AP Language and Composition Glossary of Literary and Rhetorical Devices

0.0(0)
studied byStudied by 0 people
GameKnowt Play
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/120

flashcard set

Earn XP

Description and Tags

istg if i made this for nothing im gonna jump

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

121 Terms

1
New cards

active voice

a sentence structure where the subject of the sentence performs the action expressed by the verb. In active voice, the focus is on who or what is doing the action.

Example:

  • Active voice: The dog (subject) chased (verb) the cat (object).

This contrasts with passive voice, where the subject receives the action.

  • Passive voice: The cat was chased by the dog.

2
New cards

allusion

writer or speaker indirectly refers to a person, place, event, or literary work, often assuming the audience will recognize the reference and understand its deeper meaning (referencing)

Example:
Saying “He’s a real Romeo with the ladies” alludes to Shakespeare’s Romeo, implying the person is very romantic.

3
New cards

alter ego

second self or a different version of a person, often used in literature or rhetoric to express another side of a character or author.

4
New cards

anecdote

a short, personal story or brief narrative used by a writer or speaker to illustrate a point, make an argument more relatable, or engage the audience emotionally.

Example:
When arguing about the importance of kindness, a writer might share a quick story about a time they helped a stranger and how it made a difference.

5
New cards

antecedent

the noun or noun phrase that a pronoun refers back to in a sentence. → the word that a pronoun replaces or stands for.

Example:
Sarah lost her keys.
Here, Sarah is the antecedent of the pronoun her.

6
New cards

classicism

7
New cards

comic relief

a humorous scene, character, or dialogue is introduced into a serious or tense story to lighten the mood and give the audience a break from the intensity.

Example:
In Shakespeare’s Macbeth, the Porter’s funny, drunken speech provides comic relief after a tense, dark scene.

8
New cards

diction

an author’s or speaker’s choice of words and style of expression. It includes vocabulary, phrasing, and the level of formality and affects the tone and meaning of the text

Example:
Saying “youthful” vs. “childish” shows different diction with different tones.

9
New cards

colloquial (diction)

use of informal, everyday language or slang in writing or speech.

Example:
Saying “gonna” instead of “going to”

10
New cards

connotation (diction)

the feelings, ideas, or emotions that a word suggests beyond its literal dictionary definition

11
New cards

denotation (diction)

the literal, dictionary definition of a word — its exact, explicit meaning without any emotional or cultural associations.

12
New cards

jargon (diction)

specialized or technical language used by a particular group, profession, or field that may be difficult for outsiders to understand.

Example:

In medicine, words like “BP” (blood pressure) or “stat” (immediately)

13
New cards

vernacular (diction)

the everyday language or dialect spoken by people in a group or region → daily life language

14
New cards

didactic

a tone, style, or text that is intended to teach or instruct, often with a moral, ethical, or educational lesson.

  • Inform or educate the reader

  • Often convey a clear message or moral

  • Sometimes be overly instructive or preachy

Example:
A fable that teaches a lesson like “slow and steady wins the race”

15
New cards

adage (didactic)

a short, traditional saying/proverb that expresses a general truth or piece of wisdom based on common experience.

Example:

  • “Actions speak louder than words.”

  • “A penny saved is a penny earned.”

16
New cards

allegory (didactic)

a story, poem, or picture that has a hidden meaning beneath the surface—usually a moral, political, or spiritual lesson.

Example:
The Tortoise and the Hare teaches that slow and steady wins the race.

17
New cards

aphorism (didactic)

a brief, clever statement that expresses a general truth or observation about life

Example:

“If it ain’t broke, don’t fix it.”

18
New cards

ellipsis

the use of three dots (…) to show that some words have been left out of a sentence or quotation. It can also create a pause or suspense in writing.

19
New cards

euphemism

a mild or polite word or phrase used to replace one that might be harsh, blunt, or unpleasant.

Example:

Saying “passed away” instead of “died.”

20
New cards

figurative language

words or expressions that go beyond their literal meaning to create special effects, vivid images, or make ideas more interesting and powerful.

21
New cards

analogy (fl)

a comparison between two different things to explain or clarify an idea by showing how they are similar in some way.

Example:
“Just as a sword is the weapon of a warrior, a pen is the weapon of a writer.”

22
New cards

hyperbole (fl)

using extreme exaggeration to make a point or show strong emotion. It’s not meant to be taken literally → add emphasis to create humor/drama

23
New cards

idiom (fl)

a phrase or expression whose meaning isn’t obvious from the words themselves—it means something different from the literal meaning.

Example:

“Break the ice” means to start a conversation in a social setting, not literally breaking ice.

