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eric bentley
play is not a satisfactory tragedy due to:
lack of terror (willy is too lowly and pathetic a figure to inspire terror) and lack of resolution (was willy’s downfall due to his own tragic flaw or was he brought down by socio-economic forces?)
therefore the play falls between a tragedy and a socio-political play, which results in it being neither
harold bloom
play is a tragedy despite itself
willy never achieves self-knowledge and society isn’t ‘cleansed’ by his death
however his death leads to biff’s self-knowledge while also releasing biff from willy’s destructive dream
stephen barker
play is a nietzschean tragedy
nietzsche argued ;
‘god is dead’
tragedy was an art from allowing audiences to recognise the truth, rather than to offer closure
life is often unbearably cruel and painful and human beings essentially lie to each other in order to survive
willy kills himself for no reason, evidenced linda in the requim asks ‘why did you do it?’
willy has spend his life lying to himself about who he is and the requiem shows that happy will continue to follow willy’s delusions (he had a good dream)
dennis welland
willy’s repression of the past is a barrier to maturity and ego-development
sheila huffel
willy fell only from an imagined height
lee siegel
biff’s ide that he will correct his father’s wrong dreams by living the right life is, in itself, a grandiose dream
barclay bates
the play is about the triumph of the present over the past
guerin bliquez
to overlook the part she plays in her husband’s pathetic downfall is to miss one of the most profound levels in arthur miller’s subtle structuring of his tragedy
christopher bigsby
if personal meaning lies in success, then failure must threaten identity itself