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Classical Period Genres
(Piano) Sonata
String Quartet
Symphony
Classical Period Forms
Sonata-Allegro
Binary
Ternary
Theme and Variations
Minuet and Trio,
Rondo
Classical Period Composers
Haydn (Known for String Quartets)
Mozart
Beethoven (Known for Symphonies)
Classical Period Features
Symmetrical, balanced phrases that have simple, tuneful melodies
Diatomic harmony with clear-cut cadences
Instrumentation: Orchestra with double winds, timpani, strings
Gradual changes in dynamics (cresc. or dim.) for earlier Classical pieces, however sudden dynamic changes are seen in Beethoven’s works
Mostly homophonic texture, but can have monophonic, antiphonic or polyphonic textures as well
Symphonies
Consists of 4 sections (Woodwind, Brass, String and Percussion)
Had 3 movements at first, but later added a dance movement (minuet and trio)
String family as main focus with woodwind assisting or doubling them
Brass sustains harmonies and contribute to body of the sound
Timpani provides rhythmic vitality by highlighting tonic and dominant notes
Double woodwinds heard — Clarinets added into symphony orchestras later on (Haydn first introduced the clarinet)
Sonata-Allegro form
First movement
Sometimes preceded by a slow introduction
Characterised by the opposition of two keys made audible by the contrast between 2 themes
Consists of an Exposition, Development and Recapitulation at the end.
Usually long and dramatic Allegro (relatively fast)
Theme and variations A-B-A
Second movement
changes the primary theme developed in first movement by altering pitch, rhythm, harmony or mode (major or minor)
Usually lyrical and less development of themes than in first mvt
Slow, lyrical Andante or Adagio (walking pace)
Minuet and trio / Scherzo and trio
Third movement
Stately dance in triple meter
Consists of a first minuet followed by a second minuet with a lighter texture, then ending with the first minuet
Strictly follows ternary form (ABA structure)
Scherzo: Usually faster/rapid and more jovial than traditional minuet and trio.
Scherzo and trio replaces minuet and trio in the later classical period and is heard in Beethoven’s music
Dancelike Allegro or Allegretto (fast-paced) characterics
Rondo form
Final Movement (may have Sonata-Rondo form or Sonata-Allegro form)
Consists of a principle theme (Refrain) and one or more contrasting theme.
follows a ABACA form
Lively, spirited Allegro or Vivace (fast and lively tempo)