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Fill-in-the-blank practice flashcards covering theorists, key concepts, vocabulary, and the Fountain case study from Chapter 1 of PHIL 1361.
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Immanuel Kant's core position on art is that it functions as __________.
Representation
Immanuel Kant distinguishes fine art from agreeable art, stating that fine art produces pleasure from the reflective powers of __________.
judgment
A major criticism of Immanuel Kant's theory of art as representation is that it fails to explain __________ art.
Impressionist/Post-Impressionist
Clive Bell proposed the Formalist Theory, arguing that art produces aesthetic emotions because of __________.
significant form
According to Clive Bell, paintings that convey information or tell a story but lack significant form are called __________ paintings.
descriptive
Clive Bell uses the __________ hypothesis to separate natural beauty from aesthetic emotion.
metaphysical
According to R.G. Collingwood, __________ starts with a predetermined end, whereas art does not.
Craft
R.G. Collingwood defines art primarily as a __________ activity of expressing and clarifying an initially undefined feeling.
mental
In R.G. Collingwood's theory, work created to convey a particular emotion is classified as __________ art.
magical
R.G. Collingwood classifies amusement/entertainment art as __________ rather than true art.
craft
Monroe Beardsley defines an artwork as being produced with the intention of giving it the capacity to satisfy __________.
aesthetic interest
According to Oswald Hanfling, artifacts are art if their __________ function is aesthetic satisfaction.
main
George Schlesinger defines an artwork as an artifact that provides aesthetic experience under __________.
standard conditions
Richard Lind asserts that artwork is a creative arrangement of media whose principal function is communicating a significant __________.
aesthetic object
Paul Ziff argues that art is not a __________ concept and that definitions work only at particular points in time.
fixed
Morris Weitz proposed the __________ Concept Theory, stating that no single trait is common to every artwork.
Open
Morris Weitz uses the concept of __________ resemblance to describe how artworks share overlapping similarities without one universal defining feature.
family
Morris Weitz contrasts open concepts with closed concepts, using the example of a __________ as a closed concept.
bachelor
Arthur Danto asserts that recognizing something as art requires an atmosphere of artistic theory, knowledge of art history, and an __________ context.
artworld
In Version 1 of George Dickie's Institutional Theory of Art, an artefact must receive candidate-for-appreciation status from the __________.
artworld
A major problem for George Dickie's Institutional Theory of Art is accounting for __________ art and the origin of the artworld.
outsider
Jerrold Levinson's historical definition posits that art is necessarily __________ because it is defined through its intended relationship to pre-existing art.
backward-looking
Jerrold Levinson refers to the unknown historical ancestors of art as __________.
ur-arts
Robert Stecker's approach to defining art combines historical and functional approaches, known as historical __________.
functionalism
According to Robert Stecker, something outside the normal artistic category can still count as art in an __________ sense if it achieves excellence in fulfilling an artistic function.
honorific
Marcel Duchamp submitted the ready-made artwork Fountain in the year __________.
1917
Marcel Duchamp purchased the urinal used for Fountain from __________.
J.L. Mott Iron Works
Marcel Duchamp submitted Fountain under the pseudonymous name __________.
Richard Mutt
Fountain was submitted to the first annual exhibition of the Society of __________ Artists.
Independent
The discussion of the Fountain controversy was included in the publication titled The __________ Man.
Blind
In philosophy of art, accepting an uncomfortable or undesirable consequence because a theory logically requires it is known as to "__________".
bite the bullet
An __________ is defined generally as something made or modified by a person.
artefact