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pitch
highness or lowness of a note, depending on the frequency.
frequency
Rate of vibration of a string or column of air, which determines pitch.
staff
The five parallel lines on which notes are written.
note
a musical symbol denoting pitch and duration
duration
Length of time something lasts; e.g., the vibration of a musical sound.
volume
degree of loudness or softness of a sound; also amplitude
tone color/timber
quality of sound that distinguishes one voice or instrument from another
melody
succession of single pitches perceived by the ear as a unity
range
distance between the lowest and highest pitches of a melody, instrument, or voice.
contour
The overall shape of a melodic line. It can move upward or downward or remain static.
interval
Distance and relationship between two pitches
conjunct
smooth, connected melody that moves principally by small intervals
disjunct
disjointed or disconnected melody with many leaps
phrases
a musical unit; often a component of a melody
cadences
resting place in a musical phrase; musical punctuation
countermelody
An accompanying melody sounded against the principal melody.
rhyme scheme
The arrangement of rhyming words or corresponding sounds at the end of poetic lines.
Climax
the high point in a melodic line or piece of music, usually representing the peak of intensity, range, and dynamics.
Rhythm
the controlled movement of music in time
beat
regular pulsation; a basic unit of length in musical time
accented
The emphasis on a beat resulting in its being louder or longer than another in a measure.
meters
organization of rhythm in time; the grouping of beats into larger, regular patterns, notated as measures
measures (or bars)
metric grouping of beats, notated on the musical staff with bar lines
measure (bar) lines
vertical lines on a staff that separate measures; each measure gets a specific number of beats.
downbeat
First beat of the measure, the strongest in any meter.
simple meters
duple, triple, and quadruple are the most common; each beat is divided into two
compound meters
Meter in which each beat is subdivided into three rather than two.
offbeats
a weak beat or weak portion of a beat
syncopation
Deliberate upsetting of the meter or pulse through a temporary shifting of the accent to a weak beat or an offbeat.
Polyrhythm
The simultaneous use of several rhythmic patterns or meters, common in twentieth-century music and in certain African musics.
nonmetric
Music lacking a strong sense of beat or meter, common in certain non-Western cultures.
upbeat
Last beat of a measure, a weak beat, which anticipates the downbeat.
duple meter
basic metrical pattern of two beats to a measure
triple meter
basic metrical pattern of three beats to a measure
quadruple meter
Basic metrical pattern of four beats to a measure. Also common time.
sextuple meter
compound metrical pattern of six beats to a measure
Harmony
the simultaneous combination of notes and the ensuing relationships of intervals and chords
Chord
simultaneous combination of three or more pitches that constitute a single block of harmony
Scale
series of pitches in ascending or descending order, comprising the notes of a key
Octave
interval between two notes eight diatonic pitches apart; the lower note vibrates half as fast as the upper and sounds an octave lower
Triad
common chord type, consisting of three pitches built on alternate notes of the scale
Tonic
The first note of the scale, or key; do.
Tonality
Principle of organization around a tonic, or home, pitch, based on a major or minor scale.
Dissonance
Combination of tones that sounds discordant and unstable, in need of resolution.
Consonance
Concordant or harmonious combination of tones that provides a sense of relaxation and stability in music.
Drone
Sustained sounding of one or several pitches for harmonic support, a common feature of some folk musics.
Half steps
Smallest interval used in the Western system; the octave divides into twelve such intervals; on the piano, the distance between any two adjacent keys, whether black or white. Also semitone.
Chromatic scale
Melody or harmony built from many if not all twelve pitches of the octave. A chromatic scale consists of an ascending or descending sequence of half steps.
Whole step
interval consisting of two half steps
Diatonic scale
Melody or harmony built from the seven tones of a major or minor scale. A diatonic scale encompasses patterns of seven whole tones and semitones.
