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Aisles
a passage along either side of a nave, separated from the nave by a row of columns or piers.
Anamorphic
distorted image that is stretched out and must be viewed at an angle or with a mirror to see the image in its correct shape.
Appropriation
borrowing images, objects, or ideas and inserting them into another context. atmospheric perspective: a means of representing distance based on the way atmosphere affects the human eye, where details are lost, outlines are blurred, colors become paler, and color contrasts less pronounced.
Baptistry
building or room in a church reserved for the sacrament of baptism.
Barrel vault
also called a tunnel vault; a semi-cylindrical ceiling that consists of a single curve.
Basilica
a longitudinal building with multiple aisles and an apse, usually located at the east end.
Calligraphy
(Greek for “beautiful writing”) the art of expressive, decorative, or carefully descriptive hand lettering or handwriting.
Cartoon
derived from the Italian word cartone, which refers to a large piece of paper; a to-scale drawing made in preparation for a wall painting.
Cartouche
a carved or painted box, tablet, shield, or scroll that provides an inscription
Central plan
a design for an architectural structure, whether round, polygonal, or cruciform, that features a primary central space surrounded by symmetrical areas.
Chiaroscuro
in two-dimensional artworks, the use of light and dark contrasts to create the impression of volume when modeling three-dimensional objects and figures.
Classical column orders
a codified grouping of columns and capitals that originated in ancient Greece with the Doric order (a spare, round capital), Ionic order (a scrolled capital), and Corinthian order (an ornate capital with acanthus leaves), to which the ancient Romans added the Tuscan order (a variant on the Doric) and Composite order (a mixture of the Ionic and Corinthian).
Coffer, coffered
a recessed panel, or series of panels, in a ceiling.
Continuous narrative
multiple events combined within a single pictorial frame.
Contrapposto
from the Italian for “counterpoise,” a posture of the human body that shifts most weight onto one leg, suggesting ease and potential for movement.
Corbeled vault
an arched ceiling constructed by offsetting successive rows of stone (corbels) that meet at the top to form an arch shape.
Diptych
a two-part work of art, often two panels attached together.
Dome
a roof that projects upward in the shape of the top half of a sphere.
Drum
(1) cylindrical stone block that forms part of a column.(2) a wall (most often cylindrical) that supports a dome.
Engraving
a printmaking technique where the artist gouges or scratches the image into the surface of the printing plate; the engraved lines are filled with ink, which is transferred to the paper during the printing process.
Façade
any exterior vertical face of a building, usually the front.
Figurative
art that portrays human or animal forms.
Flying buttress
in architecture, a supporting pier that extends, or “flies,” from an external wall, with an arch that provides additional support to the wall while allowing space for windows.
Foreshortening
in two-dimensional artworks, the illusion of a form receding into space: the parts of an object or figure closest to the viewer are depicted as largest, those furthest as smallest.
Fresco
a wall or ceiling painting on wet plaster (also called true fresco or buon fresco); wet pigment merges with the plaster, and once hardened the painting becomes an integral part of the wall; painting on dry plaster is called fresco secco.
Gothic
western European medieval style primarily of the mid-twelfth to fifteenth centuries, characterized in architecture by the use of pointed arches and rib vaults.
Hierarchical scale
the use of size to denote the relative importance of subjects in an artwork.
High relief
raised forms that project far from a flat background.
Hip roof
a roof that slopes upward from all four sides of a building.
Iconography
the visual images or symbols used by artists within their work to convey specific meaning.
Idealized
a depiction that is more beautiful and perfect than the actual subject.
Illuminated manuscript
an illustrated, handwritten book, with such decorative elements as ornate initials, chapter headings, text borders, and framed images that supplement the text.
Italo-Byzantine
synonym for maniera greca.
Loggia
a covered gallery or walkway open on one or more sides and supported by columns or arches.
Lost-wax casting
a method of creating metal sculpture in which a clay mold surrounds a wax model and is then fired; when the wax melts away, molten metal is poured in to fill the space.
Low relief
(also called bas-relief) raised forms that project only slightly from a flat background.
Maniera greca
Italian for “Greek manner,” a style characterized by flat figures placed within a shallow space set against a gold background; a synonym for Italo-Byzantine style.
Mannerism
particular stylistic characteristics—intellectual sophistication and artificial elegance—found in sixteenth-century European art.
Material culture
the materials, objects, and technologies that accompany everyday life.
Medallion
a circular or oval-shaped emblem.
