Also called a proposal, prospectus, or pitch on paper (POP)
In some cases, it includes a detailed business plan, put together by a professional
Advertisers
A subscription base
From an expanding range of other revenue streams
Their current programming
The company history
What they’ve paid for similar content
Other details that tell you if this is the right fit for your project
Branding
Programming schedule
Public image
Overall vision
Financial capabilities
Brand
Logo
Mission statement
Demographics of the audience
Primary advertisers or subscribers
Budget range
Family and relatives
Friends and colleagues
Fellow and former students and professors
Actors
Writers
Directors
Producers
Lawyers
Agents
Managers
Investment brokers and accountants
Professors
Other professional and creative people
TV and its many formats
The Internet
Video on demand
DVD
Cellular technology
Portable media players
Video games
Finding in-depth technical, creative, legal, and fiscal information
Researching books and online information and articles
Talking to producers, professors, and international producers and buyers
Taking advantage of classroom instruction, and attending professional conferences and seminars that focus on television and new media
Cable
Syndication
Other markets
Start with the studio’s executives
Come from independent producers or production companies, packaging agencies or other sources
Local protocol
Tastes
Language
Subtle change
By selling your idea to a broadcast network, such as NBC, CBS, ABC, Fox, or the CW, you are likely to be well paid because your program reaches an audience of many millions
Networks are under pressure by advertisers to bring in high audience ratings and to adhere to certain constraints and formulas, so each network has a Standards and Practices department with strict guidelines that dictate parameters for a program’s themes and creative risk-taking
Cable channels such as Discovery, The History Channel, A&E, National Geographic, or MTV are also advertiser-supported, yet tend to have lower production budgets with more creative leeway for the producer
Ratings play an important role, but they are measured in much smaller increments than those of the networks
Advertisers tend to create their ads around specific niche interests and demographics; they can object, to or withdraw ad sales if they disagree with programming content
Cable’s creative latitude allows for storylines that incorporate more sex, violence, and adult content than the networks
Creative control is a key benefit to most producers. You’re more likely to have that control from premium cable channels, like HBO and Showtime
Their budgets tend to be lower than the networks’, they don’t have advertisers to harness them
Their subscriber base is a loyal one, and their ratings aren’t as big a concern as they are for the networks
There are few boundaries on adult content or complex themes
Individual memberships
Private corporations
Grants
City, state, and/or federal funding
The traditional role of public television has been to air educational and entertaining programming via independent, noncommercial, local, and national public television stations
A station can acquire programs that have been independently produced, or it can partially or fully fund and develop a project. Budgets are generally medium to low, and each station adheres to specific standards for the programs it broadcasts
Many producers find that if their project is aired on a local public television station, it can subsequently be picked up by other local or national stations
Children’s shows
Daytime talk shows geared mostly toward women’s interests and social issues
Home shopping
Local weather
How-to shows
News
Traffic
Information
Network
Syndicator
Producers
Paid-programming infomercials
VOD, or video on demand, is available everywhere
You can download thousands of choices directly into an Apple TV or Xbox
Some viewings are free, and others are inexpensive to rent or buy
Some programs are the first broadcast on a network or cable station or online, are aired a second, maybe a third time, and then go into syndication or reruns
Now, entire seasons of most hit shows are repackaged and sold in DVD sets
These rights may be solely for home video, with other rights belonging to airing online or another repurposing of the material
The opening and/or closing credits of a television show
The Internet
Variety
The Hollywood Reporter