Art/Arch Exam #1

Giotto, Joachim in the Wilderness, Annunciation to Anna, Meeting at the Golden Gate, Raising of Lazarus, Crucifixion, Lamentation, 1305-6, Arena Chapel, Padua

Giotto, Last Judgment, fresco in the Arena Chapel (Scrovegni Chapel), 1305, Padua, Italy

Enrico Scrovengi assisted by a priest presents the chapel to the Virgin Mary and two other figures, Giotto, Last Judgment, c. 1305 fresco cycle (Arena Scrovegni Chapel), Padua, Italy

Filippo Brunelleschi, Nave, Church of San Lorenzo, Florence, begun c. 1421

Leon Battista Alberti, Church of Sant’ Andrea, Mantua, 1470s.

Donatello, David, c. 1440-1460 BC, Bronze, 5’2 ¼” high. Museo Nazionale del Bargello, Florence, Italy.

Leon Battista Alberti (architect), Palazzo Rucellai. Florence, Italy, c. 1450 BC, stone, masonry.

Donatello, Saint Mark the Evangelist, originally displayed on the exterior of Orsanmichele, Florence, Italy. 1411-1413, marble, 93” high.

Masaccio’s fresco of The Tribute Money in the Brancacci Chapel, Santa Maria del Carmine, Florence, ca. 1427

Masaccio, Expulsion of Adam and Eve from Paradise, fresco in the Brancacci Chapel, Santa Maria del Carmine, Florence ca. 1427, 84 x 35”

The Medici Venus. Roman copy of Greek statue, Villa Medici, Florence, Italy, 1st century BCE, marble, height 5’ (1.53) without base

Giovanni Battista Cima de Conegliano (Italian), ‘Saint Sebastian’, about 1500. National Gallery, London.

Masaccio, Trinity with the Virgin, Saint John Evangelist, and Donors, Church of Santa Maria Novella, Florence, ca. 1425-1428. Fresco. 21’x10’5” (6.4 x 3.17 m)

Robert Campin (Master of Flemalle) and assistant, Mérode Altarpiece (Triptych of the Annunciation), c. 1425-1428. The Metropolitan Museum of Art, New York. oil on wood. Center 24 ¼” x 24 ⅞” (64.1 x 63.2 cm); each wing approx. 25 ⅜” x 10 ⅞” (64.5 x 27.6 cm)

Jan van Eyck, Man in a Red Turban (Self-Portrait?), 1433, oil on panel, 13 ⅛” x 10 ¼”. National Gallery, London.

Jan van Eyck, The Arnolfini Portrait, c. 1434 CE, oil on wood, 33 x 23”. National Gallery, London.

Jan van Eyck. Netherlandish, c. 1390-1441. The Annunciation, c. 1434/1436. Oil on canvas transferred from panel painted surface: 90.2 x 34.1 cm.

open

Jan van Eyck, Ghent Altarpiece, 1432, oil on panel, height 11’6” (closed), approx 11’6” x 15’1” (open). Saint Bavo Cathedral, Ghent, Belgium.

(closed picture)

Leonardo da Vinci, Star of Bethlehem and Other Plants, ca. 1505-8, pen and red pencil, 8” x 6”. The Royal Collection of Queen Elizabeth II.

Leonardo da Vinci, Studies of the Human Figure, ca. 1505.

Leonardo da Vinci, Vitruvian Man, c. 1490. Galleria dell’Accademia, Venice. Ink. approx. 13 ½ x 9 ⅝” (34.3 x 25.5 cm)

Leonardo da Vinci (Italy), Portrait of Ginevra de Benci, 1470s (1474-1478). Oil of panel. National Gallery of Art, Washington, DC.

Sandro Botticelli, Portrait of a Young Woman, c. 1495, tempera on wood, 61 x 40.5 cm (Pitti Palace).

Leonardo da Vinci, Virgin of the Rocks, ca. 1485, oil on wood (transferred to canvas), 6’3” x 3’7”. Louvre, Paris.

Leonardo da Vinci, Mona Lisa, c. 1503. Oil on panel, 30 ¼” x 21” (76.8 x 53.3 cm). Musée du Louvre, Paris.

