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Vocabulary flashcards covering core musical concepts such as motive, theme, harmony, consonance, dissonance, and texture types based on lecture notes.
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Motive
A distinctive fragment of a melody or distinctive rhythm used to construct tunes, melodies, and themes, which can be repeated, transposed, reversed, inverted, or fragmented.
Theme
The basic subject matter for a piece of music, which is usually a melody and can be a phrase, motive, tune, or tone color.
Harmony
Simultaneous pitches that serve as accompaniment for a melody, helping to guide and reinforce its emotional content and modal tendencies (major/minor).
Chords
Groupings of simultaneous pitches that create a shifting sound background for a melody.
Consonance
A quality of sound that feels pleasing or stable, with octaves being the most consonant.
Dissonance
A quality of sound that sounds discordant and creates tension, leading to a desire to resolve to consonance.
Texture
An aspect of music that can be specific (monophony, polyphony, homophony, silence) or ambiguous and described only by its relationship to something else.
Monophonic Texture
A specific musical texture consisting of a single melodic line with no accompaniment or harmony.
Polyphonic Texture
A specific musical texture featuring multiple melodic voices that are to a considerable extent independent from or in imitation with one another.
Homophonic Texture
A specific musical texture with multiple voices where one melody stands out prominently while others form a background harmonic accompaniment, with all parts having essentially the same rhythm in block chords.
Timbre (Tone Color)
The instruments or combinations of instruments used in a piece, serving as an ambiguous element that contributes to texture.
Range
An ambiguous element contributing to musical texture that describes how high or low the music is.
Dynamics (Volume)
An ambiguous element contributing to musical texture that tends to affect timbre.
Density
One of the ambiguous elements that contributes to musical texture.
Syrinx
A piece composed by Claude Debussy (d. 1918) presented as an example of monophonic texture.