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22 Terms

1
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Which of the work's elements contributes most to the illusion of spatial depth in the image?

The mountain, because of its small size in relation to the other objects

2
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Hokusai's inclusion of Mount Fuji in this print series may have been intended to

attract the interest of Japanese tourists, since the mountain was a popular travel destination

3
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By breaking from Japanese artistic traditions with his use of perspective and a low horizon line, Hokusai was responding to

the influence of European art brought to Japan by Dutch traders

4
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The format of the work shown, created in thirteenth century Japan, reflects its intended function as a

handscroll to be unrolled in sections at a time for private viewing

5
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The artist of the work shown likely intended to appeal to the work's target audience by

depicting in detail an historical conflict from the perspective of the victors

6
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The format of the work shown reflects the influence on Japanese art of traditional art forms from

China

7
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The gardens of the Taj Mahal are laid out in a chahar bagh layout, intended to evoke a vision of Paradise, that divides the area into quadrants of equal size and is most similar to garden areas within or around the

Alhambra

8
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The work shown above can be attributed to the artistic tradition of

Japan

9
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The designers of the terra cotta warriors from the mausoleum of the first Qin emperor of China solved the challenge of creating a project on such a vast scale by

shaping varied sculptures from clay with the help of interchangeable molds

10
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The ancient Korean gold and jade crown shown was likely intended to communicate the power of its wearer through the inclusion of

natural imagery resembling plant and animal forms that are important in shamanism

11
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The portrait of Sin Sukju, created in the fifteenth century, reflects the impact of Confucianism on Korean artistic traditions

with its emphasis on duty, loyalty, respect, and ancestor worship

12
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Sculptural reliefs at Angkor Wat depicting the Churning of the Ocean of Milk suggest that the patron of the complex may have

desired to become godlike by achieving immortality

13
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The courtly context in which this manuscript illumination was created, led the artist, Bichitr, to

paint himself near the bottom of the page

14
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Which of the following is a Buddhist tradition that is embodied in the design of the Borobudur Temple?

Circumambulating the temple as a parallel to a devotee's spiritual journey

15
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The dry garden of Ryoan-ji expresses the influence of Zen Buddhism on Japanese art during the Muromachi period in the

austerity of its design and materials intended to create a serene and meditative atmosphere

16
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The content of the funeral banner of Lady Dai (Xin Zhui) is similar to the last judgment of Hu-Nefer, from his tomb (page from the Book of the Dead) in that each one depicts

the deceased after death

17
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The influence of Chinese paintings, such as Fan Kuan's Travelers among Mountains and Streams, to use multiple viewpoints and visual motifs is demonstrated by

The Court of Gayumars

18
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Both Shiva as Lord of Dance (Nataraja) and Donatello's David convey power and authority by

standing triumphantly atop an evil opponent

19
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The Forbidden City and the Palace at Versailles express similar meaning in which of the following ways?

Both were planned and laid out along symbolic axes that convey the rulers' absolute authority.

20
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The colossal sculptures of the Buddha at Longman caves and Todai-ji depart from earlier aniconic traditions, which represented the Buddha with symbols like those used in

the gates (toronas) at the Stupa at Sanchi

21
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The monumental Buddha sculptures in the Longmen caves continued a tradition of similar sculptures that can be found farther west on the Silk Road in which of the following locations?

Carved into cliffs in the Bamiyan valley, Afghanistan

22
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The work shown can be attributed as

an ink painting from China