Music 261 Final Exam

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Thematic lessons focusing on integrating subject matter are more effective when topical rather than process oriented.

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Music

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1

Thematic lessons focusing on integrating subject matter are more effective when topical rather than process oriented.

False

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2

The most difficult of the integrated curricula to create is:

Immersion

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3

Integration requires the same level of knowledge and skills as those needed for planing single discipline lesson plans:

False

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4

The simplest and lowest level of integration is:

Connection

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5

Potpourri, in lesson integration, refers to:

Losing focus and substance by random inclusion in lesson design

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6

The most common structure of informal assessment and evaluation is:

Assessment by observation

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7

Sequential lessons mean that activities should be:

Constructed to move from simple to more complex concepts

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8

According to the text, the assessment and evaluation of students at the close of a lesson plan are:

Formal and informal

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9

Objectives make lesson goals operation by stating specifically how a learner will demonstrate an understanding of the concept through observable behavior(s):

True

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10

Educators develop the curriculum for their own classroom and the personal method or methods to achieve the goals.

True

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11

“How many students have been to the circus?” is an example of:

A meaningful introductory statement

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12

Duration is:

The length of time a sound lasts

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13

A linear succession of pitches refers to:

Melody

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14

Simultaneously occurring pitches refers to:

Harmony

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15

Musical structure refers to:

Form

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16

Which musical element refers to tone color?

Timbre

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17

Form is found in all art forms

True

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18

Which element of music contains pulse?

Rhythm

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19

In which element of music do the pitches move up, down, or stay the same?

Melody

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20
<p>The notes below move:</p>

The notes below move:

Down

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21
<p>The notes below move:</p>

The notes below move:

Up

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22
<p>The note below represents the following pitch:</p>

The note below represents the following pitch:

F sharp

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23
<p>These notes below move:</p>

These notes below move:

Same

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24
<p>This symbol below is referred to as:</p>

This symbol below is referred to as:

Flat

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25
<p>This note should be held:</p>

This note should be held:

Two beats

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26
<p>This symbol is referred to as:</p>

This symbol is referred to as:

Quarter rest

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27
<p>In stick notation, this symbol represents:</p>

In stick notation, this symbol represents:

Eighth note

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28
<p>This note should be held:</p>

This note should be held:

One beat

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29

The Alphabetic notation for Sol is:

G

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30

A brief rhythmic and/or melodic figure or pattern that recurs throughout a composition as a unifying element is:

A motive

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31

A form consisting of an original theme followed by a contrasting section, then the statement again, and a different contrasting section, and ending with the original theme is:

Rondo form

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32

Tactile or concrete items used to help make abstract concepts tangible for students are referred to as:

Manipulatives

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33

Students can be made aware of musical rhythm by:

Engaging language as a tool for learning duration and accent

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34

The basic concepts of expression are:

Dynamics, articulation, and tempo

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35

Which of the following is NOT an articulation directive?

Adagio

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36

Two terms that suggest a manner or style of performance but do not affect a change in tempo are:

Cantabile and con fuoco

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37

The melodic feature of same or different must be established first for students to illustrate the melodic contour of a piece of music.

True

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38

The basic concepts of musical form are:

Contrast and repetition

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39

The musician’s guide for an expressive performance is/are:

Musical notation

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40

More than one melodic line performed at the same time is:

Polyphony

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41

Songs with repeated music but different words are labeled as:

Strophic songs

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42

Most children acquire a sense of beat:

Only as a result of repeated experiences

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43

Which of the following is NOT a dynamic marking?

Giocoso

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44

________ can be developed into ____________

Percepts - concepts

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45

A melodic line performed with accompaniment is:

Homophony

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46

Patsching is:

A form of body percussion

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47

The type of dance activity that requires the highest degree of student skill and ability is:

Formal dance activities

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48

An activity that pertains to bodily movement is:

Kinesthetic

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49

Non-locomotor movement refers to:

Movement activities in which the student is stationary

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50

Another term for action song is:

Play party games

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51

Multi-sensory teaching means the teacher is:

All of these options - Using play party games to guide movement activities, using icons to introduce accent groupings, and using patsch to keep the beat

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52

The following are elements that can be applied to elements in visual arts and music:

Contour, pattern, color

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53

Iconography can be used to help make abstract concepts more concrete in visual arts and music.