24
New cards

metaphor (fl)

directly compares two different things by saying one is the other, highlighting a shared quality without using “like” or “as.”

25
New cards

metonymy (fl)

a figure of speech where one word or phrase is replaced with another that’s closely related or associated with it.

Example:

  • Saying “The White House issued a statement” means the U.S. president or government said something (the White House represents the presidency).

  • Saying “Hollywood” to mean the American film industry.

26
New cards

synecdoche (metonymy)

a figure of speech where a part of something is used to represent the whole, or sometimes the whole is used to represent a part.

Examples:

  • Using “wheels” to mean a car (part representing whole).

  • Saying “the law” to refer to a police officer (whole representing part).

27
New cards

simile (fl)

compares two different things using the words “like” or “as”

28
New cards

synesthesia (fl)

blends or mixes different senses together to create a vivid description → when one sense (like sight, sound, taste, touch, or smell) is described using terms from another sense.

Example:

“The music was so bright, it sparkled in the air.” (mixing sound and sight)

29
New cards

personification (fl)

a figure of speech where human qualities or actions are given to animals, objects, or ideas.

30
New cards

foreshadowing

a literary device where the writer gives hints or clues about events that will happen later in the story. It builds anticipation and prepares the reader for what’s coming.

31
New cards

genre

the type or category of a piece of writing or work based on its style, form, or content.

32
New cards

gothic

a style or genre of writing that combines elements of horror, romance, and the supernatural, often set in gloomy, mysterious places like old castles or dark forests.

Example:
Frankenstein

33
New cards

imagery

vivid and descriptive language that appeals to the five senses (sight, sound, smell, taste, touch) to create a mental picture or sensory experience for the reader.

34
New cards

invective

language that’s harsh, angry, and insulting, used to criticize or attack someone or something strongly.

Example:
Calling someone a “lazy, good-for-nothing thief”

35
New cards

irony

there’s a difference between what is expected and what actually happens, or between what is said and what is meant.

36
New cards

vebal irony

Saying the opposite of what you mean

37
New cards

dramatic irony

When the audience knows something the characters don’t.

38
New cards

situational irony

When the opposite of what you expect happens.

39
New cards

juxtaposition

when two ideas, images, or things are placed close together or side by side to highlight their differences or create contrast → near each other anywhere in the text

Example:
“It was the best of times, it was the worst of times.”

40
New cards

mood

overall feeling or atmosphere that a writer creates for the reader through word choice, setting, tone, and imagery. It’s how the text makes you feel emotionally.

41
New cards

motif

a recurring element—such as an image, idea, symbol, or theme—that appears throughout a work and helps develop or reinforce its main message or mood. → repeated pattern that supports story’s meaning

Example:
In The Great Gatsby, the green light represents hope and the American Dream.

42
New cards

oxymoron

two opposite or contradictory words are put together to create a unique or thought-provoking meaning.

Example:

  • deafening silence

  • bittersweet

43
New cards

pacing

the speed at which a story or text moves forward.

44
New cards

paradox

a statement or situation that seems contradictory or impossible at first but reveals a deeper truth when you think about it.

Example:

Less is more

45
New cards

parallelism

aka parallel structure; use of similar grammatical structures or patterns in a series of words, phrases, or sentences to create rhythm, balance, and clarity.

Example:

  • “She likes hiking, swimming, and biking.” (all verbs in ing )

46
New cards

anaphora (parallelism)

the same word or group of words is repeated at the beginning of two or more sentences or clauses in a row.

Example:
“Every day, every night, in every way, I am getting better.”

47
New cards

chiasmus (parallelism)

words, phrases, or ideas are repeated in reverse order in a sentence or phrase to create a balanced, often memorable effect → It follows an A-B-B-A pattern.

Example:

“Never let a fool kiss you or a kiss fool you.”

48
New cards

antithesis (parallelism)

places two opposite or contrasting ideas close together in a sentence to highlight their difference and create a clear contrast → uses parallel structure

Example:
“It was the best of times, it was the worst of times.”

49
New cards

zuegma (syllepsis)

one word (usually a verb or adjective) applies to two or more nouns, but in different ways, often creating a clever or surprising effect.

Example:
“She broke his car and his heart.”
Here, “broke” applies to both car (literally) and heart (figuratively).

50
New cards

parenthetical idea

extra information added into a sentence that’s not essential to the main point but gives additional detail, explanation, or commentary → It’s usually set off by commas, parentheses ( ), or dashes — like a little side note.

Example:
My brother, who just graduated from college, is visiting next week.

51
New cards

parody

a humorous imitation of a serious piece of writing, speech, or style. It exaggerates or mocks the original work to entertain or make a point.

