(PP. 65-70) Music Section III: Broadway Turns the Tables → Listening Guide 6 (ACADEC '25-'26)

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133 Terms

1
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What could Flournoy Miller not understand about George White before the premiere of Runnin’ Wild?

Why he kept saying he did not like “The Charleston”

2
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What did George White do multiple times during rehearsals of Runnin’ Wild?

He brought visitors and disparaged The Charleston, clearly trying to get Miller and Lyles to cut the number

3
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What did George White want to do with The Charleston that Miller found out?

White wanted to premiere the dance in one of his revues (featuring white performers), the George White Scandals

4
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What did George White think about The Charleston and was alert to?

He saw potential in it and was alert to the fact that Broadway was primed and ready for the full array of these new jazz-styled tunes

5
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What did white producers initially rely on the expertise of?

Black musicians for jazz numbers in their shows

6
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What happened with jazz as the 1920s progressed?

Broadway’s musicals were as up-to-date as the producers could make them

7
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What was the greatest musical-comedy triumph of the 1920s?

No, No, Nanette

8
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When did No, No, Nanette release?

1925

9
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What are most Broadway shows based off of?

A property

10
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What is a property?

A previous story, novel, play, or movie

11
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What was Shuffle Along based on?

Miller and Lyles old vaudeville skit

12
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What was the property of No, No, Nanette?

After May Edgington published her novel Oh James! in 1914, Frank Mandel and Emil Nyitray adapted it as a play titled My Lady Friends

13
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Who published Oh James!?

May Edgington

14
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When was Oh James! published?

1914

15
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Who adapted Oh James! into a a play titled My Lady Friends?

Frank Mandel and Emil Nyitray

16
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What was Frank Mandel’s lifespan?

1884-1958

17
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What as Emil Nyitray’s lifespan?

1882-1922

18
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19
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When did My Lady Friends premiere?

1919

20
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Who felt that Oh James! and My Lady Friends offered good potential for a musical?

Producer Harry Frazee

21
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What was Harry Frazee’s lifespan?

1881-1929

22
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Who was Vincent Youmans in relation to Harry Frazee?

His neighbor

23
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What was Vincent Youmans’s lifespan?

1898-1946

24
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Who was begging to work on the project of No, No, Nanette?

Vincent Youmans

25
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What was Frazee not impressed with in regards to Youmans?

His previous Broadway work

26
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Why did Frazee change his mind about Youmans?

When Youmans’s mother offered to back the show herself although sources disagree as to whether her investment was $9,000 or $10,000

27
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How much money did Youmans’s mother invest into No, No, Nanette?

$9,000 or $10,000

28
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What did Youmans give his mother in return for investing into No, No, Nanette?

Half of his future royalties

29
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What sports team did Harry Frazee own?

The Boston Red Sox

30
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When was No, No, Nanette released?

1925

31
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What was to become the biggest hit in No, No, Nanette?

“Tea for Two”

32
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Who created the book for No, No, Nanette 1919?

Playwright Frank Mandel and Broadway veteran Otto Harbach

33
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What was Otto Harbach’s lifespan?

1873-1963

34
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What did Frank Mandel work on as a playwright?

The 1919 play version of No, No, Nanette (My Lady Friends)

35
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What did Harbach agree on while he started writing lyrics for No, No, Nanette?

To bring in Irving Caesar as a second lyricist

36
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What was Irving Caesar’s lifespan?

1895-1996

37
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Why was Caesar brought in as a second lyricist for No, No, Nanette?

Because he already has a good working relationship with Youmans

38
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Even with so much expertise, what took a while for No, No, Nanette?

To find its footing

39
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What did No, No, Nanette go on, like most shows aspiring to reach Broadway?

A “tryout” tour through various cities before attempting a New York premiere

40
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Where did No, No, Nanette premiere?

New York

41
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What was the critical reaction to the first two stops of No, No, Nanette?

Lukewarm

42
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When did Frazee begin to panic about No, No, Nanette?

When critical reviews were lukewarm after the first two stops

43
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What did Frazee do when he began to panic about the success of No, No, Nanette?

He took over as director himself, and he told Youmans and Caesar that some new songs were needed immediately

44
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What did Youmans and Caesar decide to use in No, No, Nanette after Frazee began to panic?

To use a song they had just created a few weeks earlier—a danceable little number called “Tea for Two”

45
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What had been happening when Youmans said he had just written a great tune and just needed words for it?

Caesar was taking a nap

46
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What was Caesar’s sleepy memory of the melody he came up with when Youmans woke him up from a nap?

“Dee—da-dee—da-dee—da-dee…da-dee—da-dum—da-dee—da-dum”

47
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What did Caesar do to satisfy his impatient writing partner Youmans?

He came up with what he thought was a “dummy lyric”

48
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What is a dummy lyric?

Nonsense poem that had the right rhyme scheme and poetic rhythm to fit the tune

49
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What did Youmans feel about the dummy lyric that Caesar gave him for Tea for Two?

It was perfect, and he refused to let Caesar change a word

50
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What made Tea for Two soar?

“The almost idiotic simplicity of the ‘Tea for Two’ lyric”… all the optimism and light-heartedness of the 20s are captured in that song”

51
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What were the two songs added to the struggling No, No, Nanette?

Tea for Two and I Want to Be Happy

52
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Who was one of the first classical artists to be inspired by Tea for Two?

