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When was the Romantic Period?
1825-1910
The French Revolution
Transfer of power from aristocracy to middle class
Position of middle class depended on industry and commerce of the Industrial Revolution
Characteristic of concentrating on the individual allowed the period to be called “Romantic”
Classical Era
Inspiration in the art of ancient Greece
Romantic Era
Discovered the “Dark Ages”
What did the term “romantic” mean when it was first used?
The legendary and imaginary that contrasted with the actual world of the present
Romanticism
Used to transcent the immediate time and to sieze eternity
Cherishes freedom, movement, passion, adn the endless pursuit of the unattainable
Because this goal can never be attained, romantic art is haunted by a feeling of longing after the impossible fulfillment
The Middle Class during the Romantic Period
Gained power and confidence; wealth of many countries distributed through trade and marketing
Industrial revolution caused large scale production, created more jobs, improved life style for many, made tickets to cultural events more affordable
The Change of Music During the Romantic Period
Composers supported by the wealthy began to have their work heard in public halls
New audience didn’t have a good understanding of performing arts
Composers and artists tried to create works that people could understand and enjoy
What were some themes that everyone could appreciate and enjoy?
Themes of nature or human emotions.
What was the result of the loss of patronage system and small cultured audiences?
A new type of artist emerged
Composers were freed from restraints of court life but were lonely.
Composing for personal expression was ‘risky’ as it may not be received by the new middle class audiences
Brought forth the artist as the rejected ‘Dreamer’ who was starved in an attic
Shocked the rest of the world with strange dress and behaviour
Nationalism
Spirit of nationalism expressed in music; Tchaikovsky in Russia, Dvorak in Czechoslovakie, Grieg in Norway, etc.
Folk songs and dances that were native to a country were considered to be the expression of a nationalist soul
Symphonic poems and opeas celebrated a national hero, an historical event, or the scenic beauty of the country
Examples of music based off of Polish folk dance
Chopin’s Mazurkas and Polonaises
Tchaikovsky’s Overture 1812 Depiction
Defeat of the French army at the gates of Moscow
Wagner’s The Ring of Nibelung Depiction
Glorify the heroes of German myth
Verdi’s Operas Depiction
Italy striving for unification
Exoticism
Composers weren’t limited to the idioms of their native music and exoticism was also strongly encouraged in the romantic era.
Eokes the picturesque atmosphere and colour of far-off lands.
Northern composers longing for the warmth and colour of the South
Glamour of the East
Examples of Exoticism
Rimsky-Korsakov’s Capriccio Espagnol
Bizet’s Carmen
Massanet’s Thais (Greek)
Puccini’s Madame Butterfly (Japan) and Turandot (Persian)
The Piano
Piano-forte invented during Baroque period but grew in popularity and became a favorite solo instrument in public concerts during the Romantic era
Previously confined largely to private salons of the wealthy, virtuosic pianos now began to appear before a larger public.
The piano became a familiar piece of furniture in middle and upper class homes
Frederic Chopin
1810-1849
Compositions almost exclusively for piano
Born in Poland and lived in Paris from 1831; was very loyal to Poland
Chopin - Polonaise in Ab Major
Polish Dance that blazes with the heroic spirit of his native land
Advanced technique
Large chords, difficult trills, glissando passages, very fast left hand octaves, etc.
Wide dynamic range, chromatic harmonies (harmonies that move in semitones), unusual rhythms, etc.
Robbed time - use of right hand to push or hold back with the phrase while the left hand keeps strict time
Tempo Rubato
Robbed time
Orchestral Music
Orchestras had as many as 100 musician (as opposed to 40-60 from previous era)
Composers/Conductors held a baton instead of first violinist conducting from their place.
Larger brass and woodwin sections; horns and trumpets were used more with the invention of valves in the early 19th century which allowed them to play more notes. Woodwinds had an extended range of pitch and dynamics
Orchestration
Sound, bleding, and combining of different instruments
First textbook on Orchestration
1844, Hector Berlioz, Treatise on Instrumentation and Orchestration
Program Music
Music drama without words during the performance; the audience is given a program that would provide a description of the situation for each movement of the symphone
Hector Berlioz
1803-1869
Born in France and began studies to become a doctor.
1830 fell in love with Harriet Smithson, but both families were opposed to marriage. Berlioz attempted suicide but was revived and the couple later married.
Same year he wrote the Symphony Fantastique, based on his own life and attempted suicide
Also an example of program music - new form created by Berlioz!
Opera Examples
Carmen - Bizet, Aida - Verdi
Carmen - Bizet
Bizet - 1838-1875
Landmark in French opera history.
Spanish setting and musical atmosphere - exoticism
Story of a passionate Gypsy and her band of smugglers wan’t respected by first audience in Paris of 1975.
Bizet was dissapointed by its reception and died of heart attaclk three months after its premiere at the age of 37.
