conceptual images+pop art

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Graphic Arts

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33 Terms

1
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What factors contributed to the decline of narrative illustration in the 1950s?

Improvements in paper, printing, and photography reduced the edge illustrators had over photographers.

2
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How did traditional illustrators create more convincing images than photography before the 1950s?

By exaggerating value contrasts, intensifying color, and making edges and details sharper than life.

3
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Which group of young New York graphic artists began a more conceptual approach to illustration in the 1950s?

Seymour Chwast, Milton Glaser, Reynolds Ruffins, and Edward Sorel.

4
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What was the name of the joint publication created by these artists?

The Push Pin Almanack.

5
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What did the Push Pin Almanack feature?

Editorial material from old almanacs illustrated by the group.

6
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When was the Push Pin Studio formed?

August 1954, when Milton Glaser returned from Europe.

7
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What was the global influence of the Push Pin Studio artists?

integration of image making and layout in graphic design, uniting these tasks into a total communication.

8
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Describe Seymour Chwast's artistic vision.

Personal yet universal, incorporating elements of children's art, primitive art, folk art, expressionist woodcuts, and comic books.

9
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What technique did Chwast frequently use in his work?

Line drawings overlaid with adhesive color films and experimenting with various media and substrata.

10
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What distinguishes Chwast's color usage from Glaser's?

Chwast's color is frontal and intense, maintaining absolute flatness, in contrast to Glaser's spatial depth.

11
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What design technique involves combining two symbols to create a "fused image"?

A method to unite form and content for memorable images in book covers, posters, and advertisements.

12
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Give an example of a "fused image" design by Paul Rand.

The cover design for Modern Art in Your Life, using a household place setting and artists’ tools.

13
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How did Louis Danziger create a memorable image for the Metropolitan Museum of Art?

By using the American flag and an artist’s paintbrush to symbolize American painting.

14
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What was Pop Art?

An international movement in painting, printmaking, and sculpture that began after WWII with the rise of consumerism in the 1950s and 1960s.

15
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Which cities were significant centers for Pop Art?

New York, Los Angeles, London, as well as later developments in France and Germany

16
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Name four prominent New York artists associated with Pop Art.

  • Andy Warhol,

  • Roy Lichtenstein,

  • James Rosenquist,

  • Claes Oldenburg.

17
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What did Pop Art celebrate?

The consumerism and materialism after the war.

18
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How did Pop Art use imagery?

By taking imagery from advertisements, magazines, and comics, and altering it by adding color, producing collages, etc.

19
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What was the primary goal of the Pop Art movement regarding cultural boundaries?

To blur the boundaries between 'high' art and 'low' popular culture.

20
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How was Pop Art perceived in terms of its relation to traditional art?

It was sometimes considered “anti-art” and “anti-elitist.”

21
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Which earlier art movements influenced Pop Art?

Dadaism and Anti-Abstract Expressionism.

22
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Describe the influence of Dadaism on Pop Art.

Dadaists combined arbitrary images to provoke reactions, influencing the anti-art nature of Pop Art.

23
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How did Pop Art react to Abstract Expressionism?

It developed as a reaction against the perceived elitism of Abstract Expressionism.

24
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What historical and social factors did Pop Art represent?

It represented the popular culture of the 1960s, using celebrities and products familiar to everyone at the time.

25
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When was the term "Pop Art" first used to describe the work of specific artists?

1961, describing the work of Andy Warhol and Roy Lichtenstein.

26
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What was the significance of "Soft Toilet" by Claes Oldenburg?

It rebelled against Abstract Expressionism by using mundane household items made from soft materials, creating a surreal, expressive form.

27
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Describe Andy Warhol's sculpture work in the mid-1960s.

He created plywood boxes painted and silkscreened with logos of consumer products, mimicking supermarket cartons.

28
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What was the reaction to Warhol's supermarket carton sculptures?

They caused controversy due to their mundane, commercial subject matter and machine-made look.

29
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What is one characteristic of Postmodernism reflected in Pop Art?

The idea that there is no hierarchy of culture and that art may borrow from any source

30
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What does Pop Art signify about access to the natural world or built environment?

That we can have no unmediated access to anything; everything is interconnected

31
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What is the term for combining two symbols to create a "fused image" in graphic design?

A technique used to unite form and content, creating memorable images.

32
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Which artist used a common household place setting and artists' tools as a visual metaphor in a book cover design?

Paul Rand

33
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Who used the American flag and an artist's paintbrush to create a memorable image for American painting at the Metropolitan Museum of Art?

Louis Danziger.