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Rhetorical questions
Questions posed for effect rather than to elicit an answer, often used to persuade or provoke thought.
Antithesis
an idea posed against another to highlight contrast and create tension.
Periphrases
a roundabout way of expressing something, often using more words than necessary.
Hyperbole
an exaggerated statement not meant to be taken literally, used for emphasis or effect.
Metaphors and similes
are figures of speech that compare one thing to another, enhancing imagery and meaning.
Hendiadys
a figure of speech where two words connected by a conjunction are used to express a single complex idea.
Syntactical parallelism
is a repetitive structure in sentences, where similar grammatical patterns are used to create rhythm and enhance clarity in writing. (to be or not to be soliloquy)
stream of consciousness
a narrative technique that attempts to capture the flow of thoughts and feelings in a character's mind, often in a chaotic or nonlinear manner.
free indirect discourse
third-person narration that slips into a character’s thoughts
non-linear narrative
when events are presented out of chronological order
omniscient narrator
narrator who knows everything (Hardy in Tess)
Narrative intrusion
When the narrator steps in to address the reader
Hardy uses this to guide our moral interpretation
Modernist Fragmentation
modernist focus on broken identity and disconnection
Clarissa
Septimus
Psychological realism
realistic portrayal of a character’s inner world
Septimus’s experiences
Character foil
A character who contrasts with another to highlight traits
existentialism
philosophy focusing on individual meaning and alienation
determinism/fatalism
the philosophical concept that every event or state of affairs, including human actions, is determined by preceding events in accordance with the natural laws.
pastoral ideal
romanticised depiction of rural life
urban alienation
the feeling of isolation and disconnection experienced by individuals in a city environment, often contrasted with rural life.
modernism
focus on interiority, time and fragmentation
Bildungsroman
coming of age story
naturalism
literary style portraying human beings as subject to forces beyond their control
dramatic irony
a situation in which the audience knows something that the characters do not, creating tension or humor.
cyclical structure
ending mirrors the beginning, connoting futility
tragic hero
a character who experiences a downfall due to a personal flaw or fate.
catharsis
the emotional release experienced by the audience at the end of a tragedy, allowing them to purge their feelings of pity and fear.
paratactic syntax
the arrangement of clauses without conjunctions, creating a sense of immediacy and directness.
poly syndetic sentences
a construction where conjunctions are used repeatedly in quick succession between clauses, creating a rhythm and emphasizing each element.
reporting clause
a phrase that introduces speech or thought in dialogue and indicates the speaker.
hubris
excessive pride or self-confidence, often leading to a downfall.
peripeteia
a sudden reversal of fortune or change in circumstances, often found in dramatic literature.
anagnorisis
a moment in a play or story where a character makes a critical discovery or realization, typically regarding their true identity or situation, often too late.
machiavellianism
a political theory advocating cunning, manipulation, and deceit in the pursuit of power.
blank verse
unrhymed iambic pentameter
great chain of being
a hierarchical structure of all matter and life
hamartia
a tragic flaw or error in judgment that leads to the downfall of a character.
providence
the protective care of God or nature, guiding human destiny.
The Cassandra
an oracle gifted with foresight yet no one believed her out of ignorance
sententious
given to excessive moralizing; self-righteous.
similitude
a similarity or likeness between two things, often used to draw comparisons in literature.