Three years later it was received worldwide and today it’s one of the best loved work in opera
Aida - Verdi
1813-1901
Guiseppe Verdi dominated Italian opera scene and was uncompromising to nationalism; his name itself is a patriotic symbol
Vittorio Emnuele Re D’Italia (Long Live Victor Emmanual King of Italy); Viva VERDI!
The Contemporary Period
1910-Present
The beginngin of the 20th century had lots of social unrest and international tension that resulted in WWI
A new musical language began based on the idea that the major/minor tonal system had outlived its usefulness
Impressionism in Art
Painters discarded Romantic tradition and wanted to retain the freshness of a first impression.
Painted everyday things where outlines shimmer and an iridescent sheen bathes the painting; focused on light instead of people
Poets strived to suggest rather then describe
Impressionism in Music
Debussy was the first to compose in the Impressionist style
Musical language inclulded Medieval modes and intervals like fourths, fifths, and octaves in parallel motion
Valued dissonance without the need to resolve to consonance
Accepted tone combinations that had been previously thought inadmissible
Utilized the whole tone scale (C-D-E-F#-G#-A#-C)
Eliminated drive and direction found in major/minor scales and gave the music a fluid quality
Furthered the disintegration of the tonal system
Deux Arabesques - Debussy
Pentatonic right-hand movement
More free form rhythm and less driving beat
Harp like undercurrent - triplets against eights notes in the left hand
Use of rubato
Polytonality
Music that uses two tonal centers at the same time; allows for tension to arise between the clash of two keys
Atonal Music
Music with no tonal center/home key
Serial Music
Developed by Schoenberg.
Combinations of the twelve tones in the chromatic scale set in a fixed order known as a row. Because no tone is more important than any other, no tone may be repeated before the completion of the row.
Example of Serial Music
Schoenberg’s Violing Concerto Opus 36 1st Movement
Igor Stravinsky
1882-1971.
Born near Leningrad in Russia.
Best known 20th century composer as he moved through several phases and worked in different styles.
Switched to composing at the age of 20 from law and worked with the great composer Rimsky-Korsakov (Flight of the Bumblebee)
Stravinsky in the Neoclassic Period
1920-1950.
Composers sought to escape from Romanticism by returning to abstract Baroque and Classical forms. Re-establishes clear textures and pan-dialogue harmony (using all notes of a major scale freely)
Stravinsky in the Serial Period
1952-Current
Style of writing was invented by Schoenberg. Stravinsky adapted Schoenberg’s technique and created many works in serialism
Stravinsky Famous Works
Commissioned by French Ballet instructor Serge Diaghillev and wrote “The Firebird”, “Petrushka”, and “The Rite of Spring”
The Rite of String
First performed in Paris in 1913
Stravinsky created a new style called '“Primitivism”
Used special woodwind sounds
Used a large variety of percussion instrument
Used violin for special effects, using the wood of the bow (col legno)
Stravinsky was interested in greating grating percussive effects by using pounding rhythms that kept repeating
Used polytonality
The Rite of Spring Plot
Also called “Scenes of Pagan Russia”
Primitive story of the sacrifice of a youth in a pagan ritual in order to ensure the survival of the rest of the tribe with a good harvest.
‘The Adoration of the Earth’
Describe the birth of spring. Bassoon repeats a narrow range of melody in fragments creating a primitive character
‘Dance of the Adolescents’
Strings part starts with primitive percussive pounding with dyssonany polytonal harmonies
Eight horns syncopate chords and ostinato figure repeated hypnotically
Theme emerges from bassoons and is repeated by horns
Characteristic of Russian school os composers in repeating folk melodies
R. Murray Schafer
1933-Present
Soundscape artist and graphic score practitioner.
Work: Epitaph for Moonlight
Steve Reich
1936-Present
NYC-based minimalist composer; Clapping Music
John Cage
1912-1992
American avant-garde composer (4’33” of silence)
Slavery Impact on Jazz
1700s.
African tribes brought to American in chains and their powerful rhythms and percussion influenced American music.
Slave work songs were created in the African tradition of call-and-response; the song leader would call out a line and the workers would respond to the call.
Slaveholders didn’t allow the slaves to speak to each other so they could only communicate and send secret messages through song and lyrics
Sang soulful songs called “spirituals” which express religious beliefs, feelings and desire for freedom
Spirituals and work songs are the foundation of the American art form known as jazz
Most famous examples of Spirituals
Swing Low Sweet Charriot - references the underground railway
Blues
Emerged in the early 1890s
A musical style which evolved from southern African-American secular rhythms
Syncopated 4/4 rhythm, flatted thirds and sevenths, and a 12-bar structure
Immigration during the Jazz Period
Occured in the mid to late 1800s; America was seen as the “land of opportunity” so many Europeans immigrated to American cities seeking fortune
French quadriles, Spanish flamenco, irish kigs, German waltzes etc. arrived to the US and influenced music
Scott Joplin
African American composer who combined European composition style with rhythmic and melodic music from the African community
Essentially created Ragtime
To “Rag” a song meant to drag out certain notes and rearrance music to make it more live
Ragtime was centered in Missouri in the late 1890s
The Beginnings of Jazz
1900-1917 in New Orleans
America’s most cosmopolitan city, had marching bands, Italian opera, Caribbean rhythms, minstrel shows that filed the streets with diverse musical culture
1890s African-American musicians made new music mixing ragtime syncopations and the soulful feel of blues
Shortly after 1900s began they began calling it jazz
The Jazz Age
1917-1924
African Americans migrated from places like Chicago to places like New York and brought jazz and blues with them
Young Americans started to challenge their parents old-fashioned ways following WWI and listening and dancing to jazz and blues was a part of their rebellion.
