ID 2242 Test 1 - French Baroque, Rococo Art, Moralizing Art

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Last updated 11:42 PM on 7/11/26

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22 Terms

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Et in Arcadia Ego, 1655

- “Also in Aracdia am I“

-Poussin

- French Baroque

- "Land of Milk and Honey", perfect landscape, perfect nature

- Mythic land of Perfection

- Melodrama

-dynamism, shadow

-allegory

- Allegory: Vanitas (shadow, shortness of earthly existence)/Memento Mori (tomb)

-shadow=tenebroso

- Muse: mythic figure who "inspires" provides answers

- Story told through eyeglances

- "schemata": "Formula" use of a model, uses figurines to paint from (broccoli for trees)

- Planometric separation, figures in foreground

-symmetric

implied lines, looking at the inscription

-human figures match the landscape

<p>- “Also in Aracdia am I“</p><p>-Poussin</p><p>- French Baroque</p><p>- "Land of Milk and Honey", perfect landscape, perfect nature</p><p>- Mythic land of Perfection</p><p>- Melodrama</p><p>-dynamism, shadow</p><p>-allegory</p><p>- Allegory: Vanitas (shadow, shortness of earthly existence)/Memento Mori (tomb)</p><p>-shadow=tenebroso</p><p>- Muse: mythic figure who "inspires" provides answers</p><p>- Story told through eyeglances</p><p>- "schemata": "Formula" use of a model, uses figurines to paint from (broccoli for trees)</p><p>- Planometric separation, figures in foreground</p><p>-symmetric </p><p>implied lines, looking at the inscription</p><p>-human figures match the landscape</p>

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The Penitent Mary Magdalene, 1645

- Tour

-French Baroque

- Schemata, wooden figures

-everything in the foreground

- Tenebroso

- "Gospel of Mary Magdalene"

- Crucifix, the role that she played at the cross

- Momento Mori (skull, Flame, Crucifix)

-captured her meditating with death

- Tenebroso light source

- Age of Enlightenment "illumined wisdom, truthful light"

-light reflections

<p>- Tour</p><p>-French Baroque</p><p>- Schemata, wooden figures</p><p>-everything in the foreground</p><p>- Tenebroso</p><p>- "Gospel of Mary Magdalene"</p><p>- Crucifix, the role that she played at the cross</p><p>- Momento Mori (skull, Flame, Crucifix)</p><p>-captured her meditating with death</p><p>- Tenebroso light source</p><p>- Age of Enlightenment "illumined wisdom, truthful light"</p><p>-light reflections</p>

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Joseph in the Carpenter's Shop, 1645

- Tour

-figures in the foreground

-melodramatic, transfer of wisdom through the eyeglance

-French Baroque

- Joseph and Jesus

- Eyeglance: transfer of wisdom, mature to immature

- Tenebroso: light source

-light thru hand, proof of his human nature

<p>- Tour</p><p>-figures in the foreground</p><p>-melodramatic, transfer of wisdom through the eyeglance</p><p>-French Baroque</p><p>- Joseph and Jesus</p><p>- Eyeglance: transfer of wisdom, mature to immature</p><p>- Tenebroso: light source</p><p>-light thru hand, proof of his human nature</p>

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Palace of Versailles, France, 1669-

- Le Vau and Mansart

-French Baroque

- Theatrical

- Louis XIV: "The Sun King"

- Bird in flight Shaped

-idea of passage

- Allegory: for the flight of the sun through the sky (Apollo); power of the king

- forecourt; theatrical: melodramatic

- Exterior meant to be designed like interior

-allegorical rooms: symbolizing concepts that balanced

Room of war, Room for Venus (love)

<p>- Le Vau and Mansart</p><p>-French Baroque</p><p>- Theatrical</p><p>- Louis XIV: "The Sun King"</p><p>- Bird in flight Shaped</p><p>-idea of passage</p><p>- Allegory: for the flight of the sun through the sky (Apollo); power of the king</p><p>- forecourt; theatrical: melodramatic</p><p>- Exterior meant to be designed like interior</p><p>-allegorical rooms: symbolizing concepts that balanced</p><p>Room of war, Room for Venus (love)</p>

