Renaissance Painting Mediums: Fresco, Tempera, and Oil

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Flashcards covering key concepts about fresco, tempera, and oil painting mediums, their techniques, terminology, and stylistic implications from the lecture notes.

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16 Terms

1
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What are the three painting mediums most popular in the Renaissance discussed in the notes?

Fresco, tempera, and oil.

2
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How does the medium affect a painting's style?

The material dictates what the work can do and how it looks; medium affects style.

3
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What is Buon Fresco?

Painting in wet plaster; plaster sets in 6-8 hours; pigment binds while the plaster is wet; used for large-scale wall surfaces.

4
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Why are fresco paintings often executed on a large scale?

Fresco is designed for large wall surfaces and must be legible from a distance.

5
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What is a giornata in fresco painting?

A day's work; the patch of plaster painted in a single day; final fresco is a patchwork of giornate.

6
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What is sinopia and what is its role in fresco?

An ink wash drawing on rough plaster representing the initial design; served as a guide and the final fresco may differ from it.

7
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What was the purpose of the scaffolding in Michelangelo's Sistine Ceiling project?

To reach high areas; a scaffold could slide along the length, allowing frescoing without dismantling and re-erecting.

8
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Why does fresco tend to lack fine, fussy detail?

Because it is painted on wet plaster with limited time per giornata, forcing quick execution and large-scale focus.

9
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What is tempera, and what binder does it use?

A painting medium that uses egg yolk as the binder for pigment on panel paintings.

10
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What steps are involved in preparing tempera panel paintings?

Prepare a wooden panel with many coats of gesso, make an underdrawing, then apply gilding (bole for gold adherence) and gold leaf; pigments mixed with egg yolk and vinegar.

11
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What is bole in gilding?

A tacky clay laid down to provide a surface for gold to adhere to.

12
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How is gold leaf prepared and applied in tempera works?

Gold wafers are overlapped, beaten to thinness by gold beaters, then burnished and tooled with punches to catch light.

13
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What are the characteristic effects of tempera on form and edges?

Dried quickly, cannot be applied in large brushstrokes, and emphasizes edges with thin linear brushwork; forms often outlined.

14
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Which Botticelli painting is cited as an example of tempera, and what is its look?

Birth of Venus; forms appear as flat shapes described by lines, like cut-out shapes.

15
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What are the main properties and benefits of oil as a painting medium?

Oil uses linseed or walnut oil as binder; slow drying; allows richer color, deeper shadows, softer rendering, and fine detail through layering.

16
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What is an example of an oil painting mentioned in the notes?

Andrea del Sarto, Madonna of the Harpies, 1515.