ARCH 210 Monuments

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Monuments with pictures

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Prehistoric Hut, Terra Amata, France, Paleolithic: hypothetical reconstruction of the huts at this site

Characteristics:

<p>Characteristics: </p>
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Cave at Lascaux, France, Paleolithic

Characteristics:

<p>Characteristics: </p>
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Cave at Lascaux: Hall of the Bulls (Aurochs), Lascaux, France, c17,000-10,000

BCE

  • Paleolithic Pigment on limestone;

  • the largest bull painting is 18 feet long

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Newgrange Cairn and Passage Grave, Newgrange, Ireland, Neolithic

Characteristics:

<p>Characteristics:</p>
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Stonehenge, Salisbury Plain, England, Neolithic

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Çatalhöyük, near Konya, Turkey, Neolithic Period: domestic structure

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City map and volcano fresco, Çatalhöyük, near Konya, Turkey, c. 5800 BCE,

Neolithic. painted plaster

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Anu Ziggurat and White Temple, Uruk (Warka), Iraq, c3300-3000 BCE, Sumerian

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Ur, Iraq, c. 2200-2000 BCE, aerial view with the archaeological remains of the ziggurat and other elements of the city

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Ziggurat and Temple of Nanna, Ur, Iraq, 2100-2050 BCE, Patron: King Ur-

Nammu (and his son, Shulgi); Sumerian

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Plan of the Citadel, Mohenjo-daro, Pakistan, c. 2500 BCE (mature phase, earlier settlements in the area going back to 5000 BCE), Harappan/Indus Civilization

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Great Bath, Mohenjo-daro, c. 2600-1900 BCE, Harappan/Indus Civilization

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Mortuary Complex of Pharaoh Djoser, Saqqara, Egypt, c2650 BCE, Architect: Imhotep, Old Kingdom Egypt.

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<p>Great Pyramids, Giza, Egypt, 2600- 2400 BCE, Old Kingdom Egypt</p>

Great Pyramids, Giza, Egypt, 2600- 2400 BCE, Old Kingdom Egypt

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Pyramid of Khufu (Cheops), Giza, Egypt, c. 2570 BCE, Old Kingdom Egypt

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Pyramid of Khafre/Chephren (2), and the Sphinx (3), Giza, Egypt, c. 2650 BCE, Old Kingdom

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Mortuary Temple of Hatshepsut, Deir el-Bahri, Egypt, c. 1480 BCE, New Kingdom Egypt (next to temple of Mentuhotep II)

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Remains and plan of Persepolis (Takht-e Jamshid), Iran, c. 500 BCE, Persian Achaemenid Empire. Patron: Darius I

Changes: 1. now carved into hillside rather than rising from landscape. 2. One dominant axis rather than approachable from all sides. (Axiality; carved from the living rock/cliff-face)

<p><span>Changes: 1. now carved into hillside rather than rising from landscape. 2. One dominant axis rather than approachable from all sides. (Axiality; carved from the living rock/cliff-face)</span></p>
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Persepolis (Takht- e Jamshid), Iran, c.500 BCE, Persian Patron: Darius I. Achaemenid Empire.

  • Apadana,Throne Hall, and the Gate of Xerxes

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Great Hypostyle Hall, Temple Complex of Amun-Re, Karnak, Egypt, 1417-1379 BCE, New Kingdom

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The Apadana, or Audience Hall, Persepolis, Iran, c 500 BCE, Persian Achaemenid Empire

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Labyrinth/Palace of Knossos, Knossos (Crete), Greece, c. 1450 BCE, Minoan

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Ziggurat and Temple of Nanna, Ur, Iraq, 2100-2050 BCE, Paron: King Ur-Nammu

(and his son, Shulgi); Sumerian

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Citadel, Mycenae, Greece, 1600-1200 BCE, Mycenaean

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Lion Gate, Citadel, Mycenae, Greece, 1250 BCE, Mycenaean [limestone relief , 9 ½ feet high]

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“Treasury of Atreus,” Mycenae, Greece, c. 1250 BCE, Mycenaean

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Hippodamian Plan of Miletus, (Western) Turkey, c470 BCE, Classical Greek

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Temple of Hera, Paestum, Italy. c. 550– 540 BCE, Archaic Greece(DIAGRAM)

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The Acropolis of Athens, reconstruction plan in Classical period

  • The rebuilding of the Acropolis, was a votive (a ritual gift/offering of thanks) to Athena, was under the direction of Pericles, leader of the city in the mid-fifth century BCE

  • The Acropolis is a site of collective memory for Athenians; t helped shape the identity of the city and its people, based on historical, mythological/religious events

