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Impressionism
moods, atmospheres, and “impressions”
Expressionism
inner emotions and psychological states of the composer
Neo-classicism
against the emotional excess of Romanticism and Expressionism.
Avant-Garde
to explore new sound possibilities. translates directly to “advance guard,” as in the first people to encounter/experience something new.
Modern Nationalism
use folk melodies, rhythms, and themes of a specific nation
Chance Music
elements of randomness; each performance can be unique.
John Cage
4′33″ (silence highlighting ambient sounds)
Debussy
Impressionist pioneer, tone color emphasis. father of modern composition, free form
Ravel
Classical precision with Impressionist tone
Schoenberg
Developed twelve-tone serialism
Stravinsky
Rhythmic innovation (The Rite of Spring)
Prokofieff
Direct melodies, strong rhythms
Bartok
integrated Hungarian folk themes
Tempo
speed of the beat
Monophony
single melody without accompaniment
Polyphony
multiple independent melodies
Atonality
absence of a tonal center
Polytonality
two or more keys at once
Motive
short recurring idea