MS 111C exam 1

Portraiture was a dominant form of painting in the eighteenth century as a means of ________ individual fame.

shaping and disseminating

Verisimilitude refers to something that looks like reality but is not actual ________.

reality

In early modern portraiture, verisimilitude aligned with cultural expectations of how a subject should _________.

appear

Patronage influenced how individuals and ideologies were _________ through visual means.

represented

Artistry became linked to individuality and self-expression, especially in the Renaissance and early ________ period.

modern

Visibility in visual culture is tied to ________ structures and representation.

power

Mantegna emphasized sculptural form, while Dürer brought a meticulous, ________ approach to art.

scientific

Perspectival drawing involves a visual field that is fixed, centered and ________ vision.

ordered

Woodblock printing allowed for the mass reproduction of ________.

images

Visualization is the ability to create ________ in one's mind.

images

Cabinets of curiosities reflected European desires to ________ and control the exotic.

categorize

Standardization in the 18th century visual culture created a sense of ________ and control.

order

Illustrated pamphlets communicated political, religious, and ________ messages.

social

Monstrous births served as a visual symbol for ________ in post-Reformation England.

disorder

The body became a site for the production and experience of ________ in visual culture.

pain

Self-fashioning is linked to the Cartesian model of _________.

selfhood

Crawford's text frames women's fashion as a site of ________, particularly in Protestant discourse.

anxiety

Split representation refers to the contradictory ways certain figures are _________.

represented

Visual fields shape how certain subjects are made ________ or ________ depending on power.

visible; invisible

Locatedness explores how Cartesian thought attempts to dislocate the self from the ________ and material world.

body

Bordo critiques the Enlightenment ideal of objectivity as a form of ________ from emotion.

detachment

Cartesian masculinity is defined through rationality, control, and ________ from embodiment.

detachment

The regime of the picture allows one to identify with a particular subject ________ in visual representation.

position

Bordo's regime of the eye privileges identification over _________.

recognition

Scopic technique of identification results in a strong sense of being there in the place of ________.

vision

Visual stereotypes functioned as tools of ________ in colonial imagery.

control

The plantation complex of visuality structured racialized ________ in labor.

labor

Tabulation in visual culture categorizes and ________ information.

standardizes

The right to look asserts that marginalized groups can reclaim their own _________.

representation

Carlyle’s theory of the 'Great Man' suggests history is shaped by ________ individuals.

exceptional

Modern phantasmagorias describe how visual culture constructs ________, creating distorted realities.

illusions

Counter Heroism emphasizes collective resistance and marginalized ________ in historical narratives.

perspectives