Development of Western Music in Europe (ca. 450-ca.1450)

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Guillaume de Machaut

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Guillaume de Machaut

________ (1300- 1377) started to compose "musical labyrinth "or what we call "isorhythm.

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2

Perotin

________ brought that pulse and rhythm to Notre Dames sacred music and developed a system to notate it.

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3

Plainchants

________ developed separately everywhere in Christian Europe depending on the local tastes and traditions but it was at first all orally transmitted and memorized.

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4

primitive stage of polyphony

It is generally considered as the most ________ in Western music.

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5

Organum

________: centuries later, they added a second line to the main melody with different notes but always going in parallel.

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6

courts of Al Andalous

The troubadours were themselves inspired by the professional singers of the ________ in Muslim Spain.

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7

Organum

centuries later, they added a second line to the main melody with different notes but always going in parallel

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8

rhythm notation

Inspired by the troubadours (traveling poets, songwriters, musicians), Perotin brought a big new ingredient to western music: ______________

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9

monophonic

For centuries, plainchant or plainsong was __________ and transmitted orally from monk to monk or nun to nun.

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10

the main shape of the melody.

To memorize all the hymns, monks created a type of notation to remember ____________________________.

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11

Guido of Arrezo (~AD 1000)

created a system of notating pitches

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12

Authorship

People claimed their name as composers on a piece.

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13

Perotin

a young composer working at Notre Dame of Paris in France, became known for his radical approach to harmony and also for his development of rhythm notation.

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