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centrality
notion that you are at your best but have not over done it, is what the Qing dynasty wanted for their emperors
orthodox masters
literati who worked for the Manchu during the Qing Dyansty
i-men
literati who did not want to be under Manchu rule, felt the world had moved on without them, were individualist painters
flange
piece on the sides and over the top of the dotaku
pagoda
new version of a stupa in Japanese temples
kondo
worship building in Japanese temples
bays
subdivisions of Japanese temples
hip roof
roof that goes in on all four sides
gable roof
roof that goes in on two sides
Yakushi Buddha
healing buddha
secret image
image kept closed away and only opened to look at very infrequently
dry lacquer
make a wood armature, cover it in layers of cloth dipped in lacquer, once the lacquer is dry sand and carve it to create the shape, optional painting/decorating, take out the wooden form
hompashiki
very deeply carved drapery that seems to be rippling down
joined woodblock technique
putting multiple blocks of wood together to carve a figure from
kirigane
gluing gold leaf onto silk
Amida Raigo scene
scene in pure land buddhist art where you are taken to the pure land by bodhisattvas and apsaras after you die
mono no aware
aesthetic perception and feeling induced by the association between beauty and sorrow
e-maki
hand scroll
blown off roofs
perspective that you are looking into a room as though floating above it
yamato-e
painting that is purely Japanese in style, rather than Chinese
onna-e
women’s painting
otoko-e
men’s painting
mappo
the 10000 year period where people do not understand the law of the Buddha
shogunate
Kamukura form of government, kind of like feudalism
shogun
like a king, military leader of the clan in charge in Kamakura government
daimyo
like a lord, runs land and is obedient to the shogun in Kamakura government
raigo scene
buddhist scene that shows a soul being taken to the pure land
koan
kinda like a riddle, has no answer and is meant to make you think
haboku
“broken ink” style of painting, created by Sesshu
fusuma
sliding doors, wood frame with paper that is painted on both sides
byobu
folding screen, painted
namban painting
Japanese painting that has adopted styalistic elements of western painting
tarashikomi
Rimpa school, wet on wet painting technique
yoshiwara, kabuki theater, and landscapes
three main subjects of ukiyo-e prints
obi
sash, tied in the front for prostetutes and the back for other women