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Rottgen Pieta
1300-25
Late Medieval Europe (same time as Giotto)Â
Painted wood sculptureÂ
Not good proportions, elongated limbsÂ
Peita: sculpture of Mary holding Jesus
Annunciation Triptych (Merode Altarpiece)
1427-1432Â
Workshop of Robert CampinÂ
Oil on woodÂ
3 separate piecesÂ
On spec: the hope that it sellsÂ
Middle scene: shows annunciation
Right scene: Mary’s husband Â
Many symbols showing religious importanceÂ
The Arnolfini Portrait
1434
Jan Van EyckÂ
Oil on woodÂ
Artist signature above mirror proving he was there
Crucifixion story around mirrorÂ
Portrait of wealth: oranges, fur, lace, expensive rug, etc.
Isenheim Altarpiece
1512-16Â
Matthias GrumewaldÂ
Oil on woodÂ
Moveable shrine, box of sculptures with wings, physical and physiological torments
Designed for hospitalÂ
Adam and Eve
1504
Albrecht Durer (“Leonardo” or “Michelangelo” of Northern Renaissance)  Â
Engraving Â
Hypothesis: advertisement for Durer
Allegory of Law and Grace
1530Â
Lucas Cranach the ElderÂ
Woodcut and letterpressÂ
Argument about why reformations are needed
Left: Catholic→fear of judgment, etc.Â
Right: Protestant →no fear, everyone is saved because of Jesus’ sacrificeÂ
PROPAGANDA!Â
Hunters in the Snow (winter)
1565Â
Peter Bruegel the ElderÂ
Oil on woodÂ
One of six paintingsÂ