Ethnomusicology: Global Music Traditions and Fieldwork

Tuareg

often referred to as the "blue men of the desert" due to their indigo-dyed clothing, have a rich musical tradition that blends traditional instruments with modern influences. Their music, particularly the genre known as "Desert Blues," serves as a form of resistance and a means to express their identity and struggles.

Ghanian Highlife

is a music genre that originated in Ghana in the early 20th century, combining traditional Akan melodies with Western instruments and harmonies. It plays a significant role in social gatherings and has influenced various music styles across West Africa.

Balinese Gamelan

is the traditional ensemble music of Bali, Indonesia, composed predominantly of percussive instruments such as gongs, metallophones, xylophones, cymbals, and hand-played drums, often complemented by flutes, strings, and chanting.

Brazilian Samba

is a lively, rhythmical dance and music genre originating from Brazil, with roots in African traditions. It is a symbol of Brazilian identity and is especially prominent during Carnival celebrations.

Australian Aboriginal

is deeply connected to the land and Dreamtime stories, using traditional instruments like the didgeridoo and clapsticks. It serves as a means of storytelling, cultural preservation, and spiritual expression.

Carnatic and Hindustani

is a rich and ancient tradition, divided into two major systems: Hindustani (North Indian) and Carnatic (South Indian). It emphasizes improvisation and is deeply intertwined with spiritual practices.

Irish Traditional

is characterized by its use of instruments like the fiddle, tin whistle, and uilleann pipes. It has a strong oral tradition and plays a vital role in Irish cultural identity.

Japanese Gagaku

is the ancient court music of Japan, characterized by slow, elegant movements and a unique ensemble of instruments. It has been performed for over a thousand years and is associated with Shinto rituals.

Peking Opera

is a traditional Chinese theatrical form that combines music, vocal performance, mime, dance, and acrobatics. It is known for its elaborate costumes and stylized performances.

Ethnomusicology

is the study of music in its social and cultural contexts.

One foundational approach of ethnomusicology

is employing a global perspective on music, which encompasses all geographic areas and types of music.

Ethnomusicologists often engage in

ethnographic fieldwork, which involves observing and participating in music-making and related activities.

Which of the following fields is least likely to provide foundational training for an ethnomusicologist?

quantum physics

Applied work by ethnomusicologists may include all of the following EXCEPT:

Performing exclusively for profit without research or educational goals