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Flashcards of vocabulary terms and definitions from the lecture notes.
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Visual Culture
Material artifacts, buildings and images, plus time-based media and performances, produced by human labor and imagination, which serve aesthetic, symbolic, ritualistic or ideological-political ends and /or practical functions, and which address the sense of sight to a significant extent.
Culture
What humans have done or added to nature by their inventiveness and labor.
Base
Material resources, means of production (labor, industries, machines, technologies), the economy.
Superstructure
“Spiritual” phenomena: ideology, art, religion, science and philosophy.
Ideology
Shared set of societal values and beliefs
Hegemony
Dominant ideologies are always in flux.
Civilization
Culture synonym with broader and evaluative connotations; mannered; paradox of civilization increasing potential for destructive power.
Kitsch
Visual artifacts judged to have little or no aesthetic value.
Camp
Recodes kitsch as valuable, sees value through its status in invoking class standards of bad taste – “connoisseur of kitsch”.
Connoisseur
Master of “taste” - rules of subculture.
Folk Culture
Rural societies (in decline).
Mass Culture
Modernity, industrialization & mass communication.
Mass Culture
Made by professional designers and artists.
Popular Culture
Made by common people for masses.
Pluralist Culture
Many cultures; a flexible, dynamic process.
Trans- or Cross-Cultural
Looking for commonalities.
Intercultural
Ways cultures interact.
Multiculturalism
Need to incorporate values and ideas which do not reflect merely the dominant group ideology; dangers of tokenisms.
Apperception
Visual information merges with other sensory information along with existing memories and knowledge.
Synaesthesia
Colors and shapes associated with sounds, smells and feelings.
Ocularcentrism
Critique says vision complicit in social oppression via surveillance & spectacle.
Panopticon
“All seeing” prison design.
Panopticism
Humans internalize scrutinizing gaze.
Biopower
State has indirect control over citizens.
Feminist Critique
Associated with male dominance (patriarchy); eye objectifies and masters; “the Gaze”.
Visuality
Socialized vision; knowledge, interests, desires and social relations between perceiver and perceived.
Representation
Use of language and images to create meaning about the world.
Mimesis
Mirroring the world.
Social Constructionism
Making meaning only through specific cultural contexts.
Media Visual Representations
Intentional, encoded communications.
Mediatization
A theory that argues that the media shapes and frames the processes and discourse (conversation) of political communication as well as the society in which that communication takes place.
Haptic Sense/Perception
Touch, texture and contour.
Kinaesthetic Sense/Perception
Movement in muscles, tendons, joints.
Scopic Drive
Desire to see.
Invocatory Drive
Desire to hear.
Pierre Bourdieu
Literary or artistic field is field of forces and field of struggles tending to transform or conserve same.
Hegemony (Gramsci)
Power relations in constant state of flux.
Habitus
Field exists before entry with rites of passage; individual assumes position within it (often unconsciously).
Edward Said
Concept of “the other”; center vs. periphery.
Primitivism
Cult and appropriation of tribal arts by modern artists.
Orientalism
Exotic conceptions of East as European inventions.
Theory
A coherent group of general propositions used as principles of explanation for a class of phenomenon.
Karl Popper
All theory provisional.
Ekphrasis
Detailed description of works of art.
Criticism
A genre of writing that describes and evaluates particular examples of visual culture for the benefit of non-specialist readers.
Frankfurt School
The whole world is made to pass through the filter of the culture industry.
Exchange Value
What something costs.
Use Value
How useful/necessary something is.
Lack (Lacan)
Loss from separation at birth
Interpellation
Advertising images interpellate viewers as subjects – address “you”.
Metacommunication
An exchange where topic is act of communication itself; reflexive.
Signifying Practice
Goal of producing meaning as well as object.
Auteur Theory
Idea of defining individual style.
Authorship
Barthes’ “death of the author” with “birth of the reader” with emphasis shift from production to reception.
Bricolage (Appropriation)
Taking existing artifacts and recoding them for new subgroup meanings.
Counter-Bricolage
Mass culture re-appropriating (co-opting) the bricolage.
Scopophilia
Erotic gratification derived from looking.
Mirror Phase (Lacan)
Developmental stage where infants recognise their image in mirrors as self and yet not—project control.
Cinematic Apparatus
Traditional social cinema space—darkened theater, mirror-like screen—invites regression to childlike state.
Literate
Able to read or write, more generally, educated or learned.
Semiotics
Study of signs.
Dominant-Hegemonic Reading
Unquestioningly identify with the dominant ideology.
Negotiated Reading
Combine various interpretations.
Oppositional Reading
Completely disagree, reject or ignore.
Gender-Bending
Rereading with queer subtext.
Trans-Coding
Putting positive spin on negative.
Rhetoric
Type of speech used to persuade an audience; field of study which examines modes of communication.
Visual Poetics
Examines rhetorical devices (figures of speech or tropes) in images and language.
Simile
One thing is likened to another.
Metaphor
A stronger connection than a simile.
Metonymy
A change of name.
Synecdoche
Part standing for the whole.
Hyperbole
Excessive exaggeration.
Personification
Abstract ideas embodied in some person or animal.
Symbols
Signs or objects that have, over time, acquired fixed secondary meanings.
Allegory
A treatment of one subject under the guise of another; a presentation of an abstract meaning through concrete forms.
Antithesis
Opposition; contrast—visual opposite juxtapositions.
Chiasmus
Two phrases are juxtaposed with the key word order reversed in the second.
Intertextuality
References to other works in the genre “quoting”; game with audience, reflecting their sophistication as knowledgeable viewers.
Manifest Content
What is shown; objects recognized by most—obvious or literal.
Latent Content
Attached secondary meanings.
Denotational (Mythologies)
What is shown (Roland Barthes).
Connotational (Mythologies)
How it is shown/what it means (Roland Barthes).
Iconography (Erwin Panofsky)
Branch of art history which studies content (representation); “descriptive and classificatory”.
Iconology (Erwin Panofsky)
“Interpretive”; synthetic.
Genre
French - “species, kind or sort”; in art, a classification or grouping of artworks that share certain iconographic elements, themes and stylistic conventions.
Type
Architecture: airport, hospital, bungalow; design: product type - car, chair, telephone.
Form
Color, shape, value, lighting—what things look like; formalist critics or historians.
Style
Handling, manner of expression—how something is said rather than what is said.
Semiotics
Study of signs within society; fashionable beginning in 1960s.
Sign
Something that stands to somebody for something in some respect or capacity (C.S. Pierce).
Referent
What it stands for; can be real or imaginary.
Language
All that is necessary for any language to exist is an agreement that one thing will stand for another (Ferdinand de Saussure).
Signifier (Sr)
Material dimension of sign (Ferdinand de Saussure).
Signified (Sd)
Conceptual dimension of sign (Ferdinand de Saussure).
Syntagm
Collection of signs in linear sequence (letters<word) (Ferdinand de Saussure).
Paradigm
A set where each unit has something in common and is obviously different from the other units (Ferdinand de Saussure).
Analog Code
Paradigm with no easily fixed number of units (Ferdinand de Saussure).
Digital Code
Paradigm with fixed number of units (Ferdinand de Saussure).
Object (C.S. Pierce)
External reality.