English Quarter 3 Test Terms

0.0(0)
studied byStudied by 0 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/25

encourage image

There's no tags or description

Looks like no tags are added yet.

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

26 Terms

1
New cards

Jelly Roll Morton

Piano player from New Orleans who flourished in both Ragtime and Dixieland styles. Got his start playing in houses of prostitution.

2
New cards

Louis Armstrong

Virtuoso trumpet player and Dixieland band leader, known by jazz fans for the song “St. Louis Blues” and by non-jazz fans for his gravely voice on “It’s a Wonderful World”

3
New cards

Freddy Keppard

Dixieland jazz trumpet player who had the opportunity to record the first jazz record but refused because he was afraid others would steal his “licks” (songs).

4
New cards

Sydney Bechet

First important jazz clarinetist in the Dixieland style

5
New cards

Scott Joplin

Most important ragtime composer of such songs as “The Entertainer” and “Maple Leaf Rag”

6
New cards

Dixieland

Jazz style following ragtime, known for its typical frontline of a trumpet, clarinet, and trombone

7
New cards

Ragtime

First jazz style (or pre-jazz) featuring syncopated piano playing

8
New cards

The “Big Four” Beat

The incorporation of this into ragtime tunes and marches helped to create the distinctive Dixieland feel

9
New cards

Storyville

Red light district in New Orleans where jazz was born

10
New cards

Creoles of Color

The Plessy vs. Ferguson ruling made it impossible for these musicians to find work in the classical venues they had performed in for years

11
New cards

Original Dixieland Jazz Band

Recorded the first jazz record, “Livery Stable Blues” in 1917

12
New cards

Glissando

The sliding from one note or tone up to another, which is a distinguishing trombone technique in the Dixieland jazz style

13
New cards

Blues

Simple music often based on a 12 bar formula and contributed to the creation of jazz

14
New cards

Nick LaRocca

Trumpet player and band leader of the Original Dixieland Band; would claim (falsely) that African Americans had nothing to do with creating jazz.

15
New cards

Congo Square

Location in New Orleans where slaves were allowed to meet and play music and dance once a week

16
New cards

Sharecropping

Business arrangement that kept former slaves from getting ahead and enjoying true freedom after the civil war

17
New cards

Hot music

A term describing this new funky, “impolite”, music before people settled on the name “jazz”

18
New cards

Jim Crow

Name of a minstrel song written by Daddy Rice that would later be used to describe the segregated South

19
New cards

Thorstein Veblen

Author of The Theory of the Leisure Class, where the terms “conspicuous consumption” and “conspicuous leisure” come from.

20
New cards

Conspicuous consumption

The idea we accumulate and show off our possessions to others because we believe wealth is a sign of virtue and high character

21
New cards

Conspicuous leisure

The idea that it’s better to have people seeing you traveling, having fun, and relaxing rather than working, especially working with one’s hands

22
New cards

Harry Connick Jr.

Contemporary actor, singer, piano player, and big band leader who spreads modern Dixieland Jazz with covers of songs like “sweet Georgia brown”

23
New cards

Miscegenation

Marriage or reproduction by parters of different races. Anti-miscegenation laws were common in the early to mid 20th century

24
New cards

The male gaze

The way men look girls/women up and down, seeing them as sexual objects and making judgements about their appearance. Also in feminist theory, the way the camera in tv and movies shows the male perspective

25
New cards

One drop theory

Claims that if there is one drop of another race’s blood in you then you’re tainted by it. Specifically, this was used in early to mid 20th century to disqualify people from claiming white identity.

26
New cards

Group think

Tendency of group members to conform, resulting in a narrow view of some issue, sometimes causing them to do and say things or tolerate things they wouldn’t otherwise if acting alone.