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“Her will, recoiling to her better judgement, / May fall to match you with her country forms, / And happily repent” - Iago
verb “recoiling” portrays Othello as potentially undesirable to Desdemona
comparative adjective “better” creates a hierarchy between Desdemona’s current decision and the more ‘rational’ choice Iago claims she will inevitably make
“country forms” constructs Venetian identity as a shared cultural and racial category
religious connotations of “repent” mirrors Othello’s fear of reversion and frames loving him as a sin
“Her name, that was as fresh / As Dian’s visage, is now begrimed and black / As mine own face” - Othello
simile “as Dian’s visage” idealises Desdemona into a paragon of virtue (Diana was the Roman goddess of chastity) but also links to Othello’s belief that her purity has been tarnished by infidelity
semantic contrast of “begrimed and black” coupled with plosive -b portrays Othello’s vehement belief that Desdemona is now corrupted
simile “as mine own face” reveals Othello’s racial insecurities through his comparison of Desdemona’s immorality to his own blackness
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