Language

The theme of villainy is conveyed through literary techniques that reflect the narrator’s psychological descent and obsession with control

The theme of villainy is conveyed through literary techniques that reflect the narrator’s psychological descent and obsession with control

The extended allegory of the cereal scene highlights the narrator’s desire for control through a detached tone and biblical allusion in: “an indifferent god, watching the destruction of humanity”, conveying to audiences the narrator’s unstable mind and hubristic god-like complex.

The theme of villainy is conveyed through literary techniques that reflect the narrator’s psychological descent and obsession with control. The extended allegory of the cereal scene highlights the narrator’s desire for control through a detached tone and biblical allusion in: “an indifferent god, watching the destruction of humanity”, conveying to audiences the narrator’s unstable mind and hubristic god-like complex.

Audiences are provided with an insight into the dangers of unchecked power and control through the absurdism of the conceit, which is undercut with the biblical allusions (i.e “The Creation of Adam) to convey the narrator’s detachment from reality

The theme of villainy is conveyed through literary techniques that reflect the narrator’s psychological descent and obsession with control. The extended allegory of the cereal scene highlights the narrator’s desire for control through a detached tone and biblical allusion in: “an indifferent god, watching the destruction of humanity”, conveying to audiences the narrator’s unstable mind and hubristic god-like complex. Audiences are provided with an insight into the dangers of unchecked power and control through the absurdism of the conceit, which is undercut with the biblical allusions (i.e “The Creation of Adam) to convey the narrator’s detachment from reality.

Moreover, the romantic prose of the narrator’s obsessive monologue underscores his descent into madness through punctuation in: “There’s a kind of beauty in art, the ability to create my own Lauren, breathing life into her with every brushstroke”.

The theme of villainy is conveyed through literary techniques that reflect the narrator’s psychological descent and obsession with control. The extended allegory of the cereal scene highlights the narrator’s desire for control through a detached tone and biblical allusion in: “an indifferent god, watching the destruction of humanity”, conveying to audiences the narrator’s unstable mind and hubristic god-like complex. Audiences are provided with an insight into the dangers of unchecked power and control through the absurdism of the conceit, which is undercut with the biblical allusions (i.e “The Creation of Adam) to convey the narrator’s detachment from reality. Moreover, the romantic prose of the narrator’s obsessive monologue underscores his descent into madness through punctuation in: “There’s a kind of beauty in art, the ability to create my own Lauren, breathing life into her with every brushstroke”.

The use of visual imagery and a metaphor highlight the narrator’s entitled possession over Lauren, achieved through her murder and objectification in his art.

The theme of villainy is conveyed through literary techniques that reflect the narrator’s psychological descent and obsession with control. The extended allegory of the cereal scene highlights the narrator’s desire for control through a detached tone and biblical allusion in: “an indifferent god, watching the destruction of humanity”, conveying to audiences the narrator’s unstable mind and hubristic god-like complex. Audiences are provided with an insight into the dangers of unchecked power and control through the absurdism of the conceit, which is undercut with the biblical allusions (i.e “The Creation of Adam) to convey the narrator’s detachment from reality. Moreover, the romantic prose of the narrator’s obsessive monologue underscores his descent into madness through punctuation in: “There’s a kind of beauty in art, the ability to create my own Lauren, breathing life into her with every brushstroke”. The use of visual imagery and a metaphor highlight the narrator’s entitled possession over Lauren, achieved through her murder and objectification in his art.

The narrator uses a distorted perception of reality as a coping mechanism to justify Lauren’s murder, accentuating how hubristic attitudes can manifest into villainy.

The theme of villainy is conveyed through literary techniques that reflect the narrator’s psychological descent and obsession with control. The extended allegory of the cereal scene highlights the narrator’s desire for control through a detached tone and biblical allusion in: “an indifferent god, watching the destruction of humanity”, conveying to audiences the narrator’s unstable mind and hubristic god-like complex. Audiences are provided with an insight into the dangers of unchecked power and control through the absurdism of the conceit, which is undercut with the biblical allusions (i.e “The Creation of Adam) to convey the narrator’s detachment from reality. Moreover, the romantic prose of the narrator’s obsessive monologue underscores his descent into madness through punctuation in: “There’s a kind of beauty in art, the ability to create my own Lauren, breathing life into her with every brushstroke”. The use of visual imagery and a metaphor highlight the narrator’s entitled possession over Lauren, achieved through her murder and objectification in his art. The narrator uses a distorted perception of reality as a coping mechanism to justify Lauren’s murder, accentuating how hubristic attitudes can manifest into villainy.