52
New cards

persona

the voice or character that a writer adopts when telling a story or making an argument. It’s like the “mask” or personality the author puts on to connect with the audience → the voice you put on for writing or speaking

53
New cards

poetic device

a technique or tool that poets use to create rhythm, enhance meaning, or make their writing more vivid and memorable.

54
New cards

alliteration (pd)

repeating consonant sounds

Example:
“She sells seashells by the seashore.”

55
New cards

assonance (pd)

a poetic device where the same vowel sound is repeated in nearby words to create internal rhyme or a musical effect.

Example:
“The early bird catches the worm.” (repetition of the “er” sound)

56
New cards

consonance (pd)

a poetic device where the same consonant sound is repeated within or at the end of nearby words, creating a kind of rhyme or rhythm.

Example:
“The lumpy, bumpy road.” (repetition of the “mp” sound)

57
New cards

onomatopoeia (pd)

a poetic device where a word sounds like the noise or action it describes.

Example:

“Buzz” (like a bee)

58
New cards

internal rhyme (pd)

two or more words within the same line of poetry rhyme with each other, instead of just at the end of lines.

Example:
“I went to town to buy a gown.”

59
New cards

slant rhyme (pd)

aka nera rhyme/half rhyme; n words have similar but not exact sounds, usually matching in consonants but not vowels, or vice versa. → creates subtle rhyme effect without perfect match

Example:

  • “shape” and “keep”

  • “worm” and “swarm”

60
New cards

end rhyme (pd)

the last words at the ends of two or more lines of poetry rhyme with each other.

Example:
“The cat sat on the mat.”
“He wore a funny hat.”

61
New cards

rhyme scheme (pd)

the pattern of rhymes at the end of each line in a poem. It’s usually described using letters to show which lines rhyme.

Example:
Roses are red (A)
Violets are blue (B)
Sugar is sweet (C)
And so are you (B)

(ABCB)

62
New cards

stressed/unstressed syllables (pd)

stressed syllables are the parts of a word or phrase that are emphasized or spoken louder and longer, while unstressed syllables are spoken more softly and quickly.

Example:
In the word “apple”, the first syllable “ap” is stressed, and the second “ple” is unstressed.

63
New cards

meter (pd)

the regular pattern of stressed and unstressed syllables in a line of poetry. It creates the poem’s rhythm or beat.

Example:

  • Iambic pentameter (common in Shakespeare) has five feet per line, each foot with an unstressed syllable followed by a stressed one: da-DUM da-DUM da-DUM da-DUM da-DUM.

64
New cards

free verse (pd)

a type of poetry that doesn’t follow regular patterns of rhyme or meter. It sounds more like natural speech and gives the poet freedom to write without strict rules.

65
New cards

iambic pentameter (pd)

a type of poetic meter made up of five “iambs” per line. An iamb is a two-syllable unit where the first syllable is unstressed and the second is stressed (da-DUM) → each line has 10 syllables

66
New cards

sonnet (pd)

a 14-line poem with a specific rhyme scheme and meter, usually written in iambic pentameter → (common themes: love, time, beauty)

67
New cards

polysyndeton

several conjunctions (like “and,” “or,” “but”) are used repeatedly in close succession, often more than necessary, to slow down the rhythm or add emphasis.

Example:
“We have ships and men and money and stores.”

68
New cards

pun

a joke that plays on words that sound alike or have multiple meanings to create humor or a clever effect.

69
New cards

rhetoric

the art of using language effectively and persuasively to inform, persuade, or motivate an audience → includes choice of words, sentence structure, tone, appeals to emotion or logic

70
New cards

aristotle’s rhetorical triangle

Explains the relationships, in any piece of writing, between the writer, the audience, and the subject.

<p>Explains the relationships, in any piece of writing, between the writer, the audience, and the subject.</p>
71
New cards

rhetorical question

a question asked not to get an answer, but to make a point or create an effect.

Examples:

"Do you think I’m stupid?" (Implies: "Of course I’m not!")

72
New cards

romanticism

artistic and intellectual movement (late 1700s–mid 1800s) that emphasized emotion, nature, individualism, and imagination over reason, science, and strict social rules.

Heart > Brain, Nature > Cities, Me > Society.

73
New cards

sarcasm

when someone says the opposite of what they really mean, usually to mock or convey irritation. → tone dependent

74
New cards

satire

a literary technique that uses humor, irony, exaggeration, or ridicule to expose and criticize people’s stupidity, vices, or societal problems—usually to provoke change or awareness.

75
New cards

sentence

a strategic tool—not just grammar. It’s how you control ideas, emphasis, and persuasion.

