VIAR 220 exam 2

Expressionism

1905-1913

Free use of form, color, and space

Interest in conveying intense moods through formal experimentation

Primitivism

modern artists’ appropriation of the forms of African art in the hope of investing their work with a primal truth and expressive energy (what they saw as “primitive”)

==Modersohn-Becker,==

==Self-Portrait on 6th Wedding Anniversary,==

==1910==

==oil on canvas==

==Expressionism==

==Kirchner==

==Street Dresden==

==1910==

==Oil On Canvas==

==Expressionism==

%%Kirchner%%

%%Portrait of Henry Van de Velde%%

%%1920%%

%%Woodcut out%%

%%Expressionism%%

woodcut

one of oldest types of printmaking (used in the West since 15th century); a design is drawn on a block of wood, which is then carved so the desired image remains in relief; ink is applied to the raised design and the block pressed onto sheet of paper

The Bridge ( Die Brucke)

1905-13

Confrontation with modern society

Nihilism: God is Dead

The Blue Rider(Der Blaue Reiter)

1911-14

Attraction to spirituality

Retreat from city and modern life (turn to nature and folk culture)

==Kandinsky==

==Sketch for “Composition II”==

==1910==

==Oil on Canvas==

==Expressionism==

^^Munch^^

^^The Scream^^

^^1900^^

^^Oil, tempera, pastel and crayon on cardboard^^

^^Expressionism^^

^^Munter^^

^^Kandinsky Painting a landscape^^

^^1900^^

^^Oil on canvas^^

^^Expressionism^^

^^Picasso^^

^^Le Moulin de la Galette^^

^^1900^^

^^Oil on Canvas^^

^^Cubism^^

^^Picasso^^

^^La Vie(life)^^

^^1900^^

^^Oil on canvas^^

==Picasso==

==Two Nudes==

==1910==

==Oil on canvas==

==Cubism==

==Picasso==

==The Young Ladies of Avignon==

==1910==

==Oil on canvas==

==Cubism==

==Picasso==

==Three Women==

==1910==

==Oil on Canvas==

==Cubism==

passage

\-Technique whereby the edges of color planes merge with adjacent areas

\-troubles any sense of demarcation between the figures and their environment

\- total ambiguity of figure and ground

==Picasso==

==Girl with a Mandolin==

==1910==

==oil on canvas==

==Analytical Cubism==

==Picasso==

==Guitar, Sheet Music ,and Wine glass==

==1910==

==Mixed Media==

==Synthetic Cubism==

collage

literally ‘gluing’ (in French); involves gluing disparate elements onto a canvas

papiers colles

literally ‘pasted papers’ (in French); involves gluing paper elements onto a canvas

construction

a three-dimensional assemblage of materials

manifesto

a published declaration of the intentions, motives, or views of an art movement or of an individual within an artistic group

==Carra==

==Patriotic Celebration (Free-Word Painting)==

==1910==

==Mixed Media==

==Synthetic Cubism==

==Severini==

==Dynamic Hieroglyphic of the Bal Tabarin==

==1910==

==oil on canvas with sequins==

==Futurism==

==Boccioni==

==Unique Forms of Continuity in space==

==1910==

==Bronze==

==Futurism==

Picasso,

*Maya in a Sailor Suit*

1940

oil on canvas

**Picasso,**

***Homage to Braque***

**1960**

**lithograph**

%%Tatlin,%%

%%Counter-Relief,%%

%%1920,%%

%%iron, copper, wood, and rope%%

==**Malevich,**==

==***Black Square***==

==**1910**==

==**Oil on canvas**==

==Suprematism==

==Malevich,==

==*Morning in the Village after a Snowstorm*,==

==1910==

==Oil on canvas==

==Cubo-Futurism==

%%**Malevich,**%%

%%***Suprematist Composition: White Square on White***%%

%%**1920.**%%

%%**Oil on canvas**%%

%%Suprematism%%

zero form

\-trash heap of academic art

\-got out of the circle of objects

Constructivism

•first abstract movement in “sculpture”

•based on assembling materials rather than carving or modeling

•use of unorthodox materials (often from world of machines and industry)

•valuing of form and function -> not decorative or ornamental

faktura

the artist as the material's assistant; effacing the artist’s presence within the work; fostering the volition of the material rather than expressing the artist’s individual will

cold structure

forms stripped of all authorial signs of agency