Early Renaissance in Italy

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21 Terms

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early renaissance setting

florence

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Pope Julius II

most important patron to fund the arts

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humanists emerge

  • if there is no afterlife, people should pursue happiness

  • drew out human potential

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intellectual developments

  • christianity and philosophy merge

  • more education

  • artists are viewed as intellects

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hierarchy of the arts

  1. Painting

  2. Architecture

  3. Sculpture (seen as dirty work, until Michelangelo)

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the church and patrons were important for art because they

funded them

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northern art characteristics

surface texture focused (textiles)

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italian art focus

  • capturing body mass, form, and perspective

  • human subjects (man was the greatest gift from God)

  • psychologically sophisticated (captured emotions)

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Massacio painting

  • fresco

  • storytelling painting (roman style) of Peter finding coin in fish mouth to pay tax

  • used architecture of where the painting is to its advantage, painted shadows are in alignment with window irl

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battle of the nudes

tool to study human anatomy and muscles

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Botticelli’s Venus

  • commissioned by the Medici family

  • inspired by northern textile style

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the Medici family

  • rich and basically royal family of Florence

  • symbolized by oranges

  • helped fund a lot of art

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Camera Picta by Mantegna

  • pov looking up to angels

  • using architecture to accentuate paintings and perspective

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Trompe L’oeil

“fool the eye”

using perspective as optical illusion

french

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di sotto in su

from below upwards

italian

looking up at ceiling for illusion

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crossing in architecture

long center aisle with cross in middle to be in shape of a cross

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italian architecture

  • did not want to resemble northern architecture (especially flying buttresses)

  • complete round dome

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octogonal dome

completely rounded dome without supports (no flying buttresses!)

  • created by goldsmith Brunelleschi

  • combined italian and northern architecture

  • has supports within instead of outside

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arcades

columns in a square of a courtyard

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david by donatello

  • young boy who killed goliath

  • first full figure nude since the roman times

  • disliked due to sexual undertones (hat) especially when gays were prevalent (including donatello)

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penitent magdalene

  • depicted mary in a raw way

    • symbolized she did not need beauty but focused on God alone