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onomatopoeia
use of words such as buzz or murmur that imitate the sounds associated with the objects or actions they refer to.
parallelism
to give two or more parts of the sentences a similar form so to give the whole a definite pattern
repetition
repeating a word, phrase, line, or entire stanza for poetic effect
anaphora: continuous repetition of a word or phrase throughout a poem
alliteration
repetition of first consonant sounds
consonance
repetition of two or more consonants, such as hearth and breath
assonance
The repetition of identical vowel sounds, such as tilting and windmills
cacophony/dissonance
use of harsh or discordant sounds in literary composition for poetic effect
euphony
a pleasing smoothness of sound, perceived by the ease with which the words can be spoken in combination. Often achieved through the use of long vowels, liquid consonants (l, r), and semi-vowels (w, y)
polysyndeton
using several conjunctions in close succession, especially where some might be omitted
asyndeton
the absence of a conjunction(s), especially where one is needed
rhyme
correspondence of terminal sounds of words or of lines of verse
feminine: the rhyme in the last syllable is unstressed (heather/feather)
masculine: the rhyme in the last syllable is stressed (moon/loon, maroon/buffoon)
half/approximate/slant/eye: the rhyme is not exact (prove/love)
stanza
a section of a poem containing a number of verse lines. Every poem must have at least one stanza, even if that poem is only one line.
Stanza types:
couplet: two verse lines of the same meter that sometimes acts as a stanza
tercet: a set of three rhyming lines of verse, or that rhyme with an adjacent tercet
quatrain: four verse lines of the same meter
sestet: six verse lines of the same meter
octave: eight verse lines of the same meter
voice or persona
the personality of the speaker or narrator
point of view
he standpoint from which a narrator tells a story.
first person: a character tells the story
third person objective/dramatic/camera: The narrator does not take part in the story and can tell no one’s thoughts.
third person limited: the narrator stands outside the story, telling only one or two characters thoughts
third person omniscient: the narrator stands outside the story, but tells everyone’s thoughts
point of view, cont’d
A narrator can be reliable — we can fully trust his/her account of the story — or unreliable — this person’s account of events is faulty.
syntax
the pattern or formation of sentences or phrases in a language
confused and/or broken: character is excited, angry, or baffled
telegraphic: sentences of 5 words or less
simple: Sentences with no complex structures
complex or complicated: sentences with one or more subordinate clauses.