Italian Renaissance Terms

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SIUE Art 449

Last updated 5:48 AM on 3/4/25
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19 Terms

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Linear Perspective

a type of perspective used by artists in which the relative size, shape, and position of objects are determined by drawn or imagined lines converging at a point on the horizon.

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Atmospheric Perspective

a kind of perspective in which objects that are further away are increasingly visually affected by the atmosphere with the goal of creating the illusion of depth in the artwork

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Foreshortening

the technique of depicting an object or human body in a picture so as to produce an illusion of projection or extension in space.

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Coffers

a square or polygonal ornamental sunken panel used in a series as decoration for a ceiling or vault.

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Fluting

A molding of convex section formed in the flutes of a column

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Column Types

columns (Doric, Ionic, Corinthian, and Tuscan), arcades (series of arched columns) and intricate tracery (or carvings)

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Levels of Holiness

Seen in Massacio’s Trinity, dead people, patrons, St. John the Baptist & the Virgin Mary, Jesus & God & Holy Spirit all in a pyramid.

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Disegno

the Italian word for drawing or design

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Tabernacle Eucharist

a fixed, locked box in which the Eucharist (consecrated communion hosts) is stored as part of the "reserved sacrament" rite

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Rustification

a style of masonry giving stones a deliberately rough finish

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Cenotaph

a monument to someone buried elsewhere, especially one commemorating people who died in a war.

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Avelli

pulpits and tombs

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Neo-Platonism

“the individual soul, considered as intellect, is divine” Platonic philosophy that emerged in the 3rd century AD against the background of Hellenistic philosophy and religion.

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Cassone

Marriage chest brought with a women from her families home to her husbands home to teach her how to be a wife and the husband how to lead.

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“ALOE” Angel, Lion, Ox, & Eagle

Matthew, Mark, Luke, & John

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The Medicis

Cosimo, Piero, Lorenzo

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Court Cities

Mantua- Gonzaga Family,

Ferrara- Este Family,

Urbino- Montefeltro family,

Naples- House of Aragon 

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Contrapposto

stance of marble statues where weight is shifted to one side on a leg. 

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