Acrylic Painting Materials and Techniques Quiz

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20 Terms

1
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Has coarse fibers /great for working in oils or acrylics to push thick paint around and leave visible strokes.

Bristle Brush

2
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Soft fibers used with thin or watery paints give the ability to change the shape of the stroke and leave little or no brushstrokes

Hair Brush

3
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Is great for creating dabs, dots and very small, precise strokes.

Round Brush

4
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Wide, and straight along the top it creates a wide stroke when pulled in one direction, and a narrow stroke when pulled along their edge.

Flat Brush

5
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The blade has a pointed tip, lowered or "cranked" like a trowel and can be shaped like a triangle, rectangle or a diamond.

Painting Knife

6
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A long flexible, blade with a rounded tip used to mix your colors.

Palette Knife.

7
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A liquid used to add transparency and give a non-shiny characteristic to the paint surface

.Matte Medium

8
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A paste-like consistency used to add shininess and transparency to the paint while maintaining an impasto viscosity.

Gloss Gel Medium

9
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Paint that has a paste like consistency and holds defined brush strokes.

Impasto.

10
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Creating a painting all in one sitting, usually a wet in wet technique.

Alla Prima

11
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A thin application of paint, similar to a glaze, but using semi-opaque and opaque pigments to alter the effect of the underlying paint. Usually applied with quite a dry brush effect.

Scumble

12
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scratching through a surface to reveal a lower layer of a contrasting color, typically done in a wet paint layer to reveal a dry layer below.

Sgraffito

13
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a thin watery consistency of paint diluted just with water. It is most commonly used in the first blocking in stages of the painting, to gain an overall sense of the colour scheme.

Wash

14
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the liquid part of the paint, in which the dry pigment is dispersed.

Vehicle

15
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is anything you mix in with the paint to change its consistency.

Medium

16
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Natural or synthetic materials are finely ground and mixed with a liquid vehicle into a paste to make paint. gives different properties (opacity, durability, light-fastness) to the paint.

Pigment

17
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is where the brush will make contact with the surface you are painting

Tip/Toe

18
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It is the fattest part of the head and serves as a reservoir for paint.

Belly

19
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Where the fibers of a brush enter the ferrule

Heel

20
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The metal part of the brush that attaches the glued bristles to the handle.

Ferrule