr. 180, f° 3v.

Detail of a miniature of the Wheel of Fortune, from
L'Épître Othéa, France (Paris), c. 1410 – c. 1414 Harley
MS 4431, f. 129r

Jean Miélot, Scribe and
translator to the Dukes of
Burgundy, c. 1450 for Duke
Phillip the Good

Detail of a miniature of Christine de Pizan
in her study at the beginning of the Cent
balades, France (Paris). 1410
-1414 c.
Harley MS 4431, f. 4r

Charles V in his study In John of
Salisbury’s Policraticus, St.
John’s College, Oxford, Ms. 64,
f. 1

Christine instructs her son in her study, France (Paris), c.
1410 – c. 1414. British Library, Ms. Harley 4431, f. 261

Christine instructs four men. France (Paris), c. 1410 – c. 1414.
Proverbes Moreaux. British Library, Ms. Harley 4431, f° 259.

Christine de Pizan presenting a codex to
Louis of Orleans in the L'Épître Othéa, ,
France (Paris). 1410-1414 c. Harley MS
4431, f.95

Frontispiece of Christine de Pizan
presenting her manuscript to Queen
Isabeau of Bavaria, France (Paris), c.
1410 – c. 1414, Harley MS 4431, f. 3r

Detail of a miniature of
Christine de Pizan
before the
personifications of
Rectitude, Reason, and
Justice in her study, and
helping another lady to
build the 'Cité des
dames', Harley MS
4431, f. 290r

The Crucifixion,
Deposition, and
Entombment from the
Passional of Abbess
Cunigunde, fol. 8v.
International Gothic,
Prague, Czech
Republic, 1313
-1321.

Master Honoré, Book of hours, c. 1290.
Gothic, Paris, France.

The Crucifixion,
Prague, Czech
Republic, c. 1340.

Attrib. Jean D’Orleans,
Parement (altar cloth) de
Narbonne
Before 1378

Duccio, Maestà
1324-1328

Duccio, Maesta Crucifixion, 1308
-11. Gothic, Sienna, Italy.

Virgin & Child or Madonna of Zbraslav,
c. 1340-1350, International Gothic,
Prague, Czech Republic.

Royal Crown of Bohemia, Gold with sapphires, spinels,
pearls, emeralds, and rubies from the Treasure of Saint
Vitus’s Cathedral, 1346, Prague, Czech Republic.

Nicholas Wurmser of
Strasbourg. Charles
IV and Anna of
Swidnica. Mural
above the entrance
portal, Oratory of
Charles IV, Karlstejn
Castle. International
Gothic, Prague,
Czech Republic.

Chapel of the Holy Cross, 3rd floor of the Great
Tower c. 1360-65, consecrated Feb. 9, 1365.
International Gothic, Czech Republic.

Chapel of the Holy Cross, 3rd floor of the Great Tower c. 1360-65,
consecrated Feb. 9, 1365. International Gothic, Czech Republic.

Chapel of the Holy Cross, 3rd floor of the Great
Tower c. 1360-65, consecrated Feb. 9, 1365.
International Gothic, Czech Republic.

Nicholas Wurmer of Strasbourg (?), Charles IV At the Altar. Wall painting in
the Chapel of Our Lady in Karlstejn Castle, 1357-58. International Gothic.
Prague, Czech Republic.

Master Theodoric, Adoration of the Maji detail (with portrait of Charles IV), wall painting in the Chapel of the
Holy Cross window recess, c. 1365-67, consecrated Feb. 9, 1365. International Gothic, Czech Republic.

Pilgrim’s Badge with Charles IV and
Innocent VI with the Holy Lance,
1350-60, Gothic. Prague, Czech
Republic.

Bust of Saint Denis, Given by Charles
IV to the Abbey of Saints Ulrich ad
Afra, Augsburg, 1354. Engraving, 1627.

Reliquary Bust for
the Arm of Saint
John the Baptist,
after 1355,
International Gothic.
Prob. Aachen,
France

Reliquary Bust of Charlemagne.
Beaten silver, partly gilded, cameos,
gemstones; probably 1376.
International Gothic, Treasury of
Aachen Cathedral.

Reliquary Bust of Charlemagne. Beaten silver, partly gilded,
cameos, gemstones; probably 1376. International Gothic.
Treasury of Aachen Cathedral.