Leonardo da Vinci, The Last Supper, wall painting in the refectory of the Monastery of Santa Maria delle Grazie, Milan, Italy, ca. 1495-98, 15’2” x 28’10”

Michelangelo, David, 1501-1504. Marble, Galleria dell’Accademia, Florence, 17’ (5.18 m)

Michelangelo, Sistine Chapel, Ceiling and altar wall frescoes. Vatican City, Italy. Ceiling frescoes: c. 1508-1512; altar frescoes: c. 1536-1541 CE

Creation of Adam, ignudi, Temptation of Adam and Eve and Expulsion from Eden, The Deluge (Flood), The Prophet Jeremiah, The Libyan Sibyl, The Delphic Sibyl

Raphael, Disputa (Disputation over the Sacrament), 1510-11, fresco, Stanza della Segnatura, Vatican, Rome.

Raphael, School of Athens, 1509-11 CE, fresco. Stanza della Segnatura, Vatican Palace, Rome.

Sofonisba Anguissola, Self-Portrait, c. 1552. Oil on parchment on cardboard, 2 ½” x 3 ¼” (6.4 x 8.3 cm). Museum of Fine Art, Boston.

Sofonisba Anguissola, Self-Portrait with Bernardino Campi, late 1500s, oil on canvas, 43 ¾ x 43 ⅛”. Pinacoteca Nazionale, Sienne, Italy.

Sofonisba Anguissola, Portrait of the Artist’s Three Sisters with Their Governess, 1555, oil on canvas, 28” x 37”. Narodowe Museum, Poznán, Poland.

Giorgione, The Tempest, c. 1506. Oil on canvas, 31” x 28 ¾” (79.4 x 73 cm). Galleria dell’Accademia, Venice.

Titian and Giorgione (?), The Pastoral Concert, ca. 1508, 43 x 54”, oil on canvas, Musée du Louvre, Paris.

Giovanni Bellini and Titian, Feast of the Gods, 1514; reworked by Titian 1529. National Gallery of Art, Washington DC.

Titian, Venus of Urbino, 1538.

Jacopa de Pontormo, Entombment of Christ. 1525-1528 CE, oil on wood. Church of Santa Felicita, Florence.

Parmigianino, Madonna with the Long Neck, 1534-40, oil on wood panel, 7’1” x 4’4”. Galleria degli Uffizi, Florence.

Parmigianino, Self-Portrait in a Convex Mirror, 1524, oil on panel, diameter 9’5”. Kunsthistorisches Museum, Vienna.

Matthias Grunewald (Germany), Isenheim Altarpiece, ca. 1510-15, oil on wood, Musée d’Unterlinden, Colmar, France.

Albrecht Dürer (Germany), Self-Portrait, 1498. Museo del Prado, Madrid.

Albrecht Dürer, Adam and Eve, 1504. Engraving, 9 ⅞” x 7 ⅝” (25.1 x 19.4 cm). Philadelphia Museum of Art.

Hieronymus Bosch (Netherlands), Garden of Earthly Delights (center); Creation (left wing); The Damned (right wing), c. 1505-1515. Oil on wood panel, center panel 7’2 ½” x 6’4 ¾” (2.20 x 1.95 m), each wing 7’2 ½” x 3’2” (2.20 x 0.97 m). Museo del Prado, Madrid.

El Greco (Spain), The Burial of Count Orgaz, 1586, Oil on canvas, 16’ x 12’. Church of Santo Tomé, Toledo, Spain.

Fra Filippo Lippi, Madonna and Child with Two Angels, c. 1465 CE. Tempera on wood, 36 x 25”. Uffizi, Florence.

Sandro Botticelli, Primavera (Spring), 1482, tempera on wood panel, 6’8” x 10’4”. Galleria degli Uffizi, Florence. From right to left: Zephyr, Chloris, Flora, Venus, Three Graces, Mercury. Cupid is above Venus.

Sandro Botticelli, Birth of Venus, c. 1484-1486. Tempera on canvas, 5’8 ⅞” x 9’1 ⅞” (1.8 x 2.8 m). Galleria degli Uffizi, Florence.