PHIL 1361 Chapter 1 Study Flashcards

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Fill-in-the-blank practice flashcards covering theorists, key concepts, vocabulary, and the Fountain case study from Chapter 1 of PHIL 1361.

Last updated 4:58 PM on 9/15/26
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32 Terms

1
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Immanuel Kant's core position on art is that it functions as __________.

Representation

2
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Immanuel Kant distinguishes fine art from agreeable art, stating that fine art produces pleasure from the reflective powers of __________.

judgment

3
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A major criticism of Immanuel Kant's theory of art as representation is that it fails to explain __________ art.

Impressionist/Post-Impressionist

4
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Clive Bell proposed the Formalist Theory, arguing that art produces aesthetic emotions because of __________.

significant form

5
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According to Clive Bell, paintings that convey information or tell a story but lack significant form are called __________ paintings.

descriptive

6
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Clive Bell uses the __________ hypothesis to separate natural beauty from aesthetic emotion.

metaphysical

7
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According to R.G. Collingwood, __________ starts with a predetermined end, whereas art does not.

Craft

8
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R.G. Collingwood defines art primarily as a __________ activity of expressing and clarifying an initially undefined feeling.

mental

9
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In R.G. Collingwood's theory, work created to convey a particular emotion is classified as __________ art.

magical

10
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R.G. Collingwood classifies amusement/entertainment art as __________ rather than true art.

craft

11
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Monroe Beardsley defines an artwork as being produced with the intention of giving it the capacity to satisfy __________.

aesthetic interest

12
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According to Oswald Hanfling, artifacts are art if their __________ function is aesthetic satisfaction.

main

13
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George Schlesinger defines an artwork as an artifact that provides aesthetic experience under __________.

standard conditions

14
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Richard Lind asserts that artwork is a creative arrangement of media whose principal function is communicating a significant __________.

aesthetic object

15
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Paul Ziff argues that art is not a __________ concept and that definitions work only at particular points in time.

fixed

16
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Morris Weitz proposed the __________ Concept Theory, stating that no single trait is common to every artwork.

Open

17
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Morris Weitz uses the concept of __________ resemblance to describe how artworks share overlapping similarities without one universal defining feature.

family

18
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Morris Weitz contrasts open concepts with closed concepts, using the example of a __________ as a closed concept.

bachelor

19
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Arthur Danto asserts that recognizing something as art requires an atmosphere of artistic theory, knowledge of art history, and an __________ context.

artworld

20
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In Version 1 of George Dickie's Institutional Theory of Art, an artefact must receive candidate-for-appreciation status from the __________.

artworld

21
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A major problem for George Dickie's Institutional Theory of Art is accounting for __________ art and the origin of the artworld.

outsider

22
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Jerrold Levinson's historical definition posits that art is necessarily __________ because it is defined through its intended relationship to pre-existing art.

backward-looking

23
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Jerrold Levinson refers to the unknown historical ancestors of art as __________.

ur-arts

24
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Robert Stecker's approach to defining art combines historical and functional approaches, known as historical __________.

functionalism

25
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According to Robert Stecker, something outside the normal artistic category can still count as art in an __________ sense if it achieves excellence in fulfilling an artistic function.

honorific

26
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Marcel Duchamp submitted the ready-made artwork Fountain in the year __________.

1917

27
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Marcel Duchamp purchased the urinal used for Fountain from __________.

J.L. Mott Iron Works

28
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Marcel Duchamp submitted Fountain under the pseudonymous name __________.

Richard Mutt

29
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Fountain was submitted to the first annual exhibition of the Society of __________ Artists.

Independent

30
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The discussion of the Fountain controversy was included in the publication titled The __________ Man.

Blind

31
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In philosophy of art, accepting an uncomfortable or undesirable consequence because a theory logically requires it is known as to "__________".

bite the bullet

32
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An __________ is defined generally as something made or modified by a person.

artefact