Major scale
Scale consisting of seven different pitches that comprise a specific pattern of whole and half steps (W-W-H-W-W-W-H). Differs from the minor scale primarily in that its third degree is raised half a step.
Minor scale
Scale consisting of seven different pitches that comprise a specific pattern of whole and half steps (W-H-W-W-H-W-W). Differs from the major scale primarily in that its third degree is lowered half a step.
Sharp
a musical symbol that raises a pitch by a half step
Flat
a musical symbol that lowers a pitch by a half step
Tonic chord
Triad built on the first, or tonic, note of the scale, serving as the main chord of a piece and usually beginning and ending it.
Active chords
In the diatonic system, chords that need to resolve to the tonic chord. These include the dominant and subdominant chords.
Dominant
fifth note of the scale, sol
Subdominant
Fourth note of a scale, fa
Key
Defines the relationship of tones with a common center or tonic. Also a lever on a keyboard or woodwind instrument.
Transposition
the shifting of a piece of music to a different pitch level
Modulation
the process of changing from one key to another
Texture
The interweaving of melodic (horizontal) and harmonic (vertical) elements in the musical fabric.
Monophony
single-line texture, or melody without accompaniment
Polyphony
two or more melodic lines combined into a multi voiced texture
Counterpoint
The art of combining in a single texture two or more melodic lines.
Homophony
texture with principal melody and accompanying harmony
Imitation
Melodic idea presented in one voice or part and then restated in another, each part continuing as others enter.
Canon
type of polyphonic composition in which one musical line strictly imitates another at a fixed distance throughout
Rounds
Perpetual canon at the unison in which each voice enters in succession with the same melody
Form
Structure and design in music, based on repetition, contrast, and variation; the organizing principle of music
Strophic form
Song structure in which the same music is repeated with every stanza (strophe) of the poem.
Through-composed
Song structure that is composed from beginning to end, without repetitions of large sections.
Binary form (A-B)
Two-part (A-B) form with each section normally repeated.
Ternary Form (A-B-A)
three-part form based on a statement, contrast, and repetition
Theme
melodic idea used as a basic building block in the construction of music
Motive
Short melodic or rhythmic idea; the smallest fragment of a theme that forms a melodic-harmonic-rhythmic unit.
Sequence
restatement of an idea or motive at a different pitch level
call and response (responsorial)
performance style with a singing leader who is imitated by a chorus of followers
Improvisation
Creation of music at the same time as it is performed
Ostinato
A short melodic, rhythmic, or harmonic pattern that is repeated throughout a work or a section of one.
Movements
complete, self-contained part within a larger musical work
Tempo
rate of speed of the music
Dynamics
Element of musical expression relating to the degree of loudness or softness, or volume, of a sound.
Vocalise
A textless vocal melody, as in an exercise or concert piece.
Scat-singing
a jazz style that sets syllables without meaning (vocables) to an improvised vocal line
Secular music
Nonreligious music; when there is text, it is usually in the vernacular.
Vernacular
the common language of the people
Sacred music
Religious or spiritual music, for church or devotional use.
Syllabic
melodic style of one note set to each text syllable
Neumatic
Melodic style with two to four notes set to each syllable
Melismatic
melodic style characterized by many notes sung to a single text syllable
Word-painting
Musical pictorialization of words as an expressive device; a prominent feature of the Renaissance madrigal.
timbre/tone color
the quality of a sound that distinguishes one voice or instrument from another
Instrument
Mechanism that generates musical vibrations and transmits them into the air.
Soprano
Highest-ranged voice, normally possessed by women or boys.
Alto
Lowest of the female voices, also contralto
Tenor
Male voice of high range. Also a part, often structural, in polyphony.
Bass
lowest male voice
Aerophones
Instruments such as a flute, whistle, or horn that produce sound by using air as the primary vibrating means.
Chordophones
Instruments that produce sounds via vibrating strings, such as the guitar. The strings may be plucked, bowed, hit, or strummed