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Vaudeville
series of unrelated acts, also called “variety”, descended from British Musical Hall, shows go on all day, working class entertainment, ethnic impersonations, segregation, decline because of movies
Burlesque
to parody (make fun of) something, begins as parody of serious subject, combined with “leg art” (women in tights), becomes strip tease by 1920s
Extravaganza
melodrama with music, song dance, lots of visual spectacles
The Black Crook
famous Extravaganza, made $1 million in 1800s money
Revue
musical vignettes and acts, hung loosely around a theme, no plot, same show night after night
The Ziegfeld Follies
famous revue, theme was "Glorifying the American Girl”, hired lots of good looking women
Book musical
shows generally based on some kind of literary source with a story line that has a clear beginning, middle, and end, also called musical plays, most popular category today
Jukebox musical
consists of existing pop songs, also called compilation shows
Important MT composers
Irving Berlin, Cole Porter, Richard Rodgers, George Gershwin, and Harold Arlen
Cole Porter
important MT composer, classically trained in music, songs have technical complexity, lyrics are witty and suggestive, sophisticated use of rhyme, dance is central element (Kiss Me Kate, Anything Goes)
Steven Sondheim
broad range of styles, dominated Broadway in 70s and 80s, classically trained, themes about the many ways people communicate with each other, complex characters, address basic/ large questions about what motives people, complex psychological portraits, (West Side Story, Gypsy, A Funny Thing Happened on the Way to the Forum, Company, Sweeny Todd, A Little Night Music, Follies, Into the Woods, )
Jerome Robbins
considered most successful Broadway choreographer of all time, began as Broadway dancer, became soloist in 1940, Francy Free (Ballet) establishes reputation of choreographer, style changed depending on the piece, HUAC
HUAC
House Un-American Activities Committee, investigate people suspected of benign communist, investigate Jerome Robbins in 1950s
Red scare
fear of communism
Lavender scare
fear of homosexuals, US government purges thousands of gay/lesbian employees from services, calls them a security risk during the Cold War
Black list
list of people said to be associated with communism, out of work forever (or really long time)
Bob Fosse
small groups of dancers, sexually suggestive style, son of Vaudevillian, had dance act in night club, dances in chorus on Broadway, choreography The Pajama Game
Yiddish Theater Origins
Jewish theater forbidden for centuries (can’t dress up as someone else), at Festival of Purim have Purim plays (bible stories, Esther saving Jews), simple, often bawdy
Yiddish Theater move to US
Pogroms in Czarist Russia, Russian government closes Yiddish theaters
Yiddish Theater Features
plays used pop songs, opera tunes, synagogue chants, celebrated Jewish identity
Yiddish Theater demise
1930s, assimilation, dying language
Italian Theater Origins
starts as theatrical clubs, theaters pop up in Little Italy’s, played in halls and church basements
Italian Theater Features
variety of entertainment, recall homeland, NYC as backdrop, Shakespeare adapted
Italian Theater Instructive
plays took place in NYC, showed immigrants what to expect/ do in America
Italian Theater Demise
immigration restricted in 1920s, assimilation
Chinese Resentment in California
thought they were taking jobs
Chinese Opera Features Features
mix of acting, singing, dancing, gesturing, acrobatics, and martial arts, originally played by men only, perform on bare stage, plots from Chinese history/ classical literature, usually included battle sequence,
Chinese Opera Makeup
color represented things about the character (good/ evil)
Chinese Opera Stock Characters
used typical character types present in every opera
Arguments FOR theater
prompts empathy, inclusivity, representation, creativity
Arguments AGAINST theater
promotes certain artists over others, waste of money, lying, corrupt norms , childish
Production of Hair
Boston tried to shut it down, District Court established that state can't interfere with live theater (bc of st amendment) unless in is constitutionally obscene
Miller vs California
defined obscenity with a test, “community standard, unwholesome, offensive, serious, artistic, value”
Federal Theatre Project
1935, part of WPA, starts creating entertainment for people, living newspapers, eventually shows start to criticize government, Congress pulls funding after 4 years, gives black artists opportunities, “Voodoo Macbeth”, “Negro Units”
National Endowment for the Arts
1965
Serrano and Mapplethorpe controversy
make explicit/ offensive artwork in Ohio that was funded by NEA, Conservatives freak out, NEA requires "Obscenity Oath"
NEA and Supreme Court
four artists challenged Obscenity Oath, SC allows Oath because it’s the government's money and can do what they want
Decency clause
added to the NEA, obscenity Oath
Trump administration restrictions
can’t prompt DEI or gender ideology, moving to eliminate NEA
Drag queen/king
gender performance for the purpose of entertainment
The Stonewall Riots
kickstarts the gay rights movement, Stonewall Inn gets raided by police and riots break out
Pansy Craze
highly visible gay (+ drag) performance scene in nightclubs
Camp
a style of comedy, wonderfully terrible, terribly wonderful, ironic, celebrate the artificial, means of subculture communication