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Last updated 2:31 PM on 2/25/25
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68 Terms

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Cinematography
The art of capturing images on film, focusing on camera angles, framing, lighting, and shot types.
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Mise-en-scène
The arrangement of everything that appears in the frame, including setting, costume, props, and character placement.
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Editing
The process of cutting and assembling film clips to create transitions, pacing, and continuity.
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Sound
Elements of dialogue, music, sound effects, and silence within a film.
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Oligopoly Structure
An industry dominated by a few major studios controlling production, distribution, and exhibition.
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Vertical Integration
When a company controls multiple stages of production, distribution, and exhibition.
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Genre System
A strategy where films are made based on audience expectations of specific genres.
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Contract System
System where actors and directors were bound by long-term contracts with studios.
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Silent to Sound Transition
The shift from silent films to synchronized sound, leading to more realistic storytelling.
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Continuity Editing
Editing style focused on maintaining spatial and temporal consistency within a narrative.
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Classical Hollywood Style
A film style characterized by clear storytelling, continuity editing, and structured narratives.
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Big Five Studios
MGM, RKO, Paramount Pictures, Warner Bros., and 20th Century Fox—controlled production, distribution, and exhibition.
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Little Three Studios
Universal Pictures, Columbia Pictures, and United Artists—focused on production and distribution but lacked theater ownership.
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Purpose of Genre
Establishes rules and expectations for audiences, often reflecting societal themes.
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Western Genre Elements
Features characters like sheriffs and outlaws, props like guns and horses, and themes of civilization vs. frontier.
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Core Theme of Westerns
Reflects concerns about masculinity, control, and fear of losing mastery.
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Marx Brothers' Comedy
Anarchic humor with surreal elements, satirizing authority with slapstick and musical performances.
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Henri Bergson's Comedy Theory
Comedy arises from mechanical behavior in living beings, highlighting social absurdities.
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Lighting in Classical Hollywood
Used to enhance mood, realism, character focus, and genre-specific atmosphere.
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The Jazz Singer (1927)
First major film with synchronized sound, marking the transition from silent films to talkies.
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1939 Landmark Films
Iconic films like Gone with the Wind, The Wizard of Oz, and Stagecoach exemplifying peak classical storytelling.
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Frank Capra's Contribution
Director known for optimistic, humanistic films exploring American values and democracy.
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Early Cinema Characteristics
Focused on technological novelty, realism mixed with magical effects, and everyday life scenes.
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Exhibition Primacy
Early studios prioritized exhibition profits over production, leading to cost-focused filmmaking.
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Vaudeville's Influence
Early cinema adapted from vaudeville, combining narrative with performance elements.
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Classical Hollywood Narrative
Structured stories driven by cause-and-effect, with clear resolutions and emotional engagement.
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Gangster Genre Structure
Features opposition to society, conflict with social order, and metaphors for societal rejection.
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180-Degree System
A filming guideline ensuring consistent spatial orientation in scenes to avoid audience confusion.
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Axis of Action
An imaginary line that keeps characters' spatial relationships consistent during a scene.
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Hollywood's Geographic Advantage
Location offered favorable weather, varied landscapes, and cost-efficient production conditions.
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1930s Genre Categories
Included prestige pictures, musicals, comedies, social problem films, and horror.
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Budget Logic in Films
Differentiation between high-budget prestige films and low-budget B-movies.
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Logic of Genre System
Created a common language for filmmakers and audiences, providing recognizable film structures.
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The Great Train Robbery
Directed by Edwin S. Porter (1903). Early American silent film known for pioneering narrative editing and cross-cutting.
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One Week
Directed by Buster Keaton (1920). Silent comedy short known for physical humor and inventive visual gags.
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Modern Times
Directed by Charlie Chaplin (1936). Satirical comedy highlighting industrialization and the struggle of workers.
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Scarface
Directed by Howard Hawks (1932). A foundational gangster film exploring themes of ambition and violence.
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Little Caesar
Directed by Mervyn LeRoy (1931). Early gangster film that helped establish the genre's conventions.
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Duck Soup
Directed by Leo McCarey (1933). Political satire featuring the Marx Brothers' absurdist comedy style.
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It Happened One Night
Directed by Frank Capra (1934). A screwball comedy credited with establishing genre tropes.
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Stagecoach
Directed by John Ford (1939). A landmark Western that elevated the genre's status in cinema.
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Citizen Kane
Directed by Orson Welles (1941). Known for innovative cinematography, deep focus, and non-linear storytelling.
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Rebecca
Directed by Alfred Hitchcock (1940). Gothic thriller known for atmosphere and psychological tension.
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Casablanca
Directed by Michael Curtiz (1942). Romantic drama set during WWII, exploring sacrifice and patriotism.
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Production Code
A set of industry moral guidelines that governed U.S. filmmaking from 1934-1968, restricting content on sex, crime, and morality.
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Hollywood Studio System
A vertically integrated industrial model where studios controlled production, distribution, and exhibition.
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Star System
A marketing strategy where studios promoted actors as celebrities to attract audiences.
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Film Noir
A stylistic category marked by cynicism, moral ambiguity, shadowy visuals, and crime-focused narratives.
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Prestige Picture
High-budget, artistically ambitious films designed to enhance a studio’s reputation, often literary adaptations or historical dramas.
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Influence of WWII on Hollywood
Hollywood produced propaganda films, and many directors served in the war. Themes of sacrifice and patriotism were prevalent.
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Art Direction
The visual design of a film, including sets, locations, and props, contributing to the overall aesthetic and mood.
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Deep Focus
A cinematography technique where both foreground and background remain in sharp focus, used famously in Citizen Kane.
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Genius of the System
The idea that Hollywood's collaborative studio system fostered creativity through teamwork, rather than relying on individual auteurs.
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Early Influences on Cinema
Photography, theater, vaudeville, and literature shaped early cinematic storytelling and visual style.
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Gangster Film Key Features
Rise and fall of a criminal protagonist, themes of ambition and corruption, urban settings.
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Screwball Comedy Features
Fast-paced dialogue, battle of the sexes, often involving romantic misunderstandings and social satire.
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Western Genre Features
Frontier settings, moral conflicts, lone hero archetypes, and the clash between civilization and wilderness.
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Narrative Clarity in Classical Hollywood
Films aimed for clear and emotionally engaging storytelling, using cause-and-effect logic.
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Realism in Classical Hollywood
Achieved through unity of time and space, with continuity editing smoothing over cuts.
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Establishing Shot
A shot used to set the scene and establish spatial relationships.
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30-Degree Rule
Camera must move at least 30 degrees between shots to avoid jump cuts.
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B-Movie Factory
Low-budget production companies known for quickly made films, often on 'Poverty Row.'
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Star-Genre Connection
Certain actors become associated with specific genres.
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Production Code Core Principles
No glorification of crime, upholding respect for the law, and promoting moral standards.
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Delicate Subjects in the Production Code
Topics like crime techniques, sympathy for criminals, and excessive lustful kissing were handled cautiously.
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Comedy of Remarriage
A screwball comedy subset where estranged couples rediscover love.
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Realism vs. Glamour in Lighting
Realism emphasizes depth and detail, while glamour uses soft focus and diffusion lighting for idealized appearances.
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Genre Influence on Lighting
Gangster films often use low-key lighting, while screwball comedies feature high-key lighting for a bright atmosphere.