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Classical Era
The Classical Era (c. 1250 BCE–455 CE) includes works from Ancient Greece and Rome that inspired later neoclassical literature. Key authors: Homer, Sophocles, Virgil, Ovid.
Medieval Era
(400s–1400s) Literature from the fall of Rome to the printing press; includes Old English works like Beowulf and Middle English works like Canterbury Tales and The Divine Comedy; features knights, monsters, and religious allegory.
Renaissance
(1400–1600) A rebirth of learning and humanism; includes the Elizabethan Era (1558–1603) with writers like Marlowe, Kyd, and Shakespeare.
Enlightenment
(1660–late 18th century) Emphasizes logic, reason, and equality; rejects superstition; tied to democratic ideals and the American Revolution.
Romantic Era
(1789–1832) Emphasizes imagination, individuality, emotion, and nature; key poets: Wordsworth, Coleridge, Shelley, Keats, Byron; American version is Transcendentalism.
Gothic Era
(1790–1890) Explores dark emotions and psychological tension; rebellious against social restrictions; think Edgar Allan Poe.
Victorian Era
(1832–1901) Focuses on society, morality, and class; writers include Charles Dickens and George Eliot.
Realism
19th-century movement depicting ordinary life truthfully and objectively; authors include Tolstoy, Dostoyevsky, Henry James.
Modernism
(1914–1945) Experimental literature expressing fragmentation, uncertainty, and chaos of modern life; authors: Joyce, Conrad, Faulkner.
Postmodernism
(1945–1990s) Highly experimental, playful literature including magical realism, nonlinear structures, mixed genres, and satire; authors include Marquez and Vonnegut.
Contemporary
Post-1945 literature; broad, diverse, and generally less experimental than Postmodernism.
Allegory
Story in which characters/events symbolize abstract ideas; e.g., Animal Farm.
Alliteration
Repetition of initial consonant sounds.
Allusion
Reference to something well-known from culture, history, religion, or literature.
Anaphora
Repetition at the beginning of clauses or sentences.
Anastrophe
Inversion of typical word order.
Antimetabole
Repetition and reversal of words (“Eat to live, not live to eat”).
Aphorism
Short, witty statement expressing a general truth.
Apostrophe
Addressing an absent person or personified idea.
Assonance
Repetition of vowel sounds.
Asyndeton
Series without conjunctions (“X, Y, Z”).
Ballad
Narrative poem with musical rhythm; often includes a refrain.
Bildungsroman
Coming-of-age story.
Blank Verse
Unrhymed iambic pentameter.
Byronic Hero
Moody, rebellious, intelligent antihero with dark or self-destructive tendencies.
Caesura
Strong pause within a poetic line.
Chiasmus
Reversal of structure (“Flowers are lovely, love is flowerlike”).
Colloquialism
Informal conversational expression.
Conceit
Elaborate, surprising extended metaphor.
Confessional Poetry
Poetry using intimate personal experience.
Consonance
Repetition of consonant sounds in the middle or ends of words.
Couplet
Two consecutive rhyming lines.
Deus Ex Machina
Sudden, artificial plot resolution.
Diction
Author’s word choice.
Didactic
Intended to teach a moral or lesson.
Dramatic Monologue
Poem where a character speaks to a silent listener and reveals their character.
Elegy
Poem of mourning.
End-Stopped Line
Line of poetry ending with punctuation.
Enjambment
Line of poetry that carries over without pause.
Epanalepsis
Repetition at beginning and end of a clause.
Epic
Long narrative poem about a hero representing cultural values.
Epigram
Short, witty, clever statement.
Epistolary Novel
Novel told through letters.
Epistrophe
Repetition at the ends of clauses or lines.
Epithet
Descriptive phrase highlighting a quality (“rosy-fingered dawn”).
Eulogy
Speech praising someone who has died.
Euphemism
Mild phrase replacing a harsh one (“passed away”).
Farce
Silly, exaggerated comedic situation.
Flashback
Scene set in a time earlier than the main narrative.
Foil
Character who contrasts another.
Free Verse
Poetry without regular meter or rhyme.
Hyperbole
Deliberate exaggeration.
Iamb
Unstressed syllable followed by stressed.
Imagery
Language appealing to the senses.
In Medias Res
Beginning a narrative in the middle of the action.
Irony
Contrast between expectation and reality.
Juxtaposition
Placing two unlike things together for effect.
Litotes
Understatement via negation (“not bad”).
Lyric Poem
Poem expressing emotion rather than telling a story.
Metaphor
Comparison without “like” or “as.”
Metonymy
Substitution of something closely related (“the crown” for the monarchy).
Mood
Atmosphere created by an author.
Motif
Recurring element that unifies a work.
Ode
Poem praising someone or something.
Onomatopoeia
Word imitating sound (“buzz”).
Oxymoron
Contradictory terms together (“jumbo shrimp”).
Parable
Short story teaching a moral lesson.
Paradox
Apparent contradiction containing truth.
Parody
Humorous imitation of another work.
Pastoral
Literature idealizing rural life.
Personification
Giving human traits to nonhuman things.
Point of View
Perspective from which a story is told (1st, 2nd, 3rd limited, 3rd omniscient).
Free Indirect Discourse
Third-person narration blended with a character’s thoughts.
Stream of Consciousness
Writing capturing chaotic inner thoughts.
Polysyndeton
Repetition of conjunctions (“X and Y and Z”).
Pun
Play on words.
Quatrain
Four-line stanza.
Refrain
Repeated line or group of lines in a poem.
Rhythm
Pattern of stressed and unstressed syllables.
Romance
Story with idealized hero on a successful quest.
Satire
Writing that ridicules flaws to encourage change.
Scansion
Analysis of poetic meter and rhyme.
Simile
Comparison using “like,” “as,” “than,” or “resembles.”
Soliloquy
Long speech by a character alone on stage.
Sonnet
14-line poem in iambic pentameter (Shakespearean or Petrarchan).
Symbol
Something that represents more than itself.
Synecdoche
Part representing the whole (“a thousand sails”).
Syntax
Sentence structure.
Terza Rima
Three-line interlocking rhyme scheme (aba bcb cdc).
Theme
Complete-sentence insight about life in a literary work.
Tone
Author’s attitude toward subject or audience.
Understatement
Saying less than what is meant; opposite of hyperbole.