True

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54
<p>The following images correspond or are representational of:</p>

The following images correspond or are representational of:

Contour

<p>Contour</p>
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55

The relationship between music and visual arts is primarily visual.

False

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56

Visual art and music stimulate exploration and provide ways that allow for self-directed experimentation.

True

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57

Form is similar in both visual art and music in which of the following ways?

When sections are tied together or unified by an idea (a melody, a theme, a motive).

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58

Onomatopoeic words can:

Suggest sounds that become music

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59

Music compositions that are based on stories are referred to as:

Programmatic music

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60

Chanting a rhythmic ostinato will help the student:

Develop an inner sense of rhythm

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61

Musical beat or pulse is best represented through the following language arts form:

Poetry

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62

Pulse in poetry and song is best reinforced by physical actions such as clapping or patsch.

True

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63

Creativity is a direct means of student knowledge through skilled technical development of the musical elements.

False

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64

The natural connection between the study of mathematics and music is:

Musical rhythm and musical notation

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65

Music can be combined with the study of science through:

The construction of musical instruments

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66

An important element to be considered when including multicultural music in instruction is the context of the music in the culture from which it comes.

True

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67

If multicultural music is introduced into the elementary classroom the teacher should:

Concentrate on only one culture

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68

An effective teaching strategy for integrating multicultural music in social studies lessons is to include students whose culture is represented in the classroom and/or community.

True

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69

Modeling by the teacher is an important element in teaching multicultural music. Modeling techniques could include:

Listening to recordings and performances by multi-ethnic artists

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70

Recordings are one of the most authentic means of enabling students to hear or see the performed music.

True

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71

Which of the following is NOT appropriate when teaching a song using an accompaniment?

Having the entire class play accompaniment while they sing.

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72

Which of the following is NOT an element to consider when selecting vocal literature for elementary grades?

Key Signature

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73

The downbeat is:

The first accented beat of a song.

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74

When teaching a song by rote, the teacher should:

Divide the song into short phrases and teach the song using an echo approach

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75

When giving verbal cue, the teacher should:

Combine it with a visual cue

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76

An anacrusis is:

The unaccented sounds preceding the first beat

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77

When a song moves by skips and leaps, the melody is said to be:

Disjunct

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78

After a slight pause following the giving of the starting pitch, the teacher should talk a gentle breath and:

Lift her head

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79

Teaching by rote is also known as:

Lining out and echo teaching

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80

A suitable activity for closure after singing a song would be to:

Review what was learned in the lesson and sing the song in its entirety

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81

The term “chunking” refers to:

Dividing a song into phrases

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82

The most appropriate range for a vocal selection for a kindergarten class would have the range from:

D above Middle C to A above middle C

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83

Vocal warm-ups help young students to:

Relax and sing at different dynamic levels and learn to control the voice

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84

The solfège hand sign system is an efficient method for:

Teaching inner hearing, teaching melodic direction, and teaching intervals

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85

Animation means that the teacher is:

Changing his facial expressions

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86

During the listening activity, the teacher is an active participant in the lesson by:

Maintaining frequent eye contact with the students and using facial expressions and body language that indicate enthusiasm

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87

Limiting the students’ sensory input helps them to focus on their listening skills.

True

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88

For a listening activity, the first time the students hear the selection:

The teacher should give specific guidelines for listening before the activity begins

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89

If a listening activity has a second hearing, the activity for the second hearing should be identical to the activity for the first hearing.

False

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90

Which of the following should be considered when planning a listening activity?

Integration of the activity into the students’ lives and experiences, teacher participation in the activity, and age-and-grade-appropriate selection

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91

Stretching, bending, swaying, clapping, swinging, or bouncing are examples of:

Non-locomotor movements

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92

Snapping, clapping, or swaying can be categorized as:

Abstract movements

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93

Which of the following is NOT a best practice in teaching movement activities?

Use music that is the most familiar to students

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94

In developing the body awareness that allows them to move freely in space, without inhibition, students should be involved in both locomotor and non-locomotor activities.

True

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95

A student’s first introduction to movement activities should be:

Exploratory movement and musical experiences

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96

Movement assists children to coordinate cognitive development in music.

True

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97

Two types of creative movement are _____ and _________.

Free and dramatic

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