Music Theory Final

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40 Terms

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Trichord

Any unordered 3-pitch or pitch-class collection

2
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Triad

A triad is an initially-ordered, 3-element pitch or pitch-class collection that is a subset of the diatonic collection and can be spelled in thirds

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<p>Triad type</p>

Triad type

Major

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<p>Triad type</p>

Triad type

Minor

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<p>Triad type</p>

Triad type

Diminished

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<p>Triad type</p>

Triad type

Augmented

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<p>Seventh chord type</p>

Seventh chord type

MM7

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<p>Seventh chord type</p>

Seventh chord type

Mm7

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<p>Seventh chord type</p>

Seventh chord type

mm7

10
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<p>Seventh chord type</p>

Seventh chord type

half-diminished 7th

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<p>Seventh chord type</p>

Seventh chord type

diminished 7th

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<p>Seventh chord type</p>

Seventh chord type

mM7

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<p>Seventh chord type</p>

Seventh chord type

Augmented 7th

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Spatial relationship measured up from lowest to highest pitch class in semitones; assume enharmonic equivalency and octave equivalency

pitch-class interval

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Spatial relationship between two pitches measured in semitones; assume enharmonic, octave, inversional, & transpositional equivalencies; identify by smallest cardinality (only goes up to six)

interval class

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<p>Figured bass symbol for:</p>

Figured bass symbol for:

First inversion, third in base

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<p>Figured bass symbol for:</p>

Figured bass symbol for:

Second inversion, fifth in base

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scale with alternating whole and half steps, eight notes (excluding final note, which is an octave up from the first)

octatonic scale

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scale with only whole tones, six notes (excluding final note, which is an octave up from the first)

whole tone scale

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Tonality

Musical system where one and only one consonant triad is projected in time by means of linear and harmonic elaborations

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Consonance

Pitch or pitch collection that is contextually stable and predominant

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Aggregate

One instance of the 12 chromatic tones without regard to order

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Maximal diversity

Greatest possible variety. Compositional principle based on the intervallic resources of the aggregate.

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Atonality/aggregate music

Music that does not display the array of linguistic relations or functions that characterize tonality

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Pulse

More-or-less regularly recurring series of timepoints inferred at the onset of musical events or patterns. Organized hierarchically in groups of 2 or 3. Once established, pulse will persist.

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Beat

The level of pulse that corresponds to your foot tapping

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Meter

The hierarchical organization of pulse into groups of twos and threes

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Simple meter

Meter where the beat is divided into two pulsations

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Accent of rhythm

An event marked for consciousness because it is higher, longer, more dissonant than, or timbrally distinct from other related events

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Rhythm

The pattern of durations of related events called rhythmic groups/modules

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phrase

Completes one phase of motion (spatial/linguistic/rhythmic)

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Module

Any identifiable time feature that repeats

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Chaconne

Baroque dance in triple meter that generally used variation techniques and built up of arbitrarily short units (4 or 8 measures)

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Compound meter

Meter where the beat is divided in threes

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Isorhythm

Long repeating rhythmic pattern with varied pitch content

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Line

A string of adjacent pitches

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Melody

A recognizable section of organized pitches built from one or more lines. Main focus of the piece.

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Cell

A small repeated collection of pitches and/or intervals

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Music

A mental construct involving imagining qualitative or quantitative relations between collections of pitches

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Pitch

The percieved quality of sound, fixing its position in the collection of frequencies used in music