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What is Metaphysical Poetry?
17th Century
relationship between spirit to matter or the ultimate nature of reality
terminology often drawn from science of law
form of an argument
relationship between the soul and the boyd/union of lovers’ souls
embraces sexuality
Metaphysical poems
lyric poems
characterized by striking use of wit, irony, and wordplay
Beneath the formal structure (of rhyme, meter and stanze) is the underlying (and often hardly less formal) structure of the poem’s argument
Use of ordinary speech mixed with puns, paradoxes, and conceits
Metaphysical Conceit
extended metaphor
unexpected or shocking analogies, offering elaborate parallels between apparently dissimilar things
Analogies from science, mechanics, housekeeping, business, philosophy, astronomy, ect. are common
reveal a play of intellect
the metaphors sometimes take over the poem and control it
John Donne
born in 1572 to Roman Catholic parents, when practicing that religion was illegal in England
Spent the 3 years at the University of Cambridge, but took no degree at either university because he would not take the Oath of Supremacy required at graduation
In 1598, Donne was appointed private secretary to Sir Thomas Egerton
in the same year, he secretly married Lady Egerton’s niece, seventeen-year-old Anne More, daughter of Sir George More, Lieutenant of the Tower, and effectively committed career suicide
Sir George had Donne thrown in Fleet Prison for some weeks, along with his cohorts Samuel and Christopher Brooke who had aided the couple’s clandestine affair.
Doone was dismissed from his post, and for the next decade had to struggle near poverty to support his growing family
Donne’s Work
distinguished by its emotional and sonic intensity, and its capcity to plumb that paradoxes of faith, human and divine love, and the possibility of salvation
often employs conceits, or extended metaphors, to yoke together “heterogeneous ideas,” in the words of Samuel Johnson, thus generating the powerful ambiguity for which his work is famous
Donne’s love poetry was written nearly 400 years ago; eyt one reason for its appeal is that it speaks to us as directly and urgently as if we overhear a present confidence
Donne’s style, full fo elaborate metaphors and religious symbolism, his flair for drama, his wide learning and his quick eit soon established him as one of the greatest preachers of the era
Donne’s Imagery
eclectic (not wide-ranging) and obscure
did not write for publication, but to friends assumed to be well-read enough to understand references
Imagery draws on the new (in the late 16th century) learning of the English renaissance and on topical discoveries and exploration
Donne’s Imagery cont’d
we find references to sea-voyages, mythology and religion (among many other things)
alchemy - especially the mystical beliefs associated with elixir - and cosmology, both ancient and modern (references both to spheres and to the world of a “sea discoveries”)