Thematic lessons focusing on integrating subject matter are more effective when topical rather than process oriented.
False
The most difficult of the integrated curricula to create is:
Immersion
Integration requires the same level of knowledge and skills as those needed for planing single discipline lesson plans:
False
The simplest and lowest level of integration is:
Connection
Potpourri, in lesson integration, refers to:
Losing focus and substance by random inclusion in lesson design
The most common structure of informal assessment and evaluation is:
Assessment by observation
Sequential lessons mean that activities should be:
Constructed to move from simple to more complex concepts
According to the text, the assessment and evaluation of students at the close of a lesson plan are:
Formal and informal
Objectives make lesson goals operation by stating specifically how a learner will demonstrate an understanding of the concept through observable behavior(s):
True
Educators develop the curriculum for their own classroom and the personal method or methods to achieve the goals.
True
“How many students have been to the circus?” is an example of:
A meaningful introductory statement
Duration is:
The length of time a sound lasts
A linear succession of pitches refers to:
Melody
Simultaneously occurring pitches refers to:
Harmony
Musical structure refers to:
Form
Which musical element refers to tone color?
Timbre
Form is found in all art forms
True
Which element of music contains pulse?
Rhythm
In which element of music do the pitches move up, down, or stay the same?
Melody
The notes below move:
Down
The notes below move:
Up
The note below represents the following pitch:
F sharp
These notes below move:
Same
This symbol below is referred to as:
Flat
This note should be held:
Two beats
This symbol is referred to as:
Quarter rest
In stick notation, this symbol represents:
Eighth note
This note should be held:
One beat
The Alphabetic notation for Sol is:
G
A brief rhythmic and/or melodic figure or pattern that recurs throughout a composition as a unifying element is:
A motive
A form consisting of an original theme followed by a contrasting section, then the statement again, and a different contrasting section, and ending with the original theme is:
Rondo form
Tactile or concrete items used to help make abstract concepts tangible for students are referred to as:
Manipulatives
Students can be made aware of musical rhythm by:
Engaging language as a tool for learning duration and accent
The basic concepts of expression are:
Dynamics, articulation, and tempo
Which of the following is NOT an articulation directive?
Adagio
Two terms that suggest a manner or style of performance but do not affect a change in tempo are:
Cantabile and con fuoco
The melodic feature of same or different must be established first for students to illustrate the melodic contour of a piece of music.
True
The basic concepts of musical form are:
Contrast and repetition
The musician’s guide for an expressive performance is/are:
Musical notation
More than one melodic line performed at the same time is:
Polyphony
Songs with repeated music but different words are labeled as:
Strophic songs
Most children acquire a sense of beat:
Only as a result of repeated experiences
Which of the following is NOT a dynamic marking?
Giocoso
________ can be developed into ____________
Percepts - concepts
A melodic line performed with accompaniment is:
Homophony
Patsching is:
A form of body percussion
The type of dance activity that requires the highest degree of student skill and ability is:
Formal dance activities
An activity that pertains to bodily movement is:
Kinesthetic
Non-locomotor movement refers to:
Movement activities in which the student is stationary
Another term for action song is:
Play party games
Multi-sensory teaching means the teacher is:
All of these options - Using play party games to guide movement activities, using icons to introduce accent groupings, and using patsch to keep the beat
The following are elements that can be applied to elements in visual arts and music:
Contour, pattern, color
Iconography can be used to help make abstract concepts more concrete in visual arts and music.
True
The following images correspond or are representational of:
Contour
The relationship between music and visual arts is primarily visual.
False
Visual art and music stimulate exploration and provide ways that allow for self-directed experimentation.
True
Form is similar in both visual art and music in which of the following ways?
When sections are tied together or unified by an idea (a melody, a theme, a motive).
Onomatopoeic words can:
Suggest sounds that become music
Music compositions that are based on stories are referred to as:
Programmatic music
Chanting a rhythmic ostinato will help the student:
Develop an inner sense of rhythm
Musical beat or pulse is best represented through the following language arts form:
Poetry
Pulse in poetry and song is best reinforced by physical actions such as clapping or patsch.
True
Creativity is a direct means of student knowledge through skilled technical development of the musical elements.
False
The natural connection between the study of mathematics and music is:
Musical rhythm and musical notation
Music can be combined with the study of science through:
The construction of musical instruments
An important element to be considered when including multicultural music in instruction is the context of the music in the culture from which it comes.
True
If multicultural music is introduced into the elementary classroom the teacher should:
Concentrate on only one culture
An effective teaching strategy for integrating multicultural music in social studies lessons is to include students whose culture is represented in the classroom and/or community.
True
Modeling by the teacher is an important element in teaching multicultural music. Modeling techniques could include:
Listening to recordings and performances by multi-ethnic artists
Recordings are one of the most authentic means of enabling students to hear or see the performed music.
True
Which of the following is NOT appropriate when teaching a song using an accompaniment?
Having the entire class play accompaniment while they sing.
Which of the following is NOT an element to consider when selecting vocal literature for elementary grades?
Key Signature
The downbeat is:
The first accented beat of a song.
When teaching a song by rote, the teacher should:
Divide the song into short phrases and teach the song using an echo approach
When giving verbal cue, the teacher should:
Combine it with a visual cue
An anacrusis is:
The unaccented sounds preceding the first beat
When a song moves by skips and leaps, the melody is said to be:
Disjunct
After a slight pause following the giving of the starting pitch, the teacher should talk a gentle breath and:
Lift her head
Teaching by rote is also known as:
Lining out and echo teaching
A suitable activity for closure after singing a song would be to:
Review what was learned in the lesson and sing the song in its entirety
The term “chunking” refers to:
Dividing a song into phrases
The most appropriate range for a vocal selection for a kindergarten class would have the range from:
D above Middle C to A above middle C
Vocal warm-ups help young students to:
Relax and sing at different dynamic levels and learn to control the voice
The solfège hand sign system is an efficient method for:
Teaching inner hearing, teaching melodic direction, and teaching intervals
Animation means that the teacher is:
Changing his facial expressions
During the listening activity, the teacher is an active participant in the lesson by:
Maintaining frequent eye contact with the students and using facial expressions and body language that indicate enthusiasm
Limiting the students’ sensory input helps them to focus on their listening skills.
True
For a listening activity, the first time the students hear the selection:
The teacher should give specific guidelines for listening before the activity begins
If a listening activity has a second hearing, the activity for the second hearing should be identical to the activity for the first hearing.
False
Which of the following should be considered when planning a listening activity?
Integration of the activity into the students’ lives and experiences, teacher participation in the activity, and age-and-grade-appropriate selection
Stretching, bending, swaying, clapping, swinging, or bouncing are examples of:
Non-locomotor movements
Snapping, clapping, or swaying can be categorized as:
Abstract movements
Which of the following is NOT a best practice in teaching movement activities?
Use music that is the most familiar to students
In developing the body awareness that allows them to move freely in space, without inhibition, students should be involved in both locomotor and non-locomotor activities.
True
A student’s first introduction to movement activities should be:
Exploratory movement and musical experiences
Movement assists children to coordinate cognitive development in music.
True
Two types of creative movement are _____ and _________.
Free and dramatic