Western Music History: Renaissance to 20th-Century

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These flashcards review the key periods, concepts, composers, forms, textures, and stylistic fingerprints discussed in the lecture notes from the Renaissance through 20th-century music.

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54 Terms

1
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What does the word “Renaissance” literally mean in the context of music history?

Revival or rebirth.

2
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Which historical period of Western music spans roughly c.1450-1600?

The Renaissance period.

3
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Name two scientific or exploratory figures whose era coincided with Renaissance music.

Christopher Columbus and Galileo Galilei.

4
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Which two texture types became prominent in Renaissance music?

Homophonic (simple chordal) and polyphonic/contrapuntal textures.

5
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In Renaissance music, what new attitude toward harmony emerged?

Increased awareness of vertical chord progressions and smoother treatment of discords.

6
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Give one sacred vocal form typical of the Renaissance.

Mass, motet, or anthem (any one).

7
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Give one secular Renaissance vocal genre that often used word-painting.

Madrigal, ballett, ayre, or chanson (any one).

8
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Name a common Renaissance dance pair in slow–fast order.

Pavan and galliard.

9
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What family of string instruments did the violin family eventually replace?

The viol family.

10
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Provide one example of a Renaissance composer active before 1500.

Josquin des Prez or Heinrich Isaac (either).

11
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Which Portuguese word meaning “irregular pearl” gave its name to a musical era?

Barroco (source of the word Baroque).

12
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State the conventional dates for the Baroque period.

1600-1750.

13
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What continuo element underpins most Baroque textures?

The basso continuo or figured bass.

14
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Name the two “giants” of the late Baroque.

Johann Sebastian Bach and George Frideric Handel.

15
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Which new vocal-dramatic genre was born at the beginning of the Baroque era?

Opera.

16
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Define ‘ritornello form’.

A Baroque structure featuring recurring orchestral refrains alternating with solo passages.

17
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What doctrine guided Baroque composers to maintain one mood per movement?

The doctrine of the ‘single affection’.

18
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Which keyboard instrument was normally used to realize the figured bass in Baroque music?

Harpsichord (or organ).

19
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Name one prominent Italian Baroque violin virtuoso and composer.

Arcangelo Corelli, Antonio Vivaldi, or Giuseppe Tartini (any one).

20
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Which large-scale instrumental genre evolved from the Baroque Italian overture?

The Classical symphony.

21
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Give the standard date range for the Classical period in music.

1750-1810.

22
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Which keyboard instrument replaced the harpsichord during the Classical era?

The piano (fortepiano).

23
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What musical form became the hallmark of first movements in Classical sonatas and symphonies?

Sonata form.

24
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List two key aesthetic ideals of Classical style.

Grace and beauty of line, clarity, balance, moderation, proportion (any two).

25
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Which Classical composer is famous for the ‘London’ symphonies?

Joseph Haydn.

26
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What dynamic indications (gradual changes) became common in Classical music?

Crescendo and diminuendo.

27
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In Classical orchestration, which family became an independent, balanced section?

The woodwind section.

28
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Which dance in triple metre often serves as the third movement of a Classical symphony?

The minuet (or later, scherzo).

29
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State the approximate dates of the Romantic period.

1810-1910.

30
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Which musical term describes the use of notes outside the prevailing key for colour?

Chromaticism.

31
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Name one 19th-century virtuoso idolized by audiences.

Franz Liszt or Niccolò Paganini.

32
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What is ‘programme music’?

Instrumental music that tells a story or paints an extra-musical picture.

33
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Which invention enabled brass instruments to play fully chromatic lines in the Romantic era?

The valve system.

34
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Give one example of a nationalist Romantic composer.

Bedřich Smetana, Antonín Dvořák, Edvard Grieg, Jean Sibelius, or others.

35
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What Romantic technique unifies large works by returning, transformed themes?

Thematic transformation or the use of leitmotifs/leading motives.

36
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Which German composer bridged the Classical and Romantic eras with nine symphonies?

Ludwig van Beethoven.

37
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Describe one key difference between Baroque and Romantic orchestras.

Romantic orchestras are much larger, with expanded brass and percussion sections.

38
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Which term denotes 20th-century music using two or more simultaneous keys?

Polytonality.

39
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What style associated with Debussy emphasizes tone-colour and atmosphere?

Impressionism.

40
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Name the 12-tone compositional technique pioneered by Schoenberg.

Serialism (dodecaphony or twelve-tone technique).

41
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Define ‘aleatory music’.

Music in which elements of composition or performance are left to chance or performer choice.

42
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Which 20th-century trend produces music directly from recorded natural sounds?

Musique concrète.

43
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What rhythmic feature common in 20th-century music uses constantly repeated patterns?

Ostinato (or motor rhythms).

44
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Identify one hallmark of 20th-century melodic writing.

Short, fragmentary, angular melodies with wide leaps and dissonant intervals.

45
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Which Hungarian composer collected folk music and integrated it into modernist works?

Béla Bartók.

46
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What electronic technique allows composers to create entirely new instrumental sounds?

Electronic synthesis or electronic music production.

47
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Give an example of a 20th-century American style that influenced classical composers.

Jazz or Blues.

48
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What term describes music with no sense of key or tonal centre?

Atonality.

49
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Which Russian composer shocked audiences with ‘The Rite of Spring’?

Igor Stravinsky.

50
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What texture is most characteristic of early Baroque but returns to polyphony later?

Homophonic texture early; later return to contrapuntal/polyphonic writing.

51
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Name one common Renaissance instrument from the wind family.

Recorder, shawm, or crumhorn (any one).

52
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What device in Classical piano writing contrasts sharply detached notes with smooth ones?

Staccato versus legato articulation.

53
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Which 19th-century German composer is noted for four symphonies and the ‘German Requiem’?

Johannes Brahms.

54
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Explain the Baroque ‘ground bass’ variation principle.

A repeated bass-line over which upper parts create continuous variations.