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design
governing plan or approach by which various parts of an artwork are created and assembled
line, shape, mass/volume, perspective, texture, and color
six basic elements of design
line
an infinite series of points that are arranged in a direction
first order element of design
calligraphy
beautiful handwriting
tughra
calligraphic signature of a sultan, and the refined text
gesture
is the line produced by movement of the artist’s hand, arm, or body
contour
the line where differing areas meet and form edges
ability to detect edges in nature
follow the shapes of objects where they stand out from backgrounds
crosshatching
the use of uniformly spaced intersecting lines that create the perception of value of light and dark
implied
line suggested by an intentional alignment of shapes
psychic line
a line that’s not actually there
expressive
line has __________ content
by nature, a line compels the viewer to follow along its path
line can control the direction , speed, and attention of the viewer
true or false
Line is not just a two-dimensional design element.
shape
it has two dimensions, length and width
can be regular or irregular, simple or complex
this can have hard of soft edges
hard-edged shapes
shapes that have clear defined boundaries
soft-edge shape
shapes slowly fade into their backgrounds
two broad categories of shapes
geometric or organic shapes
geometric shapes
are regular and ordered shapes using straight lines and curves
organic shapes
are generally irregular and often chaotic shapes
Hans Arp
he used torn paper in his work called “Untitled”
ground
in two-dimensional artworks, shapes are figures placed on a two-dimensional surface that is known as?
figure/ground relation
ground creates a relationship between foreground and background known as the?
figure
is the object that appears to be in front of the ground
figure/ground reversal
what was seen is the positive shape of the figure can also be seen as the negative space of the ground
volume
has three dimensions
length, width, and height
three dimensions of volume
volumes
may have interior or exterior contours, and they may be closed or open in form
mass
quantity of matter, often meaning its weight
closed form
is a volume that is not pierced or perforated
last for eternity
one goal of ancient Egyptian sculpture
open form
these sculptures are closer in shape to the figures they represent and thus are more lifelike or “true” to the original reference
positive space
the space occupied by a given volume
negative space
the empty space within that volume
saddle
in the middle suggest an invisible weight pressing down on the form there
chiaroscuro
to convey the three dimensionality, mass and volume, of forms on a flat surface, artists use?
perspective
in art is the illusion of space on a flat surfacek
linear perspective
is based on the regular geometric recession of space
uses vanishing point and horizon line
horizon line
is the set of all possible eye-level vanishing points
orthogonal lines
are the lines that appear to meet at the vanishing point and imply the regular recession of space
Last Supper
Leonardo da Vinci’s work that involves use of vanishing points
intuitive perspective
acknowledges that receding lines converge, but does not recognize that they converge at a single horizon line and vanishing point
one, two, three point perspective
main types of linear perspective
one-point perspective
uses a horizon line and one main vanishing point and is normally used when simple views are depicted, such as railway track
two-point perspective
uses a horizon line and two separated vanishing points to present the illusion of a space that recedes in two directions
three-point perspective
incorporates the recession of space in a third, vertical direction above or below the horizon line as well as the two horizontal directions in two-point perspective
atmospheric perspective
is the way in which the illusion of distance is created on a flat surface through the use of color and focus
texture
describes the surface quality of an artwork
an important element of design because it engages the sense of touch as well as vision
object
can be rough or smooth, wet or dry, sticky or slick, hard or soft, brittle or flexible
actual texture and implied texture
two main approaches to texture are?
actual texture
is primarily-though not exclusively-sculptural
implied texture
is the primarily used in two-dimensional works of art
telling the truth about the material world
one main goal of the painters from the northern renaissance and the dutch golden age
impasto
Rembrandt van Rijn is well known for his use of?
impasto
very thick application of paint, in order to heighten the sense of reality
color
the most prominent element of design and is one of the most powerful and yet subjective elements in art
visible light
small portion of the electromagnetic spectrum that can be seen by humans
hue
wavelength of a given color
saturation
purity of a color and ranges from neutral gray to the pure color while holding brightness as a constant
brightness
lightness or darkness of a color and ranges from fully illuminated to fully darkened
subtractive color
occurs when light is reflected off a surface and all the colors of the spectrum are absorbed by that surface except for the color that is reflected back to the viewer
primary colors
red, yellow, blue
secondary colors
green, orange, purple
additive color
transmission color, occurs when light of different colors is projected
red, green, and blue
primary colors for additive color
Impression Sunrise
work by Claude Monet, an impressionist painting
local color
describes the body color of a given object
fauve
were group of artists in the early twentieth century who used intuitive color
color temperature
colors can be either warm or cool
warm
The ____ end of the spectrum includes red, orange, and yellow
cool
The ___ end of the spectrum contains green, blue, purple
monochromatic color scheme
a color scheme that uses single color
The Old Guitarist
Work of Picasso that uses monochromatic color scheme
complementary colors
uses colors opposite to each other on the color wheel
analogous color scheme
a color scheme that uses only one area of the color wheel
Life with a Glass and Oysters
example of application of analogous color scheme by Jan Davidsz