Soviet Composer Dmitri Shostakovich

53
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At what point was it clear to Frazee that he had a hit on his hands with No, No, Nanette?

When he reached Chicago

54
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When did Frazee decide it would be best to capitalize on the success of No, No, Nanette?

In Chicago

55
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How long did No, No, Nanette remain in Chicago?

A year

56
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Where were No, No, Nanette’s hit songs played?

In other stage productions, on recordings, on the radio, and also by the orchestras that entertained diners in major restaurants

57
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What did the first recording of Tea for Two feature solely?

A jazz orchestra

58
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What spot did the first recording of Tea for Two make it to on the BBH100?

Number 5 in January 1925, remaining there for 5 weeks

59
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What spot did Marion Harris’s vocal version of Tea for Two make it to on the BBH100?

Number 1 in January 1925, staying there for 11 weeks

60
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When did No, No, Nanette reach Broadway?

September 1925

61
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What did New York critics act like when No, No, Nanette reached Broadway?

Like they were tired of it

62
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How did The New York Daily News open its review of No, No, Nanette?

“Boston saw it. Philadelphia saw it. Chicago saw it. London saw it, and Guatemala, medicine Bend and the Canary [I]slands have probably seen it as well,” saying he’d probably heard it “for the 1,876,934th time last night”

63
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How many times had the Daily News writer heard the music for No, No, Nanette?

1,876,934th

64
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Was the New York reviewers’ weary attitude toward No, No, Nanette being on Broadway universal?

No, in London, the dance numbers in No, No, Nanette had a jazz flavor that was almost shockingly new to British audiences

65
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What did one critic write about in regards to saxophone players when talking about No, No, Nanette?

Saxophone players (in the limelight) worked with the energy of a savage religious festival

66
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What did one critic write about in regards to mislaying a melody when talking about No, No, Nanette?

The mislayed melody was emphasized by the brass with mutes

67
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What did one critic write about in regards to a little of a muted trombone or trumpet when talking about No, No, Nanette?

A little is good for certain effects

68
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What did one critic write about in regards to a whole melody played as if the instruments were a melodious steam when talking about No, No, Nanette?

It saws cuts into their brain and produces a mild nerve storm

69
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What did one critic write about No, No, Nanette?

The music of “No, No, Nanette” and the frenzied dancing on the stage are the epitome of modern jazzomanis

70
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Who designated No, No, Nanette as “the quintessential American 1920s musical on the world’s stages”?

Historian Kurt Ganzl

71
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How does historian Kurt Ganzel designate No, No, Nanette?

“The quintessential American 1920s musical on the world’s stages”

72
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After how many years did Youmans retire from Broadway?

13 years

73
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Why did Youmans retire from Broadway so early?

Because of increasing health issues stemming from tuberculosis

74
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What was Youmans undoubtably proud of, and was unquestionably his greatest hit?

Tea for Two

75
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What may have dumbfounded British listeners of Tea for Two?

Its jazzy nature

76
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What spheres did Tea for Two catch the ears of?

The classical world as well as the jazz sphere

77
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Where did some of the earliest classical adaptations of Tea for Two take place?

The Soviet Union

78
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What was Tea for Two known as in the Soviet Union?

The Tahiti Trot

79
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What Soviet work wove Tea for Two into it?

A 1926 operetta by Boris Fomin

80
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What was Boris Fomin’s lifespan?

1900-48

81
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Who made an orchestral arrangement—from memory—in 40 minutes that wove Tea for Two into it?

Dmitri Shostakovich

82
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What was Dmitri Shostakovich’s lifespan?

1906-75

83
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Why did Shostakovich make an orchestral arrangement of Tea for Two from memory in 40 minutes?

Because of a wager with his teacher who did not think he could complete the assignment in under an hour

84
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What was Shostakovich’s teacher’s name?

Nikolai Malko

85
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What was Nikolai Malko’s lifespan?

1883-1961

86
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Who was something of a champion for Tea for Two in a Soviet regime that did not care for American Jazz?

Nikolai Malko

87
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What did Nikolai Malko recall about jazz music in Russia?

“Jazz music was regarded very negatively in Russia in those days. I did not agree with this philosophy and referred to [“Tea for Two”] as an example of music that was not bad”

88
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Who found the harmonies of Tea for Two “quite Ravelian”?

Frenchman Maurice Ravel

89
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Where was Maurice Ravel from?

Frenchman

90
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What did jazz artists regard Tea for Two as?

A fruitful basis for further exploration

91
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What was Art Tatum’s lifespan?

1909-56

92
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Who performed Tea for Two numerous times during the 1930s?

The jazz piano virtuoso Art Tatum

93
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What recording of Tea for Two was inducted into the Grammy Hall of Fame in 1986?

Art Tatum’s 1939 recording

94
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What spot did Tatum’s version of Tea for Two reach on the BBH100?

Number 18

95
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When did Thelonious Monk release a version of Tea for Two retitled as Skippy?

1952

96
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What was Thelonious Monk’s lifespan?

1917-82

97
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What did Thelonious Monk employ in his version of Tea for Two?

The bebop style of jazz that had recently developed

98
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What was one of the highlights of the 1958 Newport Jazz Festival?

Singer Anita O’Day’s rendition of Tea for Two

99
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When was Tea for Two released?

1925

100
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Who created Tea for Two?

Vincent Youmans