Visual Culture Lecture Notes

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130 Terms

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Visual Culture

Material artifacts, buildings and images, plus time-based media and performances, produced by human labor and imagination, which serve aesthetic, symbolic, ritualistic or ideological-political ends and /or practical functions, and which address the sense of sight to a significant extent.

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Culture

What humans have done or added to nature by their inventiveness and labor.

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Base

Material resources, means of production (labor, industries, machines, technologies), the economy.

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Superstructure

“Spiritual” phenomena: ideology, art, religion, science and philosophy.

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Ideology

Shared set of societal values and beliefs

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Hegemony

Dominant ideologies are always in flux.

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Civilization

Culture synonym with broader and evaluative connotations; mannered; paradox of civilization increasing potential for destructive power.

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Kitsch

Visual artifacts judged to have little or no aesthetic value.

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Camp

Recodes kitsch as valuable, sees value through its status in invoking class standards of bad taste – “connoisseur of kitsch”.

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Connoisseur

Master of “taste” - rules of subculture.

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Folk Culture

Rural societies (in decline).

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Mass Culture

Modernity, industrialization & mass communication.

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Mass Culture

Made by professional designers and artists.

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Popular Culture

Made by common people for masses.

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Pluralist Culture

Many cultures; a flexible, dynamic process.

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Trans- or Cross-Cultural

Looking for commonalities.

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Intercultural

Ways cultures interact.

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Multiculturalism

Need to incorporate values and ideas which do not reflect merely the dominant group ideology; dangers of tokenisms.

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Apperception

Visual information merges with other sensory information along with existing memories and knowledge.

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Synaesthesia

Colors and shapes associated with sounds, smells and feelings.

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Ocularcentrism

Critique says vision complicit in social oppression via surveillance & spectacle.

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Panopticon

“All seeing” prison design.

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Panopticism

Humans internalize scrutinizing gaze.

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Biopower

State has indirect control over citizens.

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Feminist Critique

Associated with male dominance (patriarchy); eye objectifies and masters; “the Gaze”.

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Visuality

Socialized vision; knowledge, interests, desires and social relations between perceiver and perceived.

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Representation

Use of language and images to create meaning about the world.

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Mimesis

Mirroring the world.

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Social Constructionism

Making meaning only through specific cultural contexts.

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Media Visual Representations

Intentional, encoded communications.

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Mediatization

A theory that argues that the media shapes and frames the processes and discourse (conversation) of political communication as well as the society in which that communication takes place.

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Haptic Sense/Perception

Touch, texture and contour.

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Kinaesthetic Sense/Perception

Movement in muscles, tendons, joints.

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Scopic Drive

Desire to see.

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Invocatory Drive

Desire to hear.

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Pierre Bourdieu

Literary or artistic field is field of forces and field of struggles tending to transform or conserve same.

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Hegemony (Gramsci)

Power relations in constant state of flux.

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Habitus

Field exists before entry with rites of passage; individual assumes position within it (often unconsciously).

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Edward Said

Concept of “the other”; center vs. periphery.

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Primitivism

Cult and appropriation of tribal arts by modern artists.

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Orientalism

Exotic conceptions of East as European inventions.

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Theory

A coherent group of general propositions used as principles of explanation for a class of phenomenon.

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Karl Popper

All theory provisional.

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Ekphrasis

Detailed description of works of art.

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Criticism

A genre of writing that describes and evaluates particular examples of visual culture for the benefit of non-specialist readers.

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Frankfurt School

The whole world is made to pass through the filter of the culture industry.

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Exchange Value

What something costs.

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Use Value

How useful/necessary something is.

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Lack (Lacan)

Loss from separation at birth

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Interpellation

Advertising images interpellate viewers as subjects – address “you”.

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Metacommunication

An exchange where topic is act of communication itself; reflexive.

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Signifying Practice

Goal of producing meaning as well as object.

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Auteur Theory

Idea of defining individual style.

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Authorship

Barthes’ “death of the author” with “birth of the reader” with emphasis shift from production to reception.

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Bricolage (Appropriation)

Taking existing artifacts and recoding them for new subgroup meanings.

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Counter-Bricolage

Mass culture re-appropriating (co-opting) the bricolage.

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Scopophilia

Erotic gratification derived from looking.

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Mirror Phase (Lacan)

Developmental stage where infants recognise their image in mirrors as self and yet not—project control.

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Cinematic Apparatus

Traditional social cinema space—darkened theater, mirror-like screen—invites regression to childlike state.

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Literate

Able to read or write, more generally, educated or learned.

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Semiotics

Study of signs.

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Dominant-Hegemonic Reading

Unquestioningly identify with the dominant ideology.

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Negotiated Reading

Combine various interpretations.

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Oppositional Reading

Completely disagree, reject or ignore.

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Gender-Bending

Rereading with queer subtext.

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Trans-Coding

Putting positive spin on negative.

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Rhetoric

Type of speech used to persuade an audience; field of study which examines modes of communication.

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Visual Poetics

Examines rhetorical devices (figures of speech or tropes) in images and language.

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Simile

One thing is likened to another.

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Metaphor

A stronger connection than a simile.

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Metonymy

A change of name.

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Synecdoche

Part standing for the whole.

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Hyperbole

Excessive exaggeration.

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Personification

Abstract ideas embodied in some person or animal.

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Symbols

Signs or objects that have, over time, acquired fixed secondary meanings.

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Allegory

A treatment of one subject under the guise of another; a presentation of an abstract meaning through concrete forms.

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Antithesis

Opposition; contrast—visual opposite juxtapositions.

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Chiasmus

Two phrases are juxtaposed with the key word order reversed in the second.

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Intertextuality

References to other works in the genre “quoting”; game with audience, reflecting their sophistication as knowledgeable viewers.

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Manifest Content

What is shown; objects recognized by most—obvious or literal.

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Latent Content

Attached secondary meanings.

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Denotational (Mythologies)

What is shown (Roland Barthes).

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Connotational (Mythologies)

How it is shown/what it means (Roland Barthes).

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Iconography (Erwin Panofsky)

Branch of art history which studies content (representation); “descriptive and classificatory”.

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Iconology (Erwin Panofsky)

“Interpretive”; synthetic.

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Genre

French - “species, kind or sort”; in art, a classification or grouping of artworks that share certain iconographic elements, themes and stylistic conventions.

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Type

Architecture: airport, hospital, bungalow; design: product type - car, chair, telephone.

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Form

Color, shape, value, lighting—what things look like; formalist critics or historians.

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Style

Handling, manner of expression—how something is said rather than what is said.

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Semiotics

Study of signs within society; fashionable beginning in 1960s.

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Sign

Something that stands to somebody for something in some respect or capacity (C.S. Pierce).

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Referent

What it stands for; can be real or imaginary.

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Language

All that is necessary for any language to exist is an agreement that one thing will stand for another (Ferdinand de Saussure).

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Signifier (Sr)

Material dimension of sign (Ferdinand de Saussure).

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Signified (Sd)

Conceptual dimension of sign (Ferdinand de Saussure).

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Syntagm

Collection of signs in linear sequence (letters<word) (Ferdinand de Saussure).

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Paradigm

A set where each unit has something in common and is obviously different from the other units (Ferdinand de Saussure).

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Analog Code

Paradigm with no easily fixed number of units (Ferdinand de Saussure).

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Digital Code

Paradigm with fixed number of units (Ferdinand de Saussure).

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Object (C.S. Pierce)

External reality.