Sebald Weinschroter, Announcing the birth of Wenceslas;
the Baptism of Wenceslas IV, Wall Painting c. 1365 in Church
of Saint Moritz, Nuremberg, Germany. International Gothic

Hazmburk Master, canon page for a missal for
Prague Archbishop Zbynek of Hazmburk, .
1409, “The Beautiful Style,” Prague, Czech
Republic.

Christ on the Mount of Olives, “The
Beautiful Style,” c. 1390-95, Torun,
Poland.

Head of the Crucified Christ,
c. 1400, “The Beautiful
Style,” Prague, Czech
Republic.

Krizovnicky plan (Map of Prague) showing the Josefov (Prague’s Jewish quarter) in blue, 1665.

Altneuschul or The Old-New Synagogue, completed 1270 (with
significant rebuilding campaigns), Gothic, Prague, Czech Republic.

Altneuschul or The Old-New Synagogue, completed 1270 (with
significant rebuilding campaigns), Gothic, Prague, Czech Republic.

5-ribbed vaults of the Altneuschul or The Old-New Synagogue, completed 1270
(with significant rebuilding campaigns), Gothic, Prague, Czech Republic.

Frantisek Sir (1804-1865), after Joseph Manes
(1820-1871) Lithograph of the Altneuschul or
The Old-New Synagogue, completed 1270 (with
significant rebuilding campaigns), Gothic,
Prague, Czech Republic.

View with bima at left, Altneuschul or The Old-New Synagogue, completed
1270 (with significant rebuilding campaigns), Gothic, Prague, Czech Republic.

Isaac ben Joseph of Warsaw, scribe; Guide for the Perplexed by
Maimonides, 1396. Late Medieval Jewish, Prague, Czech
Republic.

The Book of Jewish Laws (Sefer ha-Halakhot) by
Isaac Alfasi, Abraham and Samuel, scribes, fol. 90.
c. 1380-1400. Gothic, Prague, Czech Republic.

Lupus, Atlas of the Constellations, mid-14th
century. Gothic, Prague, Czech Republic.

Bohemian Bible of Andreas of Austria, 1391,
“The Beautiful Style,” Prague, Czech Republic.

Bohemian Bible of Andreas of Austria, 1391,
“The Beautiful Style,” Prague, Czech Republic.

Essslingen Mahzor, Vol 1, 1290 Library of the Jewsigh Theological Seminary, MS. 9344, fol 2r

Stained glass panels from the St. Dionys church

Double Majzor, Esslingen? ca. 1290 Wroclaw University Library, Ms. Or. I 1 fol. 189v

Berthold Sacramentary, Weingarten, Germany; 1215-1217 Morgan MS M.710, fol. 10v

David Bar Pesach Mahzor Germany 14th century

Leaf from the Wettigen Gradual Cologne, ca. 1330, CMA, 1949

Prague Bible, 1489 Yeshiva University Library Ms. 1247

The Washington Haggadah Joel ben Simeon, 1478 Library of Congress

Jan Hus at the stake in the Jena Codex, 1436, Gothic, Prague, Czech Republic

Bethlehem Chapel, Prague, Czech Republic

Jan Hus Praching from the Pulpit of Bethlehem Chapel in the Jena Codex, fol. 37v Gothic, Prague, Czech Republic

The Faithful at the altar in the Krumlov Anthology, fol. 164. Gothic, Prague, 1420, Czech Republic

David in the Krumlov Anthology, fol 18v, 1420, "The Beautiful Style," Prague, Czech Republic

The Martyrdom of Jan Hus in the Martinice Bible, c. 1430-34, Gothic, Prague, Czech Republic

Ulrich von Richenthal, Chronicle of the Council of Constance, c. 1420, fols. 33v-34r. Colored woodcut on paper

Melchoir Broederlam, Annunciation,
Visitation, Christ’s Presentation at the
Temple & Flight into Egypt on the Retable
de Champmol (exterior panels), 1399,
International Gothic, France,
(commissioned by Philip the Bold).

Limbourg Brothers, Annunciation of the Tres Riches Heures of
the Duke of Berry, 1412-1416. International Gothic, France.

Robert Campin (Master of Flémalle), Merode Altarpiece, 1428, Ars Nova, or Northern Renaissance, Southern Netherlands.

