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Component 1
Discovery of octaves, 5ths, octave equivalence and tuning
Component 2
Creation of the Greater Perfect System based on diatonic tetrachords
Component 3
Pitch language based on 8 diatonic modes
Component 4
Notation on a 4-line staff using heightened pitch symbols
Component 5
The solfege system: do-re-mi (ut-re-mi), etc
Component 6
Pitch alterations to avoid B—F tritones
Component 7
The Guidonian hand teaching tool (for tritone avoidance)
Component 8
Invention of a system of rhythmic notation (=note durations + time signatures)