Paradox of Horror Midterm

0.0(0)
studied byStudied by 0 people
0.0(0)
full-widthCall Kai
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
GameKnowt Play
Card Sorting

1/33

encourage image

There's no tags or description

Looks like no tags are added yet.

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

34 Terms

1
New cards

Carroll’s foruma for horror

95% digust, 5% fear

2
New cards

Thought theory

explains why we can be scared of something even though we know it isnt real. the “thought” of it potentially happening is scary enough.

3
New cards

What are the three categories of horror?

Moral, allegorical, psychological metaphor, fantastic

4
New cards

What is moral allegorical?

Grounded in the battle between good and evil. consequences of supernatural evil upon everyday life”

5
New cards

what is psychological metaphor?

contains the presence of a human or non-human “monster” that usually metaphorically represents or reflects the everyday fears concerning safety

6
New cards

what is fantstic?

based on the “ambuguity as to the nature of reality”. Supernatrual is present, but not explicit- only hinted at. 

7
New cards

According to tudor, horror explores:

the limits of what people are capable of doing and experiencing

8
New cards

Horror entails an “extreme” departure from “everyday reality” that reveals:

images that we want to ignore/forget and images that we do not want to accept

9
New cards

What are the four movements of the discovery plot? What is particularly of interest?

  1. Onset

  2. Discovery

  3. Confirmation

  4. Confrontation

The tension between “discovery” and “confirmation”

10
New cards

What happens during onset?

Monster’s presence is established, such as an attack

11
New cards

What happens in discovery?

Monster’s existence is discovered, but is denied by the “powers that be”

12
New cards

what happens in confirmation?

discoverers or believers must convince some other group of the existence and proportions of mortal danger at hand. often the most elaborate and suspenseful

13
New cards

What happens at confrontation (discovery)

after hesitations and confirmation, mankind meets its monster

14
New cards

What are the four basic movements of the overreacher plot? what is particularly of interest?

  1. Preparation for the experiment 

  2. the experiment 

  3. the experiment goes awry

  4. confrontation 

the critique of science’s will to knowledge 

15
New cards

What happens in preparation for the experiment?

including a philosophical or “popular mechanics” explanation or debate about the experiement’s motivation. the overreacher himself (typically a doctor or scientist) can become overly obsessed with the experiment and has a “one track mind” that blinds him from potential consequences/drawbacks

16
New cards

what happens in the experiment

usually a partial success that increases the overreacher’s meagomania

17
New cards

what happens in the experiemnt goes awry?

leads to the destruction of innocent victimes and/or damage or threat to the overreacher or his loved ones. some renounce their blasphemy 

18
New cards

what happens in confrontation (overreacher)?

characters must confront the consequences of their actions

19
New cards

What is fusion?

“conflicting themes are yoked together in one, spatio-temporally unified figure”

20
New cards

What are some examples of fusion?

dracula, frankenstein’s monster

21
New cards

what is fission?

“conflicting themes are disturbed over space and time among more than one figure”

22
New cards

what are the 2 major modes of fission?

spatial and temporal

23
New cards

what is spatial fission?

conflict over space through “multiplication”, creation of “doubles”

  • mirrors, portaits, shadows

  • doppelgangers, doubles

  • body snatching

24
New cards

What is temporal fission?

conflict through “division”, selt divided in time

  • Dr Jekyll and Mr. Hyde, multiple or split personalities

  • “changeling” characters like werewolf

  • possesion 

25
New cards

What does Carroll claim in regards to horror film construction?

Horror films cannot be constructed as completely repelling or completely appealing. Either outlook denies something essential to the form. Therefore, horror should not be understood as one of the other, but both simultaneously 

26
New cards

What are the 3 types of monsters?

  1. interstitial

  2. incomplete

  3. formless

27
New cards

what are interstitial monsters?

things that cross boundaries and deep categories of a culture’s conceptual scheme; are impure

28
New cards

what are incomplete monsters?

rotting and disintigrating things

29
New cards

what are formless monsters?

dirt or fog

30
New cards

what is the Sublime?

the strong, simultaneous attraction to and repulsion from an object; involuntary emotional reaction and cannot be evoked on command

31
New cards

What is the definition of the uncanny?

simultaneously foreign and familiar; uncomfortable; dismal; uneasy; gloomy; ghastly

32
New cards

What is the uncanny a result of?

Repression. the uncanny is nothing new or foreign, but familiar and old.

33
New cards

Factors that turn the “fearful” into the “uncanny”:

  • Animism (inatimate objects that come to life")

  • magic and witchcraft 

  • omnipotence of thoughts (possessing secret “powers”)

  • man’s attitude about death

  • involuntary repetition

  • castration complex

34
New cards

when does an uncanny experience occur?

either when repressed infantile complexes have been revived by some impression, or when the primitive beliefs we have surmounted seem once more to be confirmed.