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Hall of Mirrors, 1680

- Mansart and Le Brun

-French Baroque

-gets from the side of the palace to the other side

-light reflections

-Gardens from outside are reflected in the mirrors to decorate the palace

-everything is on display

-melodramatic, reflected images

- Dynamic Light

- Domesticated Nature - The king even controls nature

<p>- Mansart and Le Brun</p><p>-French Baroque</p><p>-gets from the side of the palace to the other side</p><p>-light reflections</p><p>-Gardens from outside are reflected in the mirrors to decorate the palace</p><p>-everything is on display</p><p>-melodramatic, reflected images</p><p>- Dynamic Light</p><p>- Domesticated Nature - The king even controls nature</p>

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Gardens of Versailles

- Le Notre

-French Baroque

- Domestic Nature, not allowed to be wild, but controlled

-would refelcted in the Hall of Mirrors

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Versailles, Fountain of Apollo

- French Baroque

-symbolism of the king

-riding on the water

-drapery flowing in the wind

-King as Apollo

-Dynamic Action

-Machine de Marly: Powered the water fountains

- theatrical effects

- Allegory of King Apollo

<p>- French Baroque</p><p>-symbolism of the king</p><p>-riding on the water</p><p>-drapery flowing in the wind</p><p>-King as Apollo</p><p>-Dynamic Action</p><p>-Machine de Marly: Powered the water fountains</p><p>- theatrical effects</p><p>- Allegory of King Apollo</p>

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Versailles, Marie Antoinette's hamlet

- French Baroque

-where Marie Antoinette would milk cows

- Engage in Acting

- Milkmaid

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Return from Cythera, 1719

- Rococo Art

-Watteau

- Going to the Birthplace of Venus, Cythera

-based on a play

- no melodrama, no pivotal moment

- Aristocrats displaying themselves

-sentimentalism

- Life of aristocracy

- ornamental aristocracy

-a lot of information, but not a lot going on

- schemata: feather, trees are ornamental as a feather

<p>- Rococo Art</p><p>-Watteau</p><p>- Going to the Birthplace of Venus, Cythera</p><p>-based on a play</p><p>- no melodrama, no pivotal moment</p><p>- Aristocrats displaying themselves</p><p>-sentimentalism</p><p>- Life of aristocracy</p><p>- ornamental aristocracy</p><p>-a lot of information, but not a lot going on</p><p>- schemata: feather, trees are ornamental as a feather</p>

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Boucher, Madame Pompadour, 1756

- Rococo Art

- "Sentimentalism"

- Focus on aristocracy

- Ornamental

-demonstrating her lifestyle

-surrounding herself with ornamental things

-she does not have to much, everything is done for her

-Standard of Beauty

<p>- Rococo Art</p><p>- "Sentimentalism"</p><p>- Focus on aristocracy</p><p>- Ornamental</p><p>-demonstrating her lifestyle</p><p>-surrounding herself with ornamental things</p><p>-she does not have to much, everything is done for her</p><p>-Standard of Beauty</p>

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The Swing, 1766

- Fragonard

-Rococo Art

- engaged in leisure

- Standard of Beauty, cosmetics, small waists, and feet

-everything is soft and ornamental

- Ornament

- Schemata

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Chardin, Grace at Table, 1740

- Moralizing Art

-focus on action: gesture

- working class

- focus on family morals/values

- teaching kid how to pray

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Still Life, 1761, 1770

- Chardin

Moralizing Art

-still life

- recipe for the working class

- Didactic: moral lesson: what is necessary for survival

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Copley, House of Cards, 1765

- Moralizing Art

-engaging in something

- working class

- shallow stage

- focus on action

-didactic, preparing for career, leads to the future as an architect

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Paul Revere, 1770

- Copley

-Moralizing Art

-working-class man

-was a silversmith, so looking like he plays a role

- shallow stage

-didactic: silversmith moral possession

- fruits of his labor

-what he can give to people based on profession

<p>- Copley</p><p>-Moralizing Art</p><p>-working-class man </p><p>-was a silversmith, so looking like he plays a role</p><p>- shallow stage</p><p>-didactic: silversmith moral possession</p><p>- fruits of his labor</p><p>-what he can give to people based on profession</p>

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Marriage a la Mode, "Contract," 1745

- Moralizing Art

-Hogart

-modern marriage

-no focus on acrion

- satire (negative moralizing)

- contract marriage

- lesson to avoid this

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Gin Lane, 1760

-Moralizing Art

-Hogart

-satire

-Baby Falling out of her arms

-dont drink, but doing it in a negative way

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schemta

use of a model or formula before paiting

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Sentimentalism

emotional attachments to superficial events

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ornament

delicate

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didactic, didacticism

instructional, teaching

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satire

negative moralizing