Jan van Eyck, Annunciation, 1434-36, Ars Nova or
Northern Renaissance, Netherlands (Flanders).

Jan van Eyck, The Madonna in
the Church, c. 1438, oil on oak,
Ars Nova or Northern
Renaissance, Netherlands.

Jan van Eyck, Arnolfini Double Portrait, 1434, Ars Nova,
or Northern Renaissance, Southern Netherlands.

Jean Mansel, The Trinity Granting a child to a Couple,
third quarter of the fifteenth century.

Attr. Loyset Liedet, Charles the Bold Surprising David Aubert, 1468.

Attr. Loyset Liedet, Charles the Bold Surprising David Aubert, 1468.

Reliquary bust of one of the 11,000 Virgins, 1325
-1349.
Polychrome wood. International Gothic, Germany.

Goldene Kammer of St. Ursula
and the 11,000 Virgins, c. 1643.

Goldene Kammer of St. Ursula
and the 11,000 Virgins, c. 1643.

Reliquary bust of a companion of Saint Ursula,
c. 1520. International Gothic, Belgian.

Reliquary bust of a companion of Saint Ursula,
c. 1520-30. International Gothic, Belgian,
poss. Brussels.

Reliquary Bust of One of the 11,000 Virgins of Cologne 16th
century. Spain.

Reliquary Bust of One of the 11,000 Virgins of
Cologne 1375-85. Unknown Florentine Sculptor
or Mariano d’Agnolo Romanelli.

Reliquary Statue of Saint Agnes,
c. 1520. Gothic, Munster, Germany.

Bust of Prophet Philo II, c. 1380-
90, Gothic, Munster, Germany.

Calvary, c. 1450 Germany, Middle Rhine(?) Mtoher-of-pearl

Bestiary, Bodleian Library, Bodl. 602, fol. 34r, England, 13th c.

Virgin and Child Mosan, Liège(?) late 13th century Wood (oak) with polychromy and gilding

Visitation Attributed to Master Heinrich of Constance ca. 1310-20 walnut, paint, gilding, rock-crystal, cabochons inset in gild-silver mounts

Workshop of the Master of Flemalle, Portrait
of a Franciscan Monk, c. 1430, Oil on Baltic
oak, Ars Nova, Tournai, Netherlands.

Workshop of the Master of Flemalle, Virgin
& Child in an Interior, c. 1430, Oil on Baltic
oak, Ars Nova, Tournai, Netherlands.

Viet Stoss, Annunciation of the Rosary, limewood, 1517-
1518, Gothic. Nuremberg, Germany.

Lucas Cranach the Younger, Lucas
Cranach the Elder, c. 1550,
Northern Renaissance, Germany

Lucas Cranach the Elder, Henry IV Duke of Saxony & Catherine
von Mecklenburg, c. 1534, Northern Renaissance, Germany.

Lucas Cranach the Elder, Winged Snake with Ring and Crown Heraldry, 1518, Northern Renaissance, Germany.

Lucas Cranach the Elder, Henry IV Duke of Saxony, c. 1534, Northern Renaissance, Germany.

Lucas Cranach the Elder, Portrait of Dr. Johannes Cuspinian and his Wife Anna,
c. 1502, Oil on Wood, Northern Renaissance, Germany.

Lucas Cranach the Elder, Judith
with the Head of Holofernes,
c. 1530, Northern
Renaissance, Germany.

Lucas Cranach the Elder, The
Martyrdom of St. Catherine, c. 1504,
Northern Renaissance, Germany.

Lucas Cranach the Elder,
Whittenberg Altarpiece,
1547, Northern
Renaissance, Germany.

Lucas Cranach the Elder,
Martin Luther as an
Augustinian Monk, 1520.
Northern Renaissance,
Germany.

Lucas Cranach the Elder,
Martin Luther as Junker
Jorg, 1521-22. Northern
Renaissance, Germany.

Lucas Cranach the Elder,
Martin Luther as an
Augustinian Friar with
Cap. Northern
Renaissance, Germany.

Lucas Cranach the
Elder, Portrait of Martin
Luther, 1529. Northern
Renaissance, Germany.

Lucas Cranach the Elder,
Christ on the Cross
Between the Virgin and
Saint John, c. 1502.
German Renaissance,
Germany.

Lucas Cranach the Elder, The
Crucifixion, c. 1502, Northern
Renaissance, Germany