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early renaissance setting
florence
Pope Julius II
most important patron to fund the arts
humanists emerge
if there is no afterlife, people should pursue happiness
drew out human potential
intellectual developments
christianity and philosophy merge
more education
artists are viewed as intellects
hierarchy of the arts
Painting
Architecture
Sculpture (seen as dirty work, until Michelangelo)
the church and patrons were important for art because they
funded them
northern art characteristics
surface texture focused (textiles)
italian art focus
capturing body mass, form, and perspective
human subjects (man was the greatest gift from God)
psychologically sophisticated (captured emotions)
Massacio painting
fresco
storytelling painting (roman style) of Peter finding coin in fish mouth to pay tax
used architecture of where the painting is to its advantage, painted shadows are in alignment with window irl
battle of the nudes
tool to study human anatomy and muscles
Botticelli’s Venus
commissioned by the Medici family
inspired by northern textile style
the Medici family
rich and basically royal family of Florence
symbolized by oranges
helped fund a lot of art
Camera Picta by Mantegna
pov looking up to angels
using architecture to accentuate paintings and perspective
Trompe L’oeil
“fool the eye”
using perspective as optical illusion
french
di sotto in su
from below upwards
italian
looking up at ceiling for illusion
crossing in architecture
long center aisle with cross in middle to be in shape of a cross
italian architecture
did not want to resemble northern architecture (especially flying buttresses)
complete round dome
octogonal dome
completely rounded dome without supports (no flying buttresses!)
created by goldsmith Brunelleschi
combined italian and northern architecture
has supports within instead of outside
arcades
columns in a square of a courtyard
david by donatello
young boy who killed goliath
first full figure nude since the roman times
disliked due to sexual undertones (hat) especially when gays were prevalent (including donatello)
penitent magdalene
depicted mary in a raw way
symbolized she did not need beauty but focused on God alone