Millefleur
a tapestry background characterized by a green meadow populated with a profusion of plants and flowers; literally translates as “a thousand flowers.”
Monogram
a motif made from letters, often overlapping or formed in a distinctive way to create a symbol.
Mosaic
a picture or pattern made from the arrangement of small colored pieces of hard material, such as stone, tile, or glass
Narthex
the entrance hall or vestibule of a church.
Nave
the central aisle of a basilica or a church.
Oculus
(plural oculi) a round, eye-like opening in a ceiling or roof.
Orthogonal
when creating perspective in two dimensions, the diagonal parallel lines (visible or invisible) that recede from an object in the foreground or midground to a vanishing point on the horizon line.
Pediment
an architecture the triangular component that sits atop a columned porch doorway or window.
Perspective
the two-dimensional representation of a three-dimensional object or a volume of space.
Pictorial narrative
storytelling in pictures that presents a connected sequence of events.
Plateresque
a Spanish late Gothic and early Renaissance architectural style that consists of intricate low-relief carving with rich surface detail that recalls work in silver and other precious metals.
Polychrome
displaying several different colors.
Polyptych
a work of art with more than three parts, usually attached together.
Porcelain
a smooth, translucent ceramic made from kaolin clay fired at very high temperatures.
Portico
a projecting structure with a roof supported by columns typically functions as a porch or entrance.
Predella
a wooden step or platform that supports an altarpiece and is often painted with related scenes.
Putto
(plural putti) a chubby male child usually nude and sometimes winged.
Registers
a horizontal section of a work, usually a clearly defined band or line
Renaissance
a period of classically inspired cultural and artistic change in Europe from approximately the fourteenth to the mid sixteenth centuries.
Rib-vault
a vault consisting of numerous intersecting ribs, often associated with Gothic architecture.
Tapestry
a decorative textile in which pictures and/or designs are woven into the fabric.
Tempera
a fast-drying paint made from a mixture of powdered pigment and a binding agent, typically egg yolk.
Triptych
a three-part work of art, often three panels attached together.
Trompe l’oeil
from the French meaning to “deceive the eye”; a visual illusion in art, in which a painted image appears as a three-dimensional object.
Tympanum
(plural tympana) a lunette-shaped space above a portal; often filled with relief sculpture.
Vanishing point
when discussing perspective in two dimensions, the point on the horizon at which parallel lines seemed to converge and disappear.
Volute
a decorative element in the form of a coiled scroll.
Woodcut
a relief printing process where the image is carved into a block of wood; the raised areas are inked.
Who created Madonna and Child Enthroned with Angels and Prophets?
Cimabue
When was Madonna and Child Enthroned with Angels and Prophets created?
1280
How was Madonna and Child Enthroned with Angels and Prophets created?
Tempera on panel
What style is Madonna and Child Enthroned with Angels and Prophets?
Italo-Byzantine
Who created Madonna and Child Enthroned?
Giotto di Bondone
When was Madonna and Child Enthroned created?
1305 to 1310
How was Madonna and Child Enthroned created?
Tempera on panel
What style is Madonna and Child Enthroned?
Proto-Renaissance/Early Renaissance
Who created Annunciation?
Fra Angelico
When was Annunciation created?
Begun in 1439
How was Annunciation created?
Fresco
What style is Annunciation?
Early Renaissance
Who created David (1) ?
Donatello
When was David (1) created?
1440
How was David (1) created?
Bronze
What style is David (1)?
Early Renaissance
Who created the Birth of Venus?
Sandro Botticelli
When was the Birth of Venus created?
1482
How was the Birth of Venus created?
Tempera on canvas
What style is the Birth of Venus?
Early Renaissance
Who created Christ Delivering the Keys to Saint Peter?
Perugino
When was Christ Delivering the Keys to Saint Peter created?
1481 to 1483
How was Christ Delivering the Keys to Saint Peter created?
Fresco
What style is Christ Delivering the Keys to Saint Peter?
Early Renaissance
Who created the Feast of Herod?
Donatello
When was the Feast of Herod created?
1427
How was the Feast of Herod created?
Gilt bronze panel on the base of the baptismal font
Where is the Feast of Herod located?
Baptistery of San Giovanni, Siena Cathedral, Italy
What style is the Feast of Herod?
Early Renaissance
Who created Camera degli Sposi?
Andrea Mantegna
When was Camera degli Sposi created?
1465 to 1474
How was the Camera degli Sposi created?
Fresco