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action
physical movement conveying meaning
chorus
group commenting on the play’s action
comedy
humorous genre with happy resolution
tragedy
serious genre ending in downfall
conflict
clash between opposing forces
suspense
anxiety about future events
tension
emotional strain between characters
contrast
juxtaposition of different elements
devised drama
original work created collaboratively
devising process
methods to create original drama
dialogue
spoken exchange between characters
ensemble
group working cohesievly as performers
exposition
introduction of background information
climax
peak emotional turning point
resolution
final outcome or situation
genre
category of drama
style
distinctive artistic approach
plays
performance
improvisation
emotional unscripted spontaneous performance
moment
significant instant in a scene
mood
emotional atmostphere of a scene
pace
speed of delivery or action
rhythm
pattern of movement or speech
tempo
rate of scene progression
plot
sequence of events in a play
rehearsal process
preparation period for performance
script
written text of a play
structure
framework organising a play
theatre
art form of live performance
theme
central idea or topic of a play
transition
shift between scenes or moods
acting area
space where performance occurs
apron stage
stage extension beyond the proscenium
arena stage
audience surrounds the stage
auditorium
audience seating area
audience configuration
blocking
planned movement or position of actors
box set
three-walled set simulating a real room
design elements
downstage
front of stage, closest to audience
upstage
back of stage, farthest from audience
end on staging
audience faces one side of the stage
fourth wall
imaginary barrier between actors or audience
props
objects used by actors onstage
proscenium
fram separating stage from auditorium
scene
segment of a play in one location
scenery
visual elements creating setting
set
setting
staging
methods of presenting a performance
theatre-in-the-round
audience encircles the stage
thrust stage
stage surronded on three sides by audience
transverse staging
audience on two oppisite sides
character
role
focus
actor’s concentration or audience’s attention
gesture
expressive movement of hands or body
inflection
change in vocal pitch or tone
interaction
exchange between performers
language
verbal or non-verbal communication
mime
acting without words using gestures
motivation
character’s driving force
movement
planned physical motion
spatial awareness
understanding positioning relative to others
non-verbal expression
communication without words
physicality
use of body to convey meaning
pitch
vocal highness or lowness
pause
intentional silence for effect
pace
posture
physical stance coveying character
status
character’s social power or dominance
vocal expression
use of voice to convey emotion
projection
amplifying voice for audibility
designer
director
performer
props
costume
set
lighting
sound