Economic growth in 1920s saw people being able to spend money on entertainment; record players and radios were widely available in stores and Jazz went from being played in New Orleans honky-tonks to America’s radios
Flappers
Young women who cut their hair and wore shorter dresses
Louis Armstrong
1901-1971
Born in New Orleans
Taught the world to Swing
Nicknames: Satchmo, Satchelmouth, Pops
Was very likeable, funny, and unassuming and made everyone around him feel good.
Spread jazz around the world and served as an international ambassador of swing
Played the trumpet.
Duke Ellington
Edward Kennedy “Duke” Ellington
1899-1974
Most prolific composer of the 20th century. Redefined the forms that he worked within.
Synthesized a lof of American music; turned minstrel songs, ragtime, Tin Pan Alley tunes, blues, and American appropriations of European music into a consistent style
Created technically complex but direct and simple expression songs.
Performed in the whites-only club “Cotton Club”
Radios carried his music into homes across the country and brought him national fame
Jazz during the Depression
1929-1934
Stock Market collapsed in 1929; factories fell silent, farms decayed, and ¼ of the nation’s workforce was jobless.
Jazz was called upon to lift the spirits of a frightened country; it was palyed on the radio every night and made the Great Depression more bearable
New York became America’s jazz capital with Louis Armstrong revolutionizing American popular song and showing showmanship that made him one of the nation’s top entertainers
Benny Goodman
Clarinet player
Jewish
Big-band swing
He was bandleader and just wanted the best musicians; his band was the first time black people and white people played together
The Swing Era
1935-1937
Jazz was now almost exclusively known as Swing
Billie Holiday
Swing Era
Toured with Count Basie
America wasn’t ready for a black women singing with white musicians
Strange Fruit
Anti-lynching ballad by Billie Holiday
Jazz during World War II
1940-1945
Jazz became a beacon of hope in Europe
Became the embodiment of democracy in America as bandleaders took their swing to troops overseas
Glenn Miller
Took swing overseas during WWII
In the Mood
Dizzy Gillespie and Charlie Parker
During the WWII era
Underground and after-hours jazz
Trumpet - Dizzy Gillespie
Saxophone - Charlie Parker
Discovered a new way of playing; fast, intricate, exhilarating, and chaotic
Wrote “Ko Ko” and started bebop
Bebop
A form of jazz characterized by fast tempos and improvisation based on harmonic structure rather than melody
Jazz during the post war years
1945-1955
America had unimaginal prosperity but was anxious tmies because of the nuclear annihilation.
California musicians created a mellow sound called cool jazz
Cool Jazz
A type of jazz that is understated and subtle; lighter and more romantic
Dave Brubeck
Cool jazz
Take 5
Baby Boom Time Period
1956-1960
Baby boomers becoming of age; TV becoming more prominent
Old stars like Billie Holiday burn out and young talents rise
Miles Davis
Constantly formed new groups to showcase different facets of his sound.
“So What” - bass driven
John Coltrane and Ornette Coleman
Free jazz.
Both sax players
Coleman’s band didn’t have piano so was fairly free harmonically, though the concept was rooted firmly in the same classic rhythm and melody principles that defined jazz
Free Jazz
Jazz that doesn’t adhere to what had become the standard chord progressions that jazz had been based on up until that time
More Current Jazz
1960 - Present
Jazz was in trouble as it was divided into “schools” and rock and roll was making its rise
Jazz musicians were desperate for rock
Miles Davis combined jazz with rock by using electronic intruments to launch Fusion
Fusion
A musical genre that loosely encompasses the merging of jazz with other styles, including rock, funk, R&B, and world music
Jazz musicians mized the forms and techniques of jazz with the electronic instruments of rock and rhythmic structure from African-American popular music, both soul and rhythm and blues
Jazz Landmark in the 1970s
Both Louis Armstrong and Duke Ellington died and their passing seemed to mark the end of jazz itself
Wynton Marsalis
American virtuoso trumpeter
Wrote Linus and Llucy (peanuts theme)
Kept jazz going in the younger generation
Big Phat Band
Jazz today!
Gordon Goodwin’s Big Phat Band, an 18 piece jazz orchestra led by Gordon Goodwin, sax and player piano
Founded in 1999
Combines big band swing from 1930s/40s with contemporary music like funk and jazz fusion
Received several Grammy Awards and nominations