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rhetoric
art of speaking or writing effectively: a term used to describe an authors favored stylistic choices
syntax
how an author arranges words in a sentence in a specific order to create an effective complete thought
diction
the choice and use of certain words and phrases in speech or writing
mood
the overall feeling or atmosphere of a story or scene scary, joyful,tense,uncomfortable
motif
a distinctive feature or dominant idea in a work of literature often shown or emphasized through repitition
simile
a figurative comparison between two unlike things, using like, as, than
suspense
the feeling of tension over the course of a narrative, created through structural choices and use of detail
hyperbole
a figurative exaggeration or overstatement (“ive told you a million times")
tone
the authors attitude in a piece of writing that creates a particular feeling or reaction from the reader
connotation
the idea or feeling that a reader associates with a word or phrase as opposed to its literal meaning
irony
language or narrative choices that use combinations of opposites and unexpected turns of events for humor or emphasis. Can be situational, verbal, or dramatic
metaphor
figurative comparison between two unlike things in which one thing is directly stated to be another
imagery
an authors use of descriptive language that appeals to the five senses
symbolism
a person place or thing that has meaning in itself but also stands for a greater idea or set of ideas beyond itself
figurative language
words or phrases used to create an effect beyond their literal meaning
logos
the use of structure, analysis, facts, information, examples, comparisons, and logic in speaking or writing to appeal to an audience
ethos
the use of character, trust, credibility, confidence, and personal branding in speaking or writing to appeal an audience
pathos
the use of vivid description, inspirational quotes, loaded language, or real experiences used to evoke an emotional response from an audience; includes tone and connotation
resolution
the conclusion of a storys plot. stories can conclude happily or tragically. usually a storys theme is strongly influenced by its ending.
climax
the highest point of dramatic tension in a storyline, often depicted by a confrontation between the protagonist and antagonist
3rd person omniscient
point of view in which the thoughts and feelings of multiple characters are revealed, giving the reader a combination of perspectives through which to follow the story
1st person pov
point of view in which the narrator is a participant in the story, telling it from his/her perspective
chronology
the order of events in a story. authors choose whether or not the events unfold in order or out of order
inciting incident
the part of the story in which the main conflict is introduced or revealed; this traditionally kicks off the rising action of the story
in media res
latin for “in the middle of things” ; an authors choice to start the narrative of a story in the middle of events that have already started to unfold.
rising action
the part of a story in which the tension starts to build as the protagonist tries to solve the conflict. this causes suspense as complications build towards the climax
third person limited
the story follows one main characters perspective on the events and their thoughts and feelings are revealed. however, other characters inner monolouges are hidden
conflict
the struggles the characters encounter over the course of a story or that people face in real life. they lead to complications
expositions
the opening part of a story in which the setting and main characters are introduced
juxtaposition
placing two things side by side for comparison. authors tend to do this in a way that leads to irony
3rd person objective
a point of view in which the story is told from outside the characters perspectives and the reader is only given dialogue and action descriptions; characters thoughts and feelings are not revealed.
falling action
the part of a story in which the tension decreases as the characters move on from the climax