<ul><li><p>The rebuilding of the Acropolis, was a votive (a ritual gift/offering of thanks) to Athena, was under the direction of <strong>Pericles</strong>, leader of the city in the mid-fifth century BCE</p></li><li><p>The Acropolis is a site of collective memory for Athenians;&nbsp;t helped shape the identity of the city and its people, based on historical, mythological/religious events</p></li></ul><p></p>
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Parthenon, on the Acropolis, Athens, Greece, rebuilt 447-432 BCE, Patron: Pericles (leader of Athens); Architects: Iktinos and Kallikrates; chief sculptor: Phidias, Classical Greek

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Parthenon Inner Frieze

the inner frieze here is an anomaly (it is unusual), making the Parthenon unique; it shows the Panathenaic procession

<p>the inner frieze here is an anomaly (it is unusual), making the Parthenon unique; it shows the Panathenaic procession</p>
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Reconstructions of the Athena Parthenos statue inside the cella f the

Parthenon; Chryselephantine statue by Pheidias (ca 432 BC)

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Propylaia, Athens, Greece, 437-432 BCE, Classical Greek (designed by Mnesikles

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Interior frieze with the Panathenaic Procession, groups from Athenian society

participating in the Panathenaic Procession, marching “in perpetuity”

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Parthenon Frieze

Shows members of society bringing votives to offer to Athena in thanks, such as the bull to be sacrificed (left), and the peplos, a dress made new each year by the daughters of elite Athenian families; it was used to dress the statue of Athena Polias, which was carried in the Panathenaic Procession.

<p>Shows members of society bringing votives to offer to Athena in thanks, such as the bull to be sacrificed (left), and the <em>peplos</em>, a dress made new each year by the daughters of elite Athenian families; it was used to dress the statue of Athena Polias, which was carried in the Panathenaic Procession.</p>
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The metopes create a visual metaphor for Athenians’ (lapiths, men) war and Pericles’ victory over the Persians (shown as the “Other,” foreign, centaurs)

(bears meaning for Pericles’ Athens

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The Erechtheion (on Acropolis), Athens, Greece, 421-405 BCE , Classical Greece

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Pont du Gard (aqueduct), Nimes, France, c. 19 BCE, Roman

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Roman Kit: 7 parts – forum, (civic) basilica, commemorative monument, temple/religious space, bath, market, entertainment venue.

  • building blocks used to house necessary institutions throughout the cities of the provinces.

  • This regularity also created Romanitas – a feeling and identity of “Romanness” spread to many Roman cities throughout the vast territory the empire controlled. This helped Rome govern a vast empire.

<ul><li><p>building blocks used to house necessary institutions throughout the cities of the provinces.</p></li><li><p>This regularity also created <em>Romanitas – </em>a feeling and identity of “Romanness” spread to many Roman cities throughout the vast territory the empire controlled. This helped Rome govern a vast empire.</p></li></ul><p></p>
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Roman Forum as today and a reconstruction as it would have appeared in Imperial Roman period

Forum Romanum and the first imperial fora (plural of forum): each emperor built his own, successive forum and the group of buildings around it: a basilica, a temple, a memorial statue, and usual markets

<p>Forum Romanum and the first imperial <em>fora</em> (plural of <em>forum)</em>: each emperor built his own, successive forum and the group of buildings around it: a basilica, a temple, a memorial statue, and usual markets</p>
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Forum of Trajan, Rome, Italy (in the), 98-117 CE, Patron: Emperor Trajan,

Architect: Apollodorus of Damascus, Imperial Roman

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Basilica Ulpia, Rome, Italy (in the Forum of Trajan), 98-117 CE, Patron: Emperor Trajan, Imperial Roman

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Column of Trajan, Rome, Italy, 113 CE, Patron: Emperor Trajan. Imperial Roman.

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Maison Carré, Nîmes, France, c20 BCE, Imperial Roman

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Markets of Trajan, Rome, Italy (in the Forum of Trajan), 98-117 CE, Imperial

Roman, Patron: Emperor Trajan

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Colosseum (actually called the Flavian Ampitheater), Rome, Italy, c. 70-82 CE,

Patron: Emperor Vespasian, Imperial Roman

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Baths of Caracalla, Rome, Italy, 212- 216 CE, patron: Emperor Caracalla, Imperial Roman

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Pantheon, Rome, Italy, 114-128 CE, patrons: Emperors Trajan and Hadrian,

Imperial Roman.

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Pompeii, Italy, part of the empire from 80 BCE until its destruction by the eruption of the Vesuv

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Arch of Constantine, Rome, Italy, 315 CE, Imperial Roman

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Old St. Peter’s Basilica

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The Christian Basilica

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Church of the Holy Sepulcher, Jerusalem, Israel/Palestine, c320-26 CE, Late Antique

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Land Walls of Theodosius II, Istanbul, Turkey, 412-415, Patron: Emperor, Theodosius II Early Byzantine

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Hagia Sophia (“Holy Wisdom”), Istanbul, Turkey, 532-537, Patron: Emperor

Justinian, Architects: Anthemios of Tralles and Isidorus of Miletus, Early Byzantine

Fuses two Roman building types – centralized and longitudinal – into a single,

distinct plan not seen before in other Roman nor Byzantine buildings

<p>Fuses two Roman building types – centralized and longitudinal – into a single,</p><p class="p1">distinct plan not seen before in other Roman nor Byzantine buildings</p>
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Hosios Loukas Monastery, Stiris, Greece, c 1020-1040, Middle Byzantine

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<p>Skellig Michael, off western coast of Co. Kerry, Ireland, rebuilt c823 or 860, no patron known, Early western Medieval</p>

Skellig Michael, off western coast of Co. Kerry, Ireland, rebuilt c823 or 860, no patron known, Early western Medieval

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<p>Santiago de Compostela, Santiago de Compostela, Spain, 1075-1115, completed by Bishop Diego Gelmírez, Romanesque</p>

Santiago de Compostela, Santiago de Compostela, Spain, 1075-1115, completed by Bishop Diego Gelmírez, Romanesque

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Monastery Sainte Foy, Conques, France, ca. 1050-1120, Romanesque

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Romanesque portal

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Conques Façade tympanum

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Diagram of Gothic Elevation

1. Flying buttress

2. Clerestory

3. Buttress pier

4. Triforium

5. Ground arcade

<p>1. Flying buttress</p><p class="p1">2. Clerestory</p><p class="p1">3. Buttress pier</p><p class="p1">4. Triforium</p><p class="p1">5. Ground arcade</p>
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Development of Gothic Cathedral Design

1) Get taller over time

2) switch from earlier four-part elevation to a later three-part elevation (the gallery is excised); this streamlines the wall, emphasizes verticality

3) proportions become more equalized between the ground arcade and the upper-level clerestory

<p>1) Get taller over time</p><p class="p1">2) switch from earlier four-part elevation to a later three-part elevation (the gallery is excised); this streamlines the wall, emphasizes verticality</p><p class="p2">3) proportions become more equalized between the ground arcade and the upper-level clerestory</p>
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Abbey Church of Saint Denis, (near) Paris, France, 1140-44, Gothic

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Cathedral of Notre Dame, Paris, France, begun 1163 (choir), nave after 1178, façade 1200-1250, clerestory remodeled in early thirteenth century. GOTHIC

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The Sainte-Chapelle, Paris, France, 1242-8, Late Gothic. Patron: King (Saint) Louis IX, as a private chapel for the court and repository for the precious relics of Christ

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The Kaaba (‘cube’), Mecca, Saudia Arabia, pre-Islamic, rededicated c631-632 CE, Early Islamic

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Dome of the Rock (Qubbat al- Sakhra), Jerusalem, Israel/Palestine, completed 691-2 CE. Patron: Caliph (ruler) Abd al-Malik of the Umayyad Dynasty. Early Islamic.

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Dome of the Rock on the *Haram al-Sharif/Temple Mount: early allegiance of the

Umayyad rulers with the history of the early Jewish (Abrahamic) rulers of Jerusalem

(Temple Mount is the site of many events and construction by King David, King

Solomon, Prophet Abraham, etc.).

Dome of the Rock is BOTH a MARTYRIUM and a POLITICAL STATEMENT.

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House/Mosque of the Prophet Muhammad, Medina, Saudi Arabia, c624 CE, early Islamic

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Congregational Mosques (Jami Masjid/Friday Mosque)

Qibla – the direction of Mecca; qibla wall – wall at the qibla side of the mosque

Mihrab – niche in the qibla wall, usually at its center; indicates direction of Mecca

Minaret – tower from which the muezzin’s call to prayer is made (also marker of

sacred space in the city, and of Muslim identity in the region)

Sahn – open-air courtyard, often a fountain is found here for ritual washing

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Great Mosque of Cordoba, Cordoba, Spain, 784-6, 9th and 10th centuries, Patron: Spanish Umayyad Caliph Abd al- Rahman, Early Islamic

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Alhambra (Qal’at al-Hamra/Red Fort), Granada, Spain, 1238-1390s, Patron: Nasrid Dynasty rulers including Muhammad I, Yusuf I, medieval Islamic architecture

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