76
New cards

appositive (sentence)

a noun or phrase that renames or explains another noun right beside it. It adds extra info without a full new sentence.

Examples:

"My dog, a hyper golden retriever, loves squirrels."

77
New cards

clause (appositive)

a group of words with a subject + verb; the building blocks of sentences—and they come in two flavors: independent (thought that can stand alone as a sentence) and dependent (cannot stand alone)

78
New cards

balanced sentence (structure)

mirror-like structure where two parts of the sentence (usually clauses) have similar length and grammar, creating rhythm, emphasis, or contrast.

Examples:

"Ask not what your country can do for you—ask what you can do for your country." (JFK)

79
New cards

compound sentence (structure)

joins two independent clauses (complete thoughts) with a:

  • Comma + FANBOYS (For, And, Nor, But, Or, Yet, So)

  • OR a semicolon (;)

Examples:

"I love AP Lang, but the essays are tough."

80
New cards

complex sentence (structure)

mixes one independent clause and one dependent clause

Examples:

"If you study hard, you’ll pass the AP exam."

81
New cards

cumulative sentence (structure)

aka loose sentence; starts with a main clause (complete thought), then piles on extra details right after it to add depth, imagery, or explanation

Example:

"She ran through the park, her shoes pounding the pavement, her breath quickening, the autumn leaves crunching underfoot."

  • Main Clause: "She ran through the park"

  • Added Details: Everything after expands the scene.

82
New cards

periodic sentence (structure)

a sentence that builds suspense by saving the main clause (complete thought) for the very end. Everything before it leads up to the punchline.

Example:

"After weeks of sleepless nights, endless revisions, and caffeine-fueled study sessions—she finally aced the AP exam."

83
New cards

simple sentence (structure)

one independent clause—a single complete thought with a subject + verb. It’s clear, direct, and punchy.

Examples:

  • "She studied."

  • "The AP exam was challenging."

84
New cards

declarative sentence (type)

a statement that gives information or expresses an idea—it ends with a period → the purpose is to inform or state something

Examples:

  • "Rhetoric is the art of persuasion."

85
New cards

imperative sentence (type)

a sentence that gives a command, instruction or request and usually has a implied subject (typically “you” w/o saying so)

Examples:

  • "Analyze the rhetorical devices in this passage."

86
New cards

interrogative sentence (type)

a sentence that asks a direct question and ends with a question mark (?). It’s used to request information, provoke thought, or engage the audience.

Examples:

"What is the author’s purpose?"

87
New cards

style

how a writer or speaker expresses ideas—their unique "fingerprint" of word choice, sentence structure, and tone.

88
New cards

symbol

an object, person, place, or action that represents a deeper meaning beyond its literal definition.

Examples:

"The mockingbird in To Kill a Mockingbird symbolizes innocence."

89
New cards

syntax/sentence variety

using different types and lengths of sentences and words/phrase arrangements in a sentence to make writing more interesting

90
New cards

theme

the central idea, message, or underlying meaning of a literary work or piece of writing. It’s what the author wants the reader to think about or understand.

91
New cards

thesis

he main idea or claim that an essay or argument is built around. It states the writer’s position or what they are trying to prove. → usually appears in the introduction

92
New cards

tone

the author’s attitude or feeling toward the subject or audience, expressed through their word choice and style.

93
New cards

understatement

a figure of speech where something is intentionally presented as less important, serious, or dramatic than it really is, often for ironic or humorous effect.

Example:
Saying “It’s just a scratch” when there’s a big dent on a car.

94
New cards

litotes (understatement)

a figure of speech that uses understatement → say something in a less direct or milder way → usually involves phrases like “not bad” to mean “good,” or “she’s not unhappy” to mean “she’s happy.”

Example:

  • “That’s not terrible” meaning “That’s pretty good.”

  • “He’s not unfamiliar with the subject” meaning “He knows the subject well.”

95
New cards

argument

a clear, logical presentation of a claim or position supported by evidence and reasoning to convince others → state point, back up, address opposing views

96
New cards

premises

the statements or reasons in an argument that support the main claim (the conclusion). They provide the evidence or foundation for the argument → building blocks that help prove the point

Example:
If the claim is “School uniforms should be required,” a premise might be “Uniforms reduce bullying.”

97
New cards

conclusion

the final part of an argument or essay where the writer sums up their main point and reinforces why its valid based on the supporting evidence previously stated (premises)

98
New cards

aristotles appeals

ways to persuade the audience that your point is valid → ethos, logos, pathos

99
New cards

ethos

credibility of the speaker/writer

100
New cards

logos

logic → facts