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Low angle shot

a shot composed below the eyeline of a character, often generating a feeling of power or dominance

high angle shot

a shot composed with the camera above the eyeline of a character, often generating a feeling of smallness or insignificance

transitions

the change from one shot to another, either done by a hard cut or an effect

fade-ins

a transitional effect where a shot rises in visibility over tme

fade-outs

a transitional effect where a shot rises in visibility over time

dissolves

a transitional effect where one shot fades in and another fades out simultaneously

cutting on action

a transition between shots that alternates at the moment of an action’s occurrence

visual lexicon

the shared set of meaningful units in our collective cinematic language: images, angles, transitions, camera moves that we all understand mean something to the plot or emotion of the film

close-up

a shot filmed with the camera mere inches from the action in frame

medium shot

a shot filmed with the camera a few feet from the action in the frame

long shot

a shot filmed with the camera several yards from the action in frame

Rear projection

In-camera effect of combining foreground performances with pre-filmed backrounds

Shot

one continuous capture of a span of action by motion picture camera

cut

a transition between two shots

montage

a series of seperate images, moving or still, that are